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Oh no, not an ice-breaker: Tanaquil Márquez, Bi Jean Ngo, Jennifer Childs, and Melanie Cotton in ‘The Way I Walk.’ (Photo by Bob Levan.)

1812 Productions presents ‘The Way I Walk’

CPR for Zoom fatigue

After 14 months of social distancing, 1812 Productions injects life into Zoom ubiquity with ‘The Way I Walk.’ Jill Ivey reviews.

Jillian Ashley Blair Ivey

May 11, 2021 Reviews 4 minute read

A scene from Fat Ham. A close-up on two Black men, one tenderly holding the other's head on his shoulder.

The Wilma presents James Ijames’s ‘Fat Ham’

A story all its own

The ‘Hamlet’-inspired ‘Fat Ham,’ James Ijames’s latest Wilma premiere, could have gone the route of tragedy porn, but it doesn’t end the way you expect. Hanae Mason reviews.

Hanae Mason

May 04, 2021 Reviews 3 minute read

All the hallmarks of Greek tragedy: Emilia Weiss and Walter DeShields in EgoPo’s ‘Nocturne.’ (Photo by Kevin Monko.)

EgoPo Classic Theater presents Adam Rapp’s ‘Nocturne’

The catharsis of watching together

EgoPo’s production of Adam Rapp’s 2001 ‘Nocturne’ defies the company’s “classic theater” mission, but feels nonetheless like a Greek tragedy, catharsis and all. Jill Ivey reviews.

Jillian Ashley Blair Ivey

May 04, 2021 Reviews 4 minute read

One of Philly’s acting treasures: Taysha Marie Canales in the Arden’s ‘No Child…’. (Photo courtesy of Arden Theatre Company.)

Arden Theatre Company presents Nilaja Sun’s ‘No Child…’

Teach the children well

In a strong streaming production from Arden Theatre Company, Nilaja Sun’s ‘No Child…’ explores the power of art and compassion. Cameron Kelsall reviews.

Cameron Kelsall

May 03, 2021 Reviews 4 minute read

Prodigious talents: real-life partners Rajeer Alford and Elena Camp team up for 11th Hour’s ‘Home Fries at Home.’ (Photo by Wide Eyed Studios.)

Philly Theatre Week: 11th Hour presents ‘Home Fries at Home: Music for the Soul’

Elena Camp and Rajeer Alford show off musical and epicurean talents in 11th Hour Theatre Company’s Philly Theatre Week streaming production, ‘Home Fries at Home: Music for the Soul.’ Brad Rothbart reviews.

Brad Rothbart

Apr 29, 2021 Reviews 3 minute read

Capturing Christie’s essence: playwright and director Michael Gotch (left) and Lee E. Ernst as Hercule Poirot. (Image courtesy of REP.)

Resident Ensemble Players present Agatha Christie’s ‘The Poirot Mysteries’

Little gray cells on the radio

Resident Ensemble Players closes its audio-streaming season with an Agatha Christie double-bill to delight Hercule Poirot devotees: ‘The King of Clubs’ and ‘The Cornish Mystery.’ Gail Obenreder reviews.

Gail Obenreder

Apr 26, 2021 Reviews 4 minute read

Is this really my fantasy? (Image courtesy of Lightning Rod Special.)

Lightning Rod Special presents Lee Minora and Scott Sheppard’s ‘Nosejob’

A feminist fantasy?

Lightning Rod Special launches a new series of audio works with ‘Nosejob,’ a story that connects a 9th-century nunnery to modern college kids, asking what really makes up our fantasies. Alaina Johns reviews.

Alaina Johns

Apr 20, 2021 Reviews 3 minute read

Academia is still full of professors who won't see their own fallacies. (Image courtesy of InterAct.)

InterAct Theatre Company presents Eleanor Burgess’s ‘The Niceties’

Nothing nice about it

InterAct’s virtual presentation of ‘The Niceties’ hits close to home for college students of color. Kyle V. Hiller reviews.

Kyle V. Hiller

Apr 20, 2021 Reviews 3 minute read

More than a geographic journey: Alice Yorke in ‘How to Be Brave.’ (Photo by Wide Eyed Studios.)

Inis Nua presents Siân Owen’s ‘How to Be Brave’

Bravery in simpler times

Inis Nua’s virtual presentation of ‘How to be Brave’ reminds us of the power of a small story well told. Joshua Herren reviews.

Josh Herren

Apr 18, 2021 Reviews 3 minute read

Nya (Sasha Allen) confronts a system that doesn’t serve people who look like her and her son (Brian Neal.) (Photo courtesy of SCTC.)

South Camden Theatre Company presents Dominique Morisseau’s ‘Pipeline’

Confronting the school system

The streaming regional premiere of Dominique Morisseau’s ‘Pipeline’ showcases the pluck and polish of South Camden Theatre Company. Cameron Kelsall reviews.