Theater
2688 results
Page 83
Philly Fringe 2018: Pratima Agrawal’s ‘Voided’
Lost in space
In ‘Voided,’ a playwright/performer grapples with the question of how to discover and represent someone else, and introduces us to a woman we should all know — if we can grasp her. Alaina Johns reviews.
Articles
3 minute read
Philly Fringe 2018: Tongue & Groove’s ‘FEEL’
Feeling groovy
Tongue & Groove's life-based improv explores relationships through emotions in their new format, FEEL, debuting in the Fringe. Mark Cofta reviews.
Articles
3 minute read
Philly Fringe 2018: Half Key Theatre Company’s ‘Behold Her’ (first review)
In her own image
The history of Jewish women takes center stage in ‘Behold Her,’ a Fringe Festival entry from Half Key Theatre Company. Cameron Kelsall reviews.
Articles
3 minute read
Philly Fringe 2018: Trey Lyford’s ‘The Accountant’ (second review)
A little paper goes a long way
The Curated Fringe visits an aging office clerk who’s consumed by regret and loss, rendered in piquant detail in The Accountant. Helen Walsh reviews.
Articles
2 minute read
Philly Fringe 2018: Chris Davis’s ‘The Presented’
The essence of the Fringe
‘The Presented,’ the latest one-person show from Chris Davis, gives off an old-school Fringe Festival vibe. Cameron Kelsall reviews.
Articles
2 minute read
Philly Fringe 2018: Heiner Goebbels’s ‘Stifter’s Dinge’
When are things not things?
What do inanimate objects demand for themselves? This performative installation in the Curated Fringe lets them speak. Gail Obenreder reviews.
Articles
3 minute read
Philly Fringe 2018: Trey Lyford's 'The Accountant' (first review)
It all adds up
Trey Lyford's lovely and haunting new work in the Curated Fringe explores the inner life of a lonely office worker. Mark Cofta reviews.
Articles
2 minute read
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Philly Fringe 2018: IRC’s ‘The Eccentricities of a Nightingale’
These eccentricities fit right in
For this year’s Fringe, Idiopathic Ridiculopathy Consortium puts an absurdist spin on Tennessee Williams’s ‘The Eccentricities of a Nightingale.’ Cameron Kelsall reviews.
Articles
3 minute read
Philly Fringe 2018: Filitalia International & Company Aiello’s ‘Onwards and Upwards’
A dream in limbo
Angelo Aiello’s original production 'Onwards and Upwards' gets lost in transit. Ostensibly an exploration of Italian American immigration and the immigrant experience, it lacks polish and a plot, leaving its audience adrift. Helen Walsh reviews.
Articles
2 minute read
Philly Fringe 2018: Elephant Room Productions presents Lisa Villamil's 'Salamander'
Desperate remedies for drastic problems
Elephant Room Productions' Fringe Fest entry explores sexual assault in the poetic yet starkly real new play 'Salamander' by Lisa Villamil. Mark Cofta reviews.
Articles
3 minute read