Theater
2679 results
Page 81
Philly Fringe 2018: Svaha Theatre Collective's' Long Trouble' and 'Phaedra's Love'
The crown is burning
Svaha Theatre Collective's two productions skewering royalty, 'Long Trouble,' and 'Phaedra's Love,' result in something greater than the sum of their parts. Mark Cofta reviews.
Articles
3 minute read
Philly Fringe 2018: Lee Minora’s ‘White Feminist’ (second review)
Becky's back
What do I do about justice? What do you do? Lee Minora brings her hit one-woman satire to the Fringe. Alaina Johns reviews.
Articles
3 minute read
Philly Fringe 2018: Lee Minora's 'White Feminist'
Pussy-hat politico
Lee Minora's Fringe-hopping one-woman show, 'White Feminist,' offers strong satire with a brilliant twist. Mark Cofta reviews.
Articles
3 minute read
Lantern Theater Company presents Tom Stoppard's 'Hapgood'
The spy who bored me
‘Hapgood,’ at Lantern Theater Company, finds Tom Stoppard at his most self-consciously dense. Cameron Kelsall reviews.
Articles
3 minute read
Philly Fringe 2018: Half Key Theatre Company presents Arden Kass's ‘Behold Her’ (second review)
5,000 years of beauty
This Fringe show sets out to explore images and expectations of Jewish beauty, but ends up taking in a lot more. Alaina Johns reviews.
Articles
3 minute read
Philly Fringe 2018: Kylie Westerbeck's 'Peg!'
Manic silliness from a magical girl
Kylie Westerbeck's 'Peg!' introduces a relentlessly optimistic Minnesotan who captures our hearts. Mark Cofta reviews.
Articles
2 minute read
Philly Fringe 2018: Lisa Grunberger's 'Almost Pregnant'
The art and science of babymaking
The quest for a child drives Lisa Grunberger's moving new play ‘Almost Pregnant.’ Mark Cofta reviews.
Articles
2 minute read
Philly Fringe 2018: Wilma Theater presents James Ijames's 'Kill Move Paradise'
Ghosts in the machine
The power of ‘Kill Move Paradise,’ James Ijames’s bracing new play at the Wilma Theater, lies in its sad ambiguity. Cameron Kelsall reviews.
Articles
3 minute read
Philly Fringe 2018: Trey Lyford's 'The Accountant' (third review)
Piece of Krapp
Bloated and self-indulgent, Trey Lyford’s ‘The Accountant’ offers little insight on the banality of corporate culture. Cameron Kelsall reviews.
Articles
3 minute read
Philly Fringe 2018: Sarah Knittel’s ‘NIGHTMARE FUEL’
Exorcising the ex
‘NIGHTMARE FUEL,’ a scary, sticky, freshly rebirthed gem in this year’s Fringe Fest, is worth the trip. Alaina Johns reviews.
Articles
2 minute read