Theater

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Page 245
Bunting, Zinkel: A hideous conflict rendered almost desirable. (Photo: Cory Frisco.)

"Blackbird' by Theatre Exile (2nd Review)

The power of human emotion (for better or worse)

Playwright David Harrower and director Joe Canuso have used a morally unconscionable subject to show the transcendent, universal power of human emotions, no matter how misguided they may be. It's a great theatrical moment about life's great dramatic moments when bitter enemies acknowledge the uniqueness of the experience they have shared.
Jim Rutter

Jim Rutter

Articles 4 minute read
Bunting, Zinkel: The bitter wages of sex. (Photo: Cory Frisco.)

"Blackbird' by Theatre Exile (1st review)

Actions and consequences

We've barely scratched the surface of sexual exploitation of the young by their elders. All the more reason, then, to be grateful for the remarkable intelligence and sensitivity of David Harrower's intense and unsettling Blackbird, which examines the aftermath of such an affair with superb performances by Pearce Bunting and Julianna Zinkel.
Dan Rottenberg

Dan Rottenberg

Articles 4 minute read
Rapp, Pascal: Old names, still strong.

"Rent' at Academy of Music

A newer and better 'Rent'

In today's tough economic times, a play about people who can't afford the rent is more relevant than ever. That's why a new DVD and a live tour of Rent are especially welcome.
Steve Cohen

Steve Cohen

Articles 3 minute read
Karl Miller as Asher Lev: No 'safe space' for him. (Photo: Mark Garvin.)

The case for cantankerous critics

‘The Wilma papers' (continued): The case for cantankerous critics

The head of the Dramatists Guild of America compared my review of a work in progress to smothering a baby in its crib. Are great artists really so fragile? I say: Any artist who could be smothered in his crib by the likes of me should probably find another line of work.
Jim Rutter

Jim Rutter

Articles 4 minute read

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McClendon as Styles: Now you see him...

Lantern Theater's "Sizwe Bansi is Dead' (1st review)

Under apartheid's thumb

The stories of two black men in apartheid South Africa, circa 1974, make for theater at its best, albeit in fragments. It's sort of like watching the first act of two different plays— very good plays, to be sure.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Beaty: Weakness and shame.

PTC's "Resurrection' (2nd review)

Black male despair, pre-Obama

Daniel Beaty's Resurrection contains lovely prose poetry about the pressures and futility of black male life in the ghetto. It speaks of hope, yes, but it's an almost-miraculous old-fashioned hope— not the real, pragmatic hope symbolized by Barack Obama election.
Steve Cohen

Steve Cohen

Articles 3 minute read
Thompson, Allyene, Dingwall, Keith, Smith, Ayende: You are what you eat?

PTC's "Resurrection' (1st review)

The souls of black men (and white theatrical audiences)

Daniel Beaty's Resurrection rests on an original device: It seeks to examine the black male psyche through the stories of six individuals spaced at ten-year-intervals, from age 60 down to age ten. Unfortunately, all this talent and insight is wasted on a script that lacks any dramatic arc; it's not so much a play as a succession of monologues.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
Billingslea and Araoz: How would real people handle this? (Photo: Seth Rozin.)

"The Rant' at InterAct Theatre (1st review)

Truth as the ultimate victim

The Rant is a first-rate production of an engrossing urban drama that never flags for 90 minutes. Unfortunately, it falls short of its purported goal: to offer a sophisticated portrayal of how the truth-and-justice system works in big cities.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Grove, Bonetti: Are we having fun yet? (Photo: Aaron Oster.)

Luna Theatre's "Orange Flower Water'

Divorce, 21st-Century style

Divorce these days is a routine rite of passage that most Americans accept without revulsion. Luna Theatre's gut-wrenching production of Craig Wright's Orange Flower Water may change your mind.
Jim Rutter

Jim Rutter

Articles 4 minute read
Miller, Heller: More complex than 'Fiddler.' (Photo: Mark Garvin.)

"My Name is Asher Lev' at the Arden

A battle between good and good

My Name Is Asher Lev is a gratifying play about father-son conflict. In this concentrated form, the play actually turns out to be more intense than the Chaim Potok novel on which it's based.
Steve Cohen

Steve Cohen

Articles 3 minute read