Beckett's "Endgame' by EgoPo (3rd review)

Beckett's vision, expanded

Purists object to setting a European work like Endgame in a cluttered South Jersey basement. But EgoPo's idiosyncratic interpretation brings a fresh vision to Beckett's classic: It's no longer about post-nuclear holocaust but foremost a personal play of family relationships gone to rot but still clinging.

Julius Ferraro

Nov 17, 2009 · Articles · 5 minute read

Beckett's "Endgame' by EgoPo (2nd review)

Beckett in South Jersey

EgoPo's latest Beckett production, Endgame, succeeds despite itself, largely due to Ed Swidey's stylized but finely judged performance as Hamm, the play's principal. Director Lane Savadove has given the play an incongruous South Jersey setting, but the text, thank goodness, speaks for itself, and Swidey makes sure that its poetry gets through.

Robert Zaller

Nov 14, 2009 · Articles · 4 minute read

Sport, theater and Lauren Feldman's "Grace'

Climb every mountain

Can't mix sport and theater? The Greeks did it, and so does Lauren Feldman's compelling Grace, in which a troubled young woman literally mountain-climbs her way out of depression before our eyes.

Jim Rutter

Nov 10, 2009 · Articles · 4 minute read

Beckett's "Endgame' by EgoPo (1st review)

Not quite the end

Samuel Beckett's Endgame is an enduring play that's been turned on end in a new production by EgoPo. Director Lane Savadove's innovations add new dimensions to a classic work. They also subtract.

Nov 10, 2009 · Articles · 4 minute read

"Rabbit Hole' at the Arden

Grief lessons

In David Lindsay-Abaire's Rabbit Hole, a decent husband and wife face the indecent horror of the loss of a child and try to deal with a grief that has left them in separate and opposed universes. Jim Christy's thoughtful production respects the play's bleak integrity and its message of chastened hope.

Robert Zaller

Nov 10, 2009 · Articles · 4 minute read

Rebeck's "The Understudy' in New York

Actors without audiences

As its title suggests, Theresa Rebeck's pointy comedy The Understudy concerns unappreciated people. Rarely is a comedy this entertaining also so human.

Toby Zinman

Nov 07, 2009 · Articles · 3 minute read

Fugard's "Coming Home' at the Wilma

Oupa's gift (and the Wilma's, too)

As her dreams collapse around her, a high-spirited South African woman discovers an unexpected silver lining. In this riveting and lyrical production, the Wilma Theater continues its long-standing role as an incubator for Athol Fugard's continuing growth in the post-apartheid era.

Dan Rottenberg

Nov 06, 2009 · Articles · 4 minute read

Theatre Exile's "Hunter Gatherers'

Communing with your inner caveman

Peter Sinn Nachtrieb's Hunter Gatherers is the only play I know that takes its view of human nature from the relatively new science of evolutionary psychology. But no one could call Nachtrieb's work sexist— it's too damn funny.

Jim Rutter

Nov 03, 2009 · Articles · 5 minute read

"Finian's Rainbow' on Broadway

Something sort of grandish

Finian's Rainbow, now in gorgeous revival on Broadway, possesses all the old-fashioned charm that can make musical theater such a pleasure.

Toby Zinman

Nov 03, 2009 · Articles · 3 minute read

Luna Theater's "Slasher'

The sluttiest girls die first

Slasher, Allison Moore's feminist satire of horror films, is the most deliciously humorous spoof I've seen in some time. But Moore never quite clarifies her views on the potential exploitation of actresses in these films.

Jim Rutter

Oct 31, 2009 · Articles · 3 minute read