Theater

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Page 241

The storm over Caryl Churchill's "Seven Jewish Children'

The power of theater: Eight minutes about Seven Jewish Children

Seven Jewish Children, Caryl Churchill's eight-minute play about January's Israel-Gaza war, has been attacked as a dishonest anti-Israeli rant. But the reactions and counter-reactions may matter more than the play itself. In triggering a global dialogue, Churchill has dramatized the power of theater to respond rapidly to political issues.

Carol Rocamora

Articles 7 minute read
The title suited Peerce's memoirs, too.

EgoPo's "Bluebird' (2nd review)

A lesson from the Bluebird (with a little help from Jan Peerce)

Who else but EgoPo would tackle a play like Maurice Maeterlinck's Bluebird? And what other company could lavish so much time on learning and rehearsing such a daunting work, whose language and style are alien to most audiences and to almost all of today's actors?
Steve Cohen

Steve Cohen

Articles 5 minute read
Root: Moving realism beneath the ridiculous surface. (Photo: Joan Marcus.)

Ayckbourn's "The Norman Conquests' on Broadway

The marathon as gimmick

Alan Ayckbourn's very British 1973 trilogy, The Norman Conquests, is still funny after all these years. But there's less to this eight-hour marathon (plus meal breaks) than meets the eye.
Toby Zinman

Toby Zinman

Articles 4 minute read
Murray, Kuhel: Homecoming surprise.

Nagle Jackson's "White Room' at Hedgerow

The wages of materialism: So what else is new?

What happens when a materialistic couple loses all their possessions? It's an intriguing premise, but Nagle Jackson's The White Room offers little dramatic insight aside from reminding us that, yes indeed, materialism is unhealthy.
Jim Rutter

Jim Rutter

Articles 3 minute read
Lally, Malone: One mystical land after another.

EgoPo's "Bluebird' (1st review)

A child's garden of antidotes (c. 1908)

How should we instruct a child to go forward in life after a tragedy that deprives him of a treasured sibling, his only source of happiness? To answer this question, EgoPo stages an ambitious production of Bluebird, based on Maurice Maeterlinck's similarly titled mythical fable of 1908— a production so rich that it largely disproves Maeterlinck's thesis.
Jim Rutter

Jim Rutter

Articles 5 minute read
Ekulona (left), Rashad: The uniforms hardly matter. (Photo: Joan Marcus.)

Lynn Nottage's "Ruined' on Broadway

What did you do in the war, mama?

Lynn Nottage's Ruined is an intense and searing play about the endless civil war in the Democratic Republic of Congo, whose primary victims are not soldiers but women. It's filled with robust, individualized characters who— despite their scars, their limps, their deformities— reveal their stamina and their humanity.
Toby Zinman

Toby Zinman

Articles 3 minute read
Lane, Irwin: All in the timing. (Photo: Joan Marcus.)

"Waiting For Godot' on Broadway

Worth the wait

The new Broadway production (the first in more than half a century) of Waiting for Godot, under Anthony Page's rollicky direction and with its surprising casting, works by driving home Samuel Beckett's existential truths with laughter as well as pain.
Toby Zinman

Toby Zinman

Articles 3 minute read

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O’Hara, Gross: Would you sleep with Hitler?

Greenberg's "Mother's Brief Affair' in California

Calling all masochists

Richard Greenberg won a Tony for Take Me Out. Several Philadelphia theater companies have staged his comedies. His latest, Our Mother's Brief Affair, recently opened in California. Let us hope it ventures no closer to Philadelphia.
Jim Rutter

Jim Rutter

Articles 3 minute read
You're gonna put those...where? Image via Wikimedia Commons.

"Eggs' at People's Light

Children's theater for grownups

Eggs is children's theater with substance: a touching, compelling adaptation of Jerry Spinelli's novel about a friendship between two lonely misfit children.

Bill Murphy

Articles 2 minute read
Peakes as the Walt Disney surrogate: Painting by the numbers?

Arden's "Something Intangible' (2nd review)

If it walks like a Disney and talks like a Disney….

By hewing too closely to the true story of Hollywood's Disney brothers, Bruce Graham distracts the audience from an otherwise generally entertaining play. Graham would do better to take his details from his own imagination rather than the historical record.
Steve Cohen

Steve Cohen

Articles 4 minute read