Theater

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Page 29
The stage is a salon. Two performers in chairs wear styling capes, another styling their hair. Truvy looks on from far left

Act II Playhouse presents Steel Magnolias

The delicate strength of intergenerational connection
Act II Playhouse’s production of the classic Steel Magnolias hopes to bring fresh perspective from its all-women cast and their lineages. Daralyse Lyons previews.

Daralyse Lyons

Previews 4 minute read
Bagby, a white man with short gray hair, performs in black with his hand-held wooden 6-string harp.

Penn Live Arts presents Benjamin Bagby’s Beowulf

Bagby mirrors the medieval bard
A thrilling performance from 21st-century bard Benjamin Bagby at Penn Live Arts brought the firelit mead hall of Beowulf to modern audiences. Gail Obenreder reviews.
Gail Obenreder

Gail Obenreder

Reviews 5 minute read
Scallen, Finister, and Robbins pose backstage, standing on a spiral staircase.

1812 Productions and Jennifer Childs present Broads

Legendary “naughty” comedy
1812 Productions presents Broads, a hit cabaret that celebrates the bawdiest, boldest, and funniest ladies of the 1920s through the 1960s. Kiran Pandey previews.
Kiran Pandey

Kiran Pandey

Previews 2 minute read
Lewis, a Black man, in character in uniform. Sits at a desk, his hands folded looking on, a US flag behind him.

Roundabout Theatre Company presents Charles Fuller’s A Soldier’s Play

Marching against racism
Charles Fuller’s 1982 Pulitzer Prize-winning play takes a look at racism in the US from 40 years before it—and remains relevant 40 years after it. David Block previews.
David Block

David Block

Previews 2 minute read
Nine cast members stand in a balanced arrangement facing the audience, on a wooden dais stage with low steps.

Quintessence Theatre Group presents Clifford Odets’s Waiting for Lefty

Unite or die
Clifford Odets’s pro-labor drama remains relevant, despite a clumsily didactic production by Quintessence Theatre Group. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Reviews 3 minute read
Four people, 2 white and 2 Black, face different directions in an opulent, high-ceilinged room with a candle chandelier

Theatre in the X and EgoPo Classic Theater present Langston Hughes’s The Ways of White Folks

Philly’s own Renaissance
Theatre in the X and EgoPo's immersive adaptation of The Ways of White Folks, a classic Langston Hughes story collection, deserves the buzz it’s been getting at Glen Foerd mansion. Jeannine Cook reviews.
Jeannine A. Cook

Jeannine A. Cook

Reviews 5 minute read
Black & white photo of 10 men onstage in suits, many of them raising a fist. Silhouetted audience members also raise fists

As fights for fair labor continue, Waiting For Lefty is a timely revival at Quintessence Theatre Group

“A story that needs to be told”
A revival of the American classic Waiting For Lefty highlights unionization efforts within and outside the arts industry. Melissa Lin Sturges speaks with director Kyle Haden about the power of storytelling and the importance of the collective.
Melissa Lin Sturges

Melissa Lin Sturges

Features 5 minute read
In a red-lit scene like a rock concert, McLeod, hand to her heart, dances passionately with 10 cast members.

The Kimmel Cultural Campus presents the national tour of Jagged Little Pill: The Musical

They oughta know
Now at the Academy of Music as part of a national tour, Jagged Little Pill retrofits Alanis Morissette’s seminal album to a relentlessly topical contemporary musical. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Reviews 3 minute read
Malone, a young Black man, smiles broadly. He wears a faded pink ensemble. Other cast members are behind him in the barn.

Arden Theatre Company presents E. B. White’s Charlotte’s Web

Back in the barn
The Arden restages its popular adaptation of E. B. White’s Charlotte’s Web with a new cast sure to delight audiences of all ages. Krista Mar reviews.
Krista Mar

Krista Mar

Reviews 3 minute read
Skybell as Tevye: he stands smiling, arms outstretched, in white shirt and black vest and cap, Hebrew letters behind him.

National Yiddish Theatre Folksbiene presents Fiddler on the Roof in Yiddish

The balm of the mamaloshen
Since Gabrielle Kaplan-Mayer first reviewed Fiddler on the Roof in 2018, antisemitism has continued to rise, and this new production from the National Yiddish Theatre Folksbiene strikes just the right note for our historic moment.
Gabrielle Kaplan-Mayer

Gabrielle Kaplan-Mayer

Reviews 7 minute read