Theater

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Mahira Kakkar, Evan Jonigkeit as the young lovers: Common sense takes the day off.

Straight talk about "Romeo and Juliet' (2nd review)

Overblown emotions? Surely. A great love story? Give me a break

I wish I could tear up over Romeo and Juliet like everyone else. And I have— when I was 14. But a more adult perspective on partnership has squelched my enjoyment. Why have we enshrined the fickle, maudlin, airheaded young Romeo as the ultimate synonym for “lover”? Romeo and Juliet. By William Shakespeare; directed by Matt Pfeiffer. Through April 11, 2010 at Arden Theatre, 40 N. Second St. (215) 922-1122 or www.ardentheatre.org.
Alaina Johns

Alaina Johns

Articles 5 minute read
Fernandez, Greene: The issue is wrinkles.

"Language Rooms' at the Wilma (1st review)

Immigrant angst: The sorrow and the comedy

Language Rooms, Yussef El Guindi's fierce comic fantasy, tackles many realities of Arab”“American life. It would be funnier if it moved faster.

Lesley Valdes

Articles 4 minute read
Martello: Snow White in a nursing home? (Photo: Mark Garvin.)

Mary Martello's "Happily Ever After'

Sleeping Beauty snores!

The charming Mary Martello's cute idea— what happens to fairy-tale heroines after they find their charming princes?— is undermined by a weak script that's too often repetitive and obvious.
Dan Rottenberg

Dan Rottenberg

Articles 2 minute read
Jonigkeit (left) and Kakkar: Archetypal lovers? Says who?

"Romeo and Juliet' at the Arden (1st review)

Romeo and Juliet: The dream and the nightmare

Matt Pfeiffer's direction of the Arden's Romeo and Juliet bathes us in emotional intensity. He also strips the young lovers' tragedy of any romance in order to cast a disapproving glare on Shakespeare's text itself. Romeo and Juliet. By William Shakespeare; directed by Matt Pfeiffer. Through April 11, 2010 at Arden Theatre, 40 N. Second St. (215) 922-1122 or www.ardentheatre.org.
Jim Rutter

Jim Rutter

Articles 3 minute read
Furr, Pittu: Damned if you do... (Photo: Joan Marcus.)

Bill Cain's "Equivocation,' Off-Broadway

Playwright's predicament

No equivocating about Equivocation: This superb Off-Broadway production of Bill Cain's smart, complex play, directed by the brilliant Garry Hynes, satisfies on every level— emotional, intellectual, theatrical. It's funny, too.
Toby Zinman

Toby Zinman

Articles 3 minute read
Walken: American voices, or cartoons? (Photo: Joan Marcus.)

"A Behanding in Spokane' on Broadway

Watered-down lunacy, saved by Chris Walken

A Behanding in Spokane is less provocative and less political than Martin McDonagh's previous brand of Irish lunacy. But with the wildly unsettling presence of Christopher Walken, it's a great show.
Toby Zinman

Toby Zinman

Articles 2 minute read
Kerth, Barton: What's a Hooverville?

"Annie' shows her age

We know the Depression's depressing….

Annie's recent return to the Merriam provided an inadvertent reminder: The Great Depression has become ancient history, especially when we have a pretty good depression right here and now.

Jennifer Baldino Bonett

Articles 3 minute read
Schoonover, Distefano: Weeks of rehearsal, and then... (Photo: Russ Widdall.)

"Coupla White Chicks' by New City Stage (2nd review)

When the audience is the problem

John Ford Noonan's play about two women trying to salvage lives for themselves out of their wrecked marriages offers a forward-looking insight into the shortcomings of sisterhood. The night I attended, it also offered insight into the damage caused by a single boorish audience member.
Jim Rutter

Jim Rutter

Articles 3 minute read
Canuso, Pryor: Laughter, and outrage.

Graham's "Any Given Monday' by Theatre Exile (2nd review)

What's a decent husband to do?

Overlook the logical lapses in Any Given Monday. Bruce Graham has delivered a major moral message about how a man must behave to hold his marriage together in an age filled with politically correct lies.
Jim Rutter

Jim Rutter

Articles 4 minute read
Whishaw, Dancy, Riseborough: The more things change...

Campbell's "The Pride,' off-Broadway

Gay anguish, then and now

Alexi Kaye Campbell's The Pride is a deeply engrossing play contrasting the closeted gay world of 1958 to the wide-open scene of today. It's enlivened by four fine actors but marred by excessive speechifying.
Toby Zinman

Toby Zinman

Articles 3 minute read