Fall is in full swing, and this weekend is packed with happenings to entertain, inspire, and feed your spirit and body as the light dwindles and autumn colors creep in. Vicky Díaz-Camacho rounds up.
After many wonderful years with Kyle V. Hiller, BSR is thrilled to welcome our new associate editor, Vicky Díaz-Camacho. She shares her path as a journalist and producer from El Paso to Kansas to Philly, and she has questions for you.
With its latest ensembled-devised show, Run Ben Run, Applied Mechanics combines American history, pop culture, art criticism, and more in an interactive experience at Christ Church Neighborhood House. Jill Ivey reviews.
A four-mile public procession led by award-winning interdisciplinary artist Wanda Raimundi-Ortiz celebrates the resilience and the beauty of Philly’s Puerto Rican community. Constance Garcia-Barrio looks closer.
In her new survey of Philly rock radio icon WMMR, longtime music director Erin Riley gets the station’s story in dozens of interviews with the pioneering personalities who drove its success. Pamela J. Forsythe reviews.
Jen Silverman adapts the 17th-century tragicomedy The Witch of Edmonton into a sizzling modern-ish fable with all the same questions about womanhood, now onstage at Quintessence. Gabrielle Kaplan-Mayer reviews.
A timely expansion of Penn history professor Daniel K. Richter’s book Native Americans and Pennsylvania brings new scholarship to the history of Indigenous life in what is now Pennsylvania. Pamela J. Forsythe
Founders of Philly independent press This Must Be the Place present their first show with a selection of paintings and a book release by artists Jaither West and Eric Stewart. Anndee Hochman previews.
Stars and Stripes Forever! celebrates America’s Semiquincentennial in dance and Philadelphia Ballet’s first season in its new Center for Dance at Broad and Wood Street. Melissa Strong previews.
The Arden opens its 2026-27 season with Girl from the North Country, featuring a script by Conor McPherson and music by Bob Dylan. It feels like less than the sum of its parts. Josh Herren reviews.
Philly’s 250-themed events are going strong as we round the corner into October. Enjoy the fall weather at historic festivals and tours, catch some dance or theater, and see what’s happening at local museums. Walt Maguire rounds up.
As the weather crisps to Autumn, we turn our sights to the ReelAbilities film festival in New Jersey, Moore College of Arts's new exhibit, and Chestnut Hill's seven-block festival for the arts. Vicky Diaz-Camacho rounds up.
Big Babies, the latest world premiere from David Lee White and Kate Brennan, about a dinner party for parents of toddlers (and their wacky neighbors), is onstage at Pier Players Theatre Company. Walt Maguire reviews.
Classical music offerings in the Philly region are as rich as ever this October, with Philly premieres (Suddenly Last Summer) alongside canon favorites (Don Giovanni), a major rediscovery, and more. Gail Obenreder rounds up.
The October dance calendar balances several important local performances with notable visiting companies and other events for dance lovers, including classes and discussions. Camille Bacon-Smith rounds up.
October brings lots of scary screenings, naturally, but there’s plenty more in the mix, including a Talking Heads classic, 1949’s The Heiress, Sofia Coppola’s 2006 Marie Antoinette, and lots more. Stephen Silver rounds up.
As we finalize the transition to our new associate editor in October, An Nichols steps up with a Weekly Roundup to get your October arts calendar started, featuring theater, music, and famous resistance fighters.
Philly’s October theater scene brings notable regional premieres including Bess Wohl’s Liberation and Jen Silverman’s Witch, and lots more, including a classic horror adaptation. Cameron Kelsall rounds up.
Playwright DJ Hills’s Horsegirl & Cowdaddy gets its world premiere at the Wilma, exploring the power of transformation and the possibilities of putting down roots at home. Gabrielle Kaplan-Mayer reviews.
Theatre Contra joins this year’s Fringe with an eight-person rendition of all five Twilight movies…performed in just one hour(ish). Adryan Corcione reviews.
How does it feel to look at nothing, a world premiere from Holland Andrews and yuniya edi kwon in this year’s curated Fringe, is not quite an opera as billed, but it’s an ambitious, immersive, and visually stunning work. Krista Mar reviews.