Theater

2680 results
Page 261
465 moses

"The Four of Us' by 1812 Productions

This two-character comedy about how jealousy can poison an imperfect friendship is leaner than previous works by Tamar Moses but often dazzling nevertheless.

The Four of Us. By Itamar Moses; directed by Pete Pryor. Presented by 1812 Productions through June 17, 2007 at St. Stephen’s Theatre, Tenth and Ludlow Sts. (215) 592-9560 or www.1812productions.org.
Steve Cohen

Steve Cohen

Articles 3 minute read
466 Clua

InterAct's 'Skin in Flames'

Catalan playwright Guillem Clua’s Skin in Flames seeks to explore personal guilt, political repression, and sexual brutality in an unnamed and generic Third World state. In leaving nothing to the imagination, however, it fails at any point to evoke it.

Skin in Flames. By Guillem Clua; directed Seth Rozin. Through June 24, 2007 at InterAct Theatre, 2030 Sansom St. (215) 568-8079 or www.interactheatre.
Robert Zaller

Robert Zaller

Articles 3 minute read

"Carousel' at the Walnut (2nd review)

The most relevant aspect of Carousel seems to have been deliberately removed from this production. It makes you wonder whether the folks at the Walnut understand what this show is all about.

Carousel. Music by Richard Rodgers; book and lyrics by Oscar Hammerstein II. Directed by Bruce Lumpkin; musical direction by Douglass Lutz. Through July 15, 2007 at Walnut Street Theatre, 825 Walnut St. (215) 574-3550 or www.wstonline.org.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read

"Carousel' at Walnut (1st review)

The Walnut Street Theatre’s new production of the Rodgers and Hammerstein classic is an excellent one, with even more solid casting and conducting than the last two presentations I saw in New York.

Carousel. Music by Richard Rodgers; book and lyrics by Oscar Hammerstein II. Directed by Bruce Lumpkin; musical direction by Douglass Lutz. Through July 15, 2007 at Walnut Street Theatre, 825 Walnut St. (215) 574-3550 or www.
Steve Cohen

Steve Cohen

Articles 6 minute read

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"Doubt' at the Merriam

The great Cherry Jones is at the top of her game. But she overwhelms the rest of the cast, and John Patrick Shanley’s contrived, manipulative drama of priests and nuns in 1964 deceptively equates the questioning of orthodoxy with child abuse.

Doubt. By John Patrick Shanley. National touring production through May 20, 2007 at the Merriam Theatre, 250 S. Broad St. (215) 732-5446 or merriamtheater.org.
Steve Cohen

Steve Cohen

Articles 5 minute read
445 alice6

"Lookingglass Alice' at Arden

Lookingglass Alice stages Lewis Carroll as a kind of metaphysical circus for adults. Despite a gifted and wonderfully athletic troupe, however, this ultimately reductive production falls between two stools.

Lookingglass Alice. Directed and adapted by David Catlin in association with the Actors Gymnasium. Through June 10, 2007 at the Arden Theatre, 40 N. Second St. (215) 922-1122 or www.ardentheatre.
Robert Zaller

Robert Zaller

Articles 3 minute read
442 Orsonsshadow3 JPG

"Orson's Shadow' at PTC (third review)

As entertainment, Orson’s Shadow provides a fun evening for people with an interest in theater history and backstage gossip. But as drama, it falls short.

Orson’s Shadow. By Austin Pendleton; James J. Christy directed. Philadelphia Theatre Co. production through June 3, 2007 at Plays & Players, 1714 Delancey Street. (215) 985-0420 or www.phillytheatreco.com.
Steve Cohen

Steve Cohen

Articles 3 minute read
438 Orsons Shadow1

"Orson's Shadow' at PTC (first review)

Orson’s Shadow, the Philadelphia Theatre Company’s final production at Plays & Players, is an intriguing if uneven study in theatrical genius, with a splendidly realized Sir Laurence Olivier dominating the play.

Orson’s Shadow. By Austin Pendleton; James J. Christy directed. Philadelphia Theatre Co. production through June 3, 2007 at Plays & Players, 1714 Delancey Street. (215) 985-0420 or
Robert Zaller

Robert Zaller

Articles 5 minute read

"Orson's Shadow' at PTC (second review)

The fate of the planet— or even the characters’ careers or their personal lives— doesn’t exactly hang in the balance in Orson’s Shadow. But Austin Pendleton’s worshipful script refuses to confront this inconvenient truth as he plunges us yet again into another exercise in actors acting as actors obsessed with acting.

Orson’s Shadow. By Austin Pendleton; James J. Christy directed. Philadelphia Theatre Co. production th
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read
421 Hepburn Lady

Broadway's hit musicals, updated

Broadway’s greatest hit musicals are constantly being updated to appeal to contemporary audiences. Here are a few currently under consideration for a facelift.
Armen Pandola

Armen Pandola

Articles 6 minute read