Theater

2680 results
Page 232
Bresky, Real: Triumph of gadgetry.

"Peter Pan' at the Arden

Is it true boys have more fun?

Douglas Irvine has apparently heard the Peter Pan story so often that he sees no need to dramatize the contrast between Edwardian London and the mythical Neverland. And without that conflict, the story loses its point.
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read
Danielle Skraastad as Suzanna, Jeremy Bobb as Max: Real problems, anyone?

"Becky Shaw' at the Wilma (2nd review)

Adults behaving like children, or: What would Oscar Wilde say?

If nothing else, Gina Gionfriddo's Becky Shaw demonstrates why a universal health care system shouldn't include free therapy— at least not for over-educated, uber-sensitive white people who've never faced a real problem in their lives and generate little in the way of taxable income.
Jim Rutter

Jim Rutter

Articles 6 minute read
Bloom, Garrett: An imperceptible gesture. (Photo: Jim Roese.)

"Becky Shaw' at the Wilma (1st review)

House of mirrors

This remarkably intelligent and moving play can't easily be pigeonholed as either a wicked comedy or a devastating psychodrama. Gina Gionfriddo's concern is the process by which human relationships change people for better or worse. Whether that makes you laugh or cry depends on your individual circumstances at a given moment.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Mazzie: One note for 14 seconds.

"Ragtime' on Broadway, reconsidered (2nd review)

Let's go to the videotape: A few things I missed about Ragtime

Thanks to the Lincoln Center Library's collection of theater videotape recordings, I discovered a few things I'd overlooked in my original review of Ragtime. So why can't Philadelphia find foundation funding for a similar theater video repository?
Steve Cohen

Steve Cohen

Articles 3 minute read
Blanchett: Emotionally naked.

Liv Ullmann's "Streetcar Named Desire'

Cate Blanchett's new Blanche DuBois (by way of Ullmann, Williams and Bergman)

In her interpretation of Blanche DuBois, Cate Blanchett appears to be channeling the spirit not only of Blanche but also of Tennessee Williams himself. In her happy first-time collaboration with director Liv Ullmann, it's clear that it takes a great actress to direct a great actress.

Carol Rocamora

Articles 4 minute read

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Hill, McKean: Clash of ambitions.

"Superior Donuts' on Broadway

A comedy about real people

Superior Donuts is a gem of a comedy, notable for its warm comic interplay among genuinely recognizable characters. Too bad its Broadway run is closing soon.
Steve Cohen

Steve Cohen

Articles 3 minute read
Reilly, Powell: Four years of optimism, and then...

"Holiday Show With the Swing Club Band'

America's last happy New Year's Eve

Instead of pretending to tell a story, this highly entertaining production authentically recreates a nightclub as it would have appeared on the last night of 1949— the last New Year's Eve of a triumphant America at peace.
Steve Cohen

Steve Cohen

Articles 3 minute read
Baynes, Martin: Even the audience isn't safe. (Phengo Photography.)

"Sweeney Todd' in Wilmington

Clothes make the killer

Is Sweeney Todd growing too familiar? Michael Gray's new conception of Stephen Sondheim's horror musical focuses on its cast of desperate and volatile characters rather than its time and place. It's like seeing the show for the first time.
Julius Ferraro

Julius Ferraro

Articles 4 minute read
Lloyd and puppet friends: Sorting out the wives.

Molière's "Scapin,' by the Lantern

Adults acting childish

Although Scapin was first staged in 1671 in Paris, the English adaptation of this archetypical French farce not only retains much of Molière's original structure but also thrillingly engages a 21st-Century audience, adults and children alike.
Gresham Riley

Gresham Riley

Articles 3 minute read
Hason, Zeta-Jones: Aching foolishness. (Photo: Joan Marcus.)

"A Little Night Music' revived in New York

Send in the you-know-whats

A Sondheim musical is always a balancing act between the big commercial demands of the Broadway stage and the intimate, understated demands of the author's subtlety. This splendid revival achieves both.
Toby Zinman

Toby Zinman

Articles 3 minute read