Theater
2688 results
Page 228
Lantern Theater's "Henry IV, Part I' (2nd review)
Shakespeare's royals, up close and personal
Lantern's Henry IV, Part I is well acted, but the most impressive thing about this production is the immediacy and the royalty of the set in such a small and intimate space.
Articles
3 minute read
Tracy Letts's "August: Osage County' on tour (1st review)
The family that preys together….
At a time when so many American plays build their plots around political and social issues, Tracy Letts's family free-for-all, August: Osage County, is a refreshing change of pace. And this touring cast is more realistic and consequently even more devastating than the original 2007 Broadway ensemble.
Articles
4 minute read
August Wilson's "Fences' in New York
The trouble with Denzel Washington
When a big movie star like Denzel Washington plays an often-unlikable character, the audience is determined to love the character regardless. So blame the audience for degrading August Wilson's complex Fences into a sit-com.
Articles
5 minute read
"American Idiot' on Broadway
Adolescence after 9/11 (but before Bernie Madoff)
Is American Idiot just another punk rock jukebox musical fouling the Great White Way? Or is it an earnest and even passionate attempt to recapture a moment a few years ago when the concept of “coming of age” changed irretrievably?
American Idiot. Musical based on the album by Green Day; Michael Mayer directed. St. James Theatre, 244 West 46th St., New York. (800) 432-7250 or americanidiotonbroadway.com.
Articles
4 minute read
"Romeo and Juliet' at Annenberg
Romeo at the grass roots
The co-producers of this touring Romeo and Juliet have targeted communities across America and, in particular, young audiences. But something got lost in the transition.
Articles
3 minute read
McPherson's "Shining City' by Theatre Exile (3rd review)
Shining city, damaged souls
Conor McPherson's Shining City might more fittingly be titled Island of Lost Souls. Excellent performances, particularly by Scott Greer, can't quite lift the play out of its existential funk, nor can a surprise ending that left the audience gasping.
Articles
4 minute read
Sign up for our newsletter
All of the week's new articles, all in one place. Sign up for the free weekly BSR newsletters, and don't miss a conversation.
Sheila Callaghan's "Crumble,' by Flashpoint Theatre
When a woman needs a man
Sheila Callaghan's politically incorrect Crumble boldly asks, in effect, “What would women do without men?” The answer is provided in her title.
Articles
2 minute read
McPherson's "Shining City' by Theatre Exile (2nd review)
Heaven's my destination (not)
Conor McPherson's Shining City raises uncomfortable questions about human relationships. I would have appreciated some attempt at an answer.
Articles
3 minute read
Enda Walsh's "Bedbound,' by Inis Nua Theatre
Death of an Irish salesman
Ireland is no longer poverty-stricken, but you wouldn't know it from the current crop of pessimistic Irish playwrights. Witness Enda Walsh's allegorical Bedbound as the latest example.
Articles
3 minute read
Neil LaBute's "Fat Pig' by Theatre Horizon
Size matters
Neil LaBute's Fat Pig— a commentary about prejudice against those who are different, especially the overweight— is a daring choice for a small suburban company. Its callous characters are difficult to watch but also difficult to turn away from.
Articles
2 minute read