Theater
2680 results
Page 237
"Microworld(s)' and "Digital Effects' at Fringe Festival.
Solo acts: Micro to magic
In Microworld(s), the last resident of a Tokyo apartment tower provides a metaphor for the ways our humanity survives within modernity's inhuman structures. In Digital Effects Steve Cuiffo takes the magician's art into the post-modern realm.
Microworld(s), Part 1. Written and performed by Thaddeus Phillips. Lucidity Suitcase Intercontinental production for Philadelphia Fringe Festival. September 4-19, 2009 at Painted Bride, 230 Vine St. (215) 413.9006 or www.pafringe.com/details.cfm?id=9067.
Articles
2 minute read
"Annihilation Point' at Fringe Festival
The future is very funny
In The Annihilation Point, the lunatic crew from Time Mender productions offers a hectic array of fast-paced and unpredictable scenes of the future that generate almost continuous laughter.
Articles
2 minute read
Daisey's 'Last Cargo Cult' at Live Arts Festival
Preaching to the choir
Mike Daisey's humorous monologues offer therapeutic relief to the lefty mainstream. But as a performance artist, he lacks the stagecraft or imaginative language of Spalding Gray.
Articles
3 minute read
"small metal objects' at Live Arts Festival
Grasping at intimacy on a city street
small metal objects ingeniously invites us to eavesdrop on an intimate personal conversation in the context of a crowded urban street.
Articles
2 minute read
Albee's "Zoo Story' at Villanova
The trouble with Edward Albee (and his characters, too)
Edward Albee's The Zoo Story may be historically important as the moment when American theater began to come out of the closet, but the play itself is dated, and difficult to perform convincingly unless played against the grain. In Joanna Rotté's spacious direction, it reveals some forgotten strengths, but also exposes inherent weaknesses.
Articles
8 minute read
Whit MacLaughlin's "Fatebook' at Live Arts Festival (2nd review)
Theater of the future
I approached Fatebook's pre-production preparation with a degree of curmudgeonly skepticism. But I must admit: This show's fashioning of original art out of the newest social media modes of communication is a groundbreaking step into a theater of the future.
Articles
4 minute read
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Gombrowicz's "Operetta' at Live Arts Festival (2nd review)
1960s Polish bombast
This relic of the Soviet bloc seeks to detonate all ideologies, with uneven results for a contemporary audience that rarely sees such anarchic bombast on stage.
Articles
1 minute read
"Nathan the Wise' at People's Light (1st review)
A distant mirror in the Middle East
A modern translation of Gotthold Lessing's Nathan the Wise, an 18th-Century German fable about religious tolerance, receives a charming production at People's Light, with the noted stage and screen actor David Strathairn in the title role.
Articles
2 minute read
“Dirty Rotten Scoundrels” at the Walnut (2nd review)
Those misunderstood scoundrels
Dan Rottenberg's complaints notwithstanding, Dirty Rotten Scoundrels is above all a rejection of serious theater and a spoof of old Broadway musicals. On that admittedly lightweight level, it succeeds amply.
Articles
2 minute read
"Little Shop of Horrors' in Norristown
Something new in a cult classic
The hero of Little Shop of Horrors always thought of his man-eating plant as female. So why has it taken 49 years for a theater company to cast a woman as the plant?
Articles
2 minute read