Theater

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You too can find a hidden meaning in Plato's Cave.

"Survive!': Exploring the future with Swim Pony

Fasten your seat belt

In Swim Pony's brilliantly executed Survive!, we find ourselves venturing through space to answer an intriguing question: Could we understand our own lives without art but solely through science?
Jim Rutter

Jim Rutter

Articles 4 minute read
Frederic Pignon and Aetes: Feeding them carrots helps.  (Photo: Frederic Chehu.)

Cavalia: Man and horse in the Meadowlands

Bring on the dancing horses

Who are the more talented performers— people or horses? This two-hour collaboration between highly skilled horses, riders, dancers, acrobats, aerialists, singers, musicians and sound and light designers will make you wonder.

Jane Biberman

Articles 2 minute read
Liz White and Michael Malarkey in 'Spring Storm': What Williams owes to O'Neill.

Early O'Neill and Williams, together in London

Spring awakening: Young O'Neill/Young Williams

The British director Laurie Sampson had the brilliant idea of pairing the earliest full-length efforts of Eugene O'Neill and Tennessee Williams, and directing, cross-casting and producing them in repertory with a unifying set. The effort reveals many intriguing common characteristics”“ as well as the debt that Williams clearly owed to O'Neill.

Carol Rocamora

Articles 8 minute read
Raphaely, Pacek: Animals are different. (Photo: Mark Garvin.)

"If You Give a Mouse a Cookie' at the Arden

The perils of appeasement

Arden Theatre's adaptation of Jody Davidson's tale about a boy who attempts to appease an incorrigible mouse is a non-stop delight for all ages, laced with gags inspired by the Marx Brothers, Martin and Lewis and Good Dog Carl.
Dan Rottenberg

Dan Rottenberg

Articles 1 minute read
Boulware: One missing piece.

Megan Gogerty's "Love Jerry'

Pedophilia: the musical

Megan Gogerty's fatuous and one-sided Love Jerry sympathizes with the struggles of a child abuse perpetrator while ignoring his victim's suffering altogether. And would you believe it's a musical?
Jim Rutter

Jim Rutter

Articles 3 minute read
Fraelich (right) with Timothy Hill: After pictures come to life, what then? (Photo: Mark Garvin.)

"Sunday in the Park' at the Arden (2nd review)

Sondheim's problem, solved by Nolen

The two acts of Sondheim's Sunday in the Park With George have never been as perfectly balanced as they are in Terrence Nolen's new production. Because this is a show about an artist's quest for balance, that's the ultimate compliment.
Steve Cohen

Steve Cohen

Articles 5 minute read
Coon (seated), Fraelich: Creative tension. (Photo: Mark Garvin.)

"Sunday in the Park' at the Arden (1st review)

Connecting the dots

The Arden's production of Sondheim's musical paean to Impressionism pulls out all the stops, with a 15-piece orchestra, sophisticated sound and light effects and a first-rate cast that steps in and out of Seurat's painting while giving voice to Sondheim's brilliant lyrics.

Jane Biberman

Articles 4 minute read
Justine Mitchell, Conleth Hill and Pip Carter in ‘The White Guard’: Strangely, Stalin loved it.

Stage adaptations: a British foursome

Juliet in sneakers? Adaptation season in England

How do you revitalize the plays of the past, when the author is no longer around to protest? British theater is addressing this issue in four provocative productions this spring.

Carol Rocamora

Articles 8 minute read
Strathairn as Rieger as Havel: Affirmation of something rare. (Photo: Jim Roese.)

The meaning of Havel's "Leaving' (4th review)

Art, politics and humanity: Václav Havel, in theory and practice

Some critics have attacked Vaclav Havel's Leaving for ridiculing his own heroic political career. On the contrary, Havel is deeply concerned about what it means to be human in a globalized world. Leaving is his critique of uncritical language and careless thinking that allow scoundrels to leap into the void.
AJ Sabatini

AJ Sabatini

Articles 7 minute read
Strathairn, Meisle, Leonard C. Haas: A statesman, or a politician? (Photo: Jim Roese.)

Vaclav Havel's "Leaving' at the Wilma (3rd review)

We needed you. Now leave.

Like Moses, Vaclav Havel led his people to the promised land, but it's his own fault if he couldn't follow them in. While this production soars, its valedictory message stammers— as I can attest, having lived in Prague in the wake of Havel's presidency.
Jim Rutter

Jim Rutter

Articles 5 minute read