Fringe collage

All of BSR's 2026 Fringe reviews at a glance

Check out the full list of our writers' 2026 Fringe reviews, updated throughout the festival

We're reviewing dozens of shows in this year's Fringe festival. Find them all at a glance here.

Reviews 2 minute read
Two hand-drawn signs feature dinosaurs & bones, one reading “Closing the academy is a bone-headed move”

Inside the rally to save the Academy of Natural Sciences

People fighting “truth decay” in the age of AI want to keep Philly’s natural sciences museum open

On September 8, one week after the shocking news broke that the Academy of Natural Sciences will close at the end of September, the community rallied to save it. Anndee Hochman was there.
Anndee Hochman

Anndee Hochman

Features 6 minute read
The cast of five poses singing onstage in a variety of outfits, Kristin Finger at center in a shiny multicolored suit

1812 Productions presents Jennifer Childs and Mary Carpenter’s This Should Never Be a Musical

The rest they make up

1812 Productions creates an outlandish new work every night in This Should Never Be a Musical. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Reviews 3 minute read
Gold, with long frizzy hair, glasses, and a black tee, gestures dramatically forward, with Braslavsky in the background

Philly Fringe 2026: Savannah Reich presents The Groundhog

Professors are people, too

Savannah Reich’s hilarious The Groundhog, imagining one professor’s career-ending class on the Harold Ramis film Groundhog Day, gets its world premiere in this year’s Fringe. Evan Schares reviews.
Evan Schares

Evan Schares

Reviews 3 minute read
Tuomanen, a white person, sits on the floor like a baby, wearing a white kerchief, bib, and diaper.

Philly Fringe 2026: BETTY presents Dickie Dickie Dicky Donnie

The abject wonder of infancy

The theater collective BETTY (MK Tuomanen, Shelby Richardson, and Paul Kruse) premieres Dickie Dickie Dicky Donnie, an ode to the human experience of infants, in this year’s Fringe. Josh Herren reviews.
Josh Herren

Josh Herren

Reviews 2 minute read
A crowd of people in different colorful clothes socialize outside the tall brick façade of the FringeArts building.

The editor’s guide to the 2026 Philly Fringe

Check here for curated listings and mini-reviews throughout the festival

See where editor Alaina Johns is heading in this year’s Fringe and get her recommendations with mini-reviews that will be updated right here throughout the festival. Check back often!
Alaina Johns

Alaina Johns

Previews 22 minute read
The DuBois women, in colorful bronze & purple coifs, sit by the artwork with serious expressions, wearing loose blue dresses

Philly Fringe 2026: The Colored Girls Museums presents Say It Loud: I’m Black and I’m Proud

A cozy visual feast in a Germantown cultural oasis

The Colored Girls Museum, a real home in Germantown that also serves as a museum celebrating the Black community, joins this year’s Fringe with a special interactive tour. An Nichols reviews.
An Nichols

An Nichols

Reviews 3 minute read
Sazak, with long dark hair, wears loose white clothes and covers their eyes, by big origami-style paper fortune tellers

Philly Fringe 2026: Cannonball presents Izzy Sazak’s TUZLUK

A mixed-race coming-of-age story

Izzy Sazak, a Turkish Colombian American trans-disciplinary artist, writer, and teacher, brings their solo show, TUZLUK, to the Philly Fringe. Krista Mar reviews.
Krista Mar

Krista Mar

Reviews 3 minute read
Polistina, a young white woman with wavy red hair and 19th-century garb, smiles with her hands on her head.

Philly Fringe 2026: Lemonade Stand presents Carly Polistina’s Jane Eyre Wasn’t a Whore

Theater and literature nerds unite!

Imagine a jukebox musical where the jukebox plays audiobooks and there’s only one actor onstage, and you might get Jane Eyre Wasn’t a Whore, onstage in this year’s Fringe. Jill Ivey reviews.
Jillian Ashley Blair Ivey

Jillian Ashley Blair Ivey

Reviews 3 minute read
Waterman, a white woman with glasses & brown hair, sits next to a creepy black puppet that looks like a tortured mummy

Philly Fringe 2026: The Lemonade Stand presents Lindsey Walko’s Bog Man

A haunted actor

The Lemonade Stand hub of the Fringe presents Lindsey Walko’s Bog Man, an intriguing one-woman show that struggles to fully explore its concept. Kiran Pandey reviews.
Kiran Pandey

Kiran Pandey

Reviews 3 minute read
Ngo, in a striped sleeveless dress, sorts envelopes, looking concerned. Gold, in black jacket & cap, looks in intently behind

Philly Fringe 2026: Ninth Planet presents Holy Fool

Perceiving grief

Ninth Planet is back with a new experimental dance/theater show in this year’s Fringe, exploring the ways we grieve, and are perceived in our grief. Krista Mar reviews.
Krista Mar

Krista Mar

Reviews 3 minute read
A man in striped pajamas strikes an elongated dramatic pose with all of his limbs at strange angles.

Philly Fringe 2026: Cannonball presents William Trevino’s LIGEIA

Poe meets martial arts

New York-based performer and theater professor William Trevino brings his unique one-man adaptation of Edgar Allan Poe’s Ligeia
to this year’s Philly Fringe. David Block previews.
David Block

David Block

Previews 2 minute read
Closeup on Crone as he gestures with a dart toward a black & white Vietnam War-era photo on the bullseye, a hole at center

Philly Fringe 2026: Yellow Bicycle Collective presents Joshua Crone’s Waiting for Westy

A promising but bloated Vietnam war drama

Joshua Crone’s Waiting for Westy, a promising but overlong drama tackling the legacy of the Vietnam War and its echoes today, appears in this year’s Philly Fringe. Josh Herren reviews.
Josh Herren

Josh Herren

Reviews 3 minute read

Sign up for our newsletter

All of the week's new articles, all in one place. Sign up for the free weekly BSR newsletters, and don't miss a conversation.

Also on BSR

Show title above an illustration of a man’s head looking outward, the back of his head terminating in machine-like tendrils

Fringe Festival 2026: Don Allen presents Human in the Loop

The human remains in command?

Don Allen’s Fringe entry, Human in the Loop, takes audiences on an AI-guided therapy session before the artist overrides it to make his own decisions. Emily Esten reviews.
Emily Esten

Emily Esten

Reviews 3 minute read
Mitchell, a white woman in a blonde wig, white dress, and fake pregnant belly, smiles while holding a rose.

Philly Fringe 2026: Dumb Hub presents Hannah Mitchell’s TRAD

Loving the Lord, your husband, and the audience

With audience interaction and sharp physical comedy, Hannah Mitchell’s Fringe entry TRAD skewers the phenomenon of the American tradwife. Jill Ivey reviews.
Jillian Ashley Blair Ivey

Jillian Ashley Blair Ivey

Reviews 3 minute read
View from above of five women posing calmly together in and around a claw-foot tub in a small apartment bathroom.

Philly Fringe 2026: Corps de Ballet PHL presents Dancing in Yesterday’s Stage Makeup

Exploring the inner lives of dancers

A new collective of Philly ballerinas joins the Fringe to offer their window on dancers’ favorite thing to do after the show is over: keep on dancing. Camille Bacon-Smith reviews.
Camille Bacon-Smith

Camille Bacon-Smith

Reviews 3 minute read
Four diverse dancers interact in a dreamy, sea-like setting, three embracing tenderly and one leaning away.

Philly Fringe 2026: FringeArts presents Nichole Canuso | Branching Paths’ Lunar Retreat

Exploring life’s tides, within and without

Nichole Canuso’s 2026 entry in the curated Fringe Festival creates an immersive experience in University City’s Pearlstein Gallery, where you can choose the length of your adventure. Camille Bacon-Smith reviews.
Camille Bacon-Smith

Camille Bacon-Smith

Reviews 3 minute read
11 diverse people in modern casual summer clothes pose smiling together outdoors on a large bench.

Philly Fringe 2026: Cannonball Festival presents Joel De Jesus-Pacheco’s Amor/Libertad Part 1

Imagining the future of an independent Puerto Rico

Fringe entry Amor/Libertad Part 1 is a heartfelt drama exploring the tensions of political oppression in relationships, set in Puerto Rico between the present day and an imagined future. Vicky Diaz-Camacho reviews.
Vicky Diaz-Camacho

Vicky Diaz-Camacho

Reviews 3 minute read
Ryan, a white man in a navy sweater, moves through a giant, dramatically lit pile of white soap bubbles.

Philly Fringe 2026: FringeArts presents Daniel Fish’s Kramer/Fauci

A bureaucrat and a firebrand walk into C-SPAN

This year’s curated Fringe includes Kramer/Fauci, director Daniel Fish’s vision of a trenchant 1993 interview between public health official Dr. Anthony Fauci and activist Larry Kramer. Josh Herren reviews.
Josh Herren

Josh Herren

Reviews 3 minute read
Two white men with white towels around their waists sit together on spa-style benches, lit in red from below.

Philly Fringe 2026: Cannonball presents Ben Grinberg’s Plausible Deniability v. 0.1

Immersively thirsty

A new work-in-progress from Ben Grinberg and Almanac Projects combined gravity-defying acrobatics with an immersive steam-room setting. Evan Schares reviews.
Evan Schares

Evan Schares

Reviews 2 minute read
Baccellieri, a Black person in a minstrelsy-style clown mask, bowler, and bloody white gloves, holds an American flag.

Philly Fringe 2026: Cannonball presents Julia Baccellieri’s Strange Root, or the murder of PT Barnum By Joice Heth

The return of Strange Root

Multidisciplinary dance and circus artist Julia Baccellieri, a Chicago native, returns to the Philly Fringe with an updated iteration of their 2025 Strange Root performance. An Nichols reviews.
An Nichols

An Nichols

Reviews 4 minute read
Jain, wearing a suit smeared with clay, grasps a large ceramic vessel and hides his face in the opening.

Philly Fringe 2026: Cannonball presents Justin Jain’s BAD CLAY

Ceramic choreography on the American experiment

BAD CLAY, Justin Jain’s 2026 Fringe entry combines sculpture, live pottery, and physical performance to reflect on our American moment. Evan Schares reviews.
Evan Schares

Evan Schares

Reviews 2 minute read
El-Amin, a Black man with a short gray beard, wearing a tweed pageboy hat and blazer, sits on a stool.

The Resident Ensemble Players present August Wilson’s How I Learned What I Learned

Inside the artistic journey of an American theater icon

REP opens its new season with an impressive production of August Wilson’s How I Learned What I Learned, exploring the great American playwright’s own journey. Gail Obenreder reviews.
Gail Obenreder

Gail Obenreder

Reviews 3 minute read