Theater
2689 results
Page 83
Philly Fringe 2018: maura ampersand doug presents Doug Williams's 'Bon Iver Fights a Bear'
Creature fear
‘Bon Iver Fights a Bear,’ the latest work from playwright Douglas Williams, explores the hipster folk musician’s origin story. Cameron Kelsall reviews.
Articles
2 minute read
Philly Fringe 2018: Pratima Agrawal’s ‘Voided’
Lost in space
In ‘Voided,’ a playwright/performer grapples with the question of how to discover and represent someone else, and introduces us to a woman we should all know — if we can grasp her. Alaina Johns reviews.
Articles
3 minute read
Philly Fringe 2018: Tongue & Groove’s ‘FEEL’
Feeling groovy
Tongue & Groove's life-based improv explores relationships through emotions in their new format, FEEL, debuting in the Fringe. Mark Cofta reviews.
Articles
3 minute read
Philly Fringe 2018: Half Key Theatre Company’s ‘Behold Her’ (first review)
In her own image
The history of Jewish women takes center stage in ‘Behold Her,’ a Fringe Festival entry from Half Key Theatre Company. Cameron Kelsall reviews.
Articles
3 minute read
Philly Fringe 2018: Trey Lyford’s ‘The Accountant’ (second review)
A little paper goes a long way
The Curated Fringe visits an aging office clerk who’s consumed by regret and loss, rendered in piquant detail in The Accountant. Helen Walsh reviews.
Articles
2 minute read
Philly Fringe 2018: Chris Davis’s ‘The Presented’
The essence of the Fringe
‘The Presented,’ the latest one-person show from Chris Davis, gives off an old-school Fringe Festival vibe. Cameron Kelsall reviews.
Articles
2 minute read
Philly Fringe 2018: Heiner Goebbels’s ‘Stifter’s Dinge’
When are things not things?
What do inanimate objects demand for themselves? This performative installation in the Curated Fringe lets them speak. Gail Obenreder reviews.
Articles
3 minute read
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Philly Fringe 2018: Trey Lyford's 'The Accountant' (first review)
It all adds up
Trey Lyford's lovely and haunting new work in the Curated Fringe explores the inner life of a lonely office worker. Mark Cofta reviews.
Articles
2 minute read
Philly Fringe 2018: IRC’s ‘The Eccentricities of a Nightingale’
These eccentricities fit right in
For this year’s Fringe, Idiopathic Ridiculopathy Consortium puts an absurdist spin on Tennessee Williams’s ‘The Eccentricities of a Nightingale.’ Cameron Kelsall reviews.
Articles
3 minute read
Philly Fringe 2018: Filitalia International & Company Aiello’s ‘Onwards and Upwards’
A dream in limbo
Angelo Aiello’s original production 'Onwards and Upwards' gets lost in transit. Ostensibly an exploration of Italian American immigration and the immigrant experience, it lacks polish and a plot, leaving its audience adrift. Helen Walsh reviews.
Articles
2 minute read