Theater

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Fight looks different for everyone: Claris Park, Kimie Muroya, Stephanie Kyung Sun Walters, and Annie Fang in InterAct’s ‘Man of God.’ (Image courtesy of InterAct.)

InterAct Theatre Company presents Anna Moench’s ‘Man of God’

A violating eye

InterAct’s ‘Man of God’ exposes the danger between vulnerability and shame, as four teenage girls far from home discover that someone is watching them. Christina Anthony reviews.
Christina Anthony

Christina Anthony

Articles 3 minute read
This premise doesn’t lack dramatic potential: Monique Robinson, Ryan George, Grace Experience, and Ellen McLaughlin in ‘Midwives.’ (Photo by T. Charles Erickson.)

George Street Playhouse presents Chris Bohjalian’s ‘Midwives’

A difficult stage delivery

‘Midwives,’ an adaptation of Chris Bohjalian’s best-selling novel, gets a rocky birth onstage at George Street Playhouse. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 3 minute read
An extremely talented trio: Marcia Saunders, Graham Smith, and Janis Dardaris in ‘The Children’ at People’s Light. (Image courtesy of People’s Light.)

People’s Light presents Lucy Kirkwood’s ‘The Children’

A fresh voice for old friends

In a fine production at People's Light, Lucy Kirkwood's 'The Children' brings a human scale to the kind of story that often feels overwhelming. Brad Rothbart reviews.
Brad Rothbart

Brad Rothbart

Articles 3 minute read
Hilarious chemistry: Ian Merrill Peakes and Karen Peakes in the Walnut’s ‘A Woman of No Importance.’ (Photo by Mark Garvin.)

The Walnut Street Theatre presents Oscar Wilde’s ‘A Woman of No Importance’

Wilde women

The Walnut’s ‘A Woman of No Importance’ proves that Wilde is still very much a welcome force on our stages. Christina Anthony reviews.
Christina Anthony

Christina Anthony

Articles 2 minute read
Stately and galvanic: Danielle Leneé in the Arden’s ‘My General Tubman.’ (Photo by Wide Eyed Studios.)

Arden Theatre Company presents Lorene Cary’s ‘My General Tubman’

The past is the present

‘My General Tubman,’ a skillful playwriting debut at the Arden from Philadelphia author Lorene Cary, binds the legacy of Harriet Tubman to the current moment in history. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 3 minute read
High schoolers in America have very real fears that didn’t exist a generation ago. (Photo courtesy of Philadelphia Young Playwrights.)

Philadelphia Young Playwrights presents Angelina DeMonte’s ‘Candles’

Not if, but when?

Authored by 10th-grader Angelina DeMonte, 'Candles' tells the story of every American teenager’s worst fear. Jill Ivey reviews.
Jillian Ashley Blair Ivey

Jillian Ashley Blair Ivey

Articles 4 minute read
Big robes to fill: Johnnie Hobbs, Jr. as Thurgood Marshall. (Photo by Mark Garvin.)

The Walnut Street Theatre presents George Stevens Jr.’s ‘Thurgood’

Finding the humanity in our heroes

A recounting of Thurgood Marshall’s life, now onstage at the Walnut, raises important questions about how we measure our heroes’ greatness—and who’s watching. Hanae Mason reviews.
Hanae Mason

Hanae Mason

Articles 5 minute read
Secrets emerge as a family attempts to survive: Kathleen Pirkl Tague and Stephen Pelinski in REP’s ‘Starter Pistol.’ (Photo by Evan Krape.)

Resident Ensemble Players presents Michael Gotch’s ‘Starter Pistol’

What would Walter say?

The Resident Ensemble Players take on the troubles of America in Michael Gotch’s latest play. Gail Obenreder reviews.
Gail Obenreder

Gail Obenreder

Articles 4 minute read

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What music does he want? Joey McIntyre as Orsino and Hannah Rose Caton as Viola in Two River's ‘Twelfth Night.’ (Photo by T. Charles Erickson.)

Two River Theater presents Shakespeare’s ‘Twelfth Night’

A mood unmoored

Two River Theater’s production of ‘Twelfth Night’ is visually appealing but tonally unbalanced. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 3 minute read
A tone poem, or a narrative drama? Saamer Usmani in McCarter’s ‘Goodnight Nobody.’ (Photo by T. Charles Erickson.)

McCarter Theatre Center presents Rachel Bonds’s ‘Goodnight Nobody’

A talk in the woods

‘Goodnight Nobody,’ a promising and well-produced world premiere at McCarter Theatre Center, still needs to figure out what kind of play it wants to be. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Articles 4 minute read