Theater

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Page 269

"42nd Street': Dissenting review

It’s one thing for a musical to hire singers who can’t act well, or actors who sing poorly. But this production employed singers who don’t even want to act, and actors who perform like they don’t enjoy singing.

42nd Street. Music by Harry Warren; lyrics by Al Dubin; book by Michael Stewart and Mark Bramble. Directed by Charles Abbott; choreographed by Mary Jane Houdina. Through January 7, 2007 at Walnut Street Theatre, 825 Walnut St. (215) 574-35
Jim Rutter

Jim Rutter

Articles 2 minute read

"42nd Street' at the Walnut (1st review)

42nd Street at the Walnut is a marriage made in heaven: a rare case of a large theater company choosing a compatible vehicle and lavishing its huge resources wisely. You don’t laugh out loud too often, but it’s a stubborn curmudgeon indeed who won’t have a smile on his face throughout this production.

42nd Street. Music by Harry Warren; lyrics by Al Dubin; book by Michael Stewart and Mark Bramble. Directed by Charles Abbott; choreographed by
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
260 QED3

"QED' at Lantern Theater

As the Nobel physicist Richard Feynman, Peter DeLaurier captures the intensity and sheer zest for living that Feynman exhibited throughout his life. And director Kathryn Nocero modulates the impact of DeLaurier’s performance with impeccable timing. But actor and director are ill served by Peter Parnell’s one-dimensional script, which fails to capture the magnitude of this remarkable man’s life.

QED. By Peter Parnell, directed by Kathryn Nocero. Lantern The
Jim Rutter

Jim Rutter

Articles 3 minute read
249 zoostory2

"Zoo Story' at Society Hill Playhouse

A good cast can’t rescue a dated play or mask the misogyny at the heart of Edward Albee’s work.

The Zoo Story. By Edward Albee; directed by Steven Wright. Through November 18, 2006 at Society Hill Playhouse, 507 South Eighth St. www.societyhillplayhouse.org.
Robert Zaller

Robert Zaller

Articles 3 minute read

InterAct's "Kiss of the Spider Woman'

After a generation of multi-media treatment, Puig’s two revolutionary cellmates are no longer all that revolutionary. Which means that what was once the inspiring experience of sharing their enlightened company has now become stale and hackneyed.

Kiss of the Spider Woman. By Manuel Puig, with a translation by Allan Baker; directed by Seth Rozin. InterAct Theatre Co. production through November 19, 2006 at Adrienne Theatre,, 2030 Sansom St. (215) 568-8079 or
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read
245 Martello Mary

Barrymore Awards: A bush-league show

The Barrymore Awards ostensibly honor the best of Philadelphia theater. But this year's Barrymore ceremony was an embarrassment. Countless spokesmen spent three and a half hours telling us that the Philly theater community is great. Won't they please shut up and show us what’s great?

Barrymore Awards. October 23, 2006 at the Merriam Theatre, Broad above Spruce St.
Steve Cohen

Steve Cohen

Articles 5 minute read

Wilma's "The Pillowman' (second review)

Martin McDonagh’s macabre comedy-drama is no predictably Kafkaesque tale of a repressive state destroying an innocent individual. It’s more of an inquiry into the creative and destructive power of words. There’s ample food for thought in this provocative work, and McDonagh’s genius here lies in his ability make profound and heavy issues entertaining and even funny.

The Pillowman. By Martin McDonagh; directed by Jiri Zizka. Through November 5, 2006,&n
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
235 Pillowman

'Pillowman' at the Wilma (first review)

Martin McDonagh’s complex murder mystery, set in an unnamed totalitarian state, is much more than a black comedy. This is a forensic drama that mocks its own convolutions, as well as a scabrous satire of cultural violence.

The Pillowman. By Martin McDonagh; directed by Jiri Zizka. Through November 5, 2006, at Wilma Theater, 265 S. Broad St. (215) 893-9456 or www.wilmatheater.org

Lewis Whittington

Articles 3 minute read
230 godot

'Waiting for Godot' at Annenberg

The Gate Theatre’s Waiting for Godot is a worthy production by a company with Beckett in its bones— not all one could wish for, but as good as we are likely to see for a while.

Waiting For Godot. By Samuel Beckett, directed by Walter D. Ausmus. Gate Theatre production through October 15, 2006 at Zellerbach Theatre, Annenberg Center, 215-898-3900 or www.pennpresents.org.
Robert Zaller

Robert Zaller

Articles 4 minute read
229 murderers1

PTC's 'Murderers'

On paper, Jeffrey Hatcher’s notion of unlikely killers in a gated senior community sounds like fine material for a relevant social comedy. But Murderers is all talk and no action; it’s a series of three separate monologues whose characters and stories never intersect.

Murderers. By Jeffrey Hatcher; directed by Michael Bush for Philadelphia Theatre Co. Through Nov. 5, 2006, at Plays & Players, 1714 Delancey St. (215) 985-0420 or
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read