Theater

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Frings as Polly: Getting away with murder. (Photo: Mark Garvin.)

"Threepenny Opera' at the Arden

What did Mack the Knife really want?

Although virtually all cultured people are familiar with The Threepenny Opera, the play remains elusive. Contrary to conventional belief, it's not about the plight of the poor. It's about the plight of the poor performers.
Steve Cohen

Steve Cohen

Articles 3 minute read
Steve Wright and Corinna Burns as worried parents: It's their fault.

Jennifer Haley's "Neighborhood 3'

Suburbia as The Twilight Zone

In Jennifer Haley's Neighborhood 3, all the world's a video game, and the suburban teenagers merely avatars and zombies. It's a clever but superficial idea: The reality of teenage video gaming is more complicated and less frightening.
Jim Rutter

Jim Rutter

Articles 4 minute read
Sturrock, Yelland: Missing the train.

Emma Rice's "Brief Encounter' in New York (1st review)

Improving on Noel Coward

Emma Rice's inspired adaptation of Noel Coward's play and David Lean's film has made the transition from off-Broadway to the Great White Way with all of its charm and intimacy intact.

Jane Biberman

Articles 3 minute read
Knight (left), Stewart: Unchanging through the years.

Mamet's "A Life in the Theatre' on Broadway

Mamet sans teeth

David Mamet's play about an older actor and his protégé-rival is full of snippets and in-jokes celebrating life on the stage but bereft of Mamet's signature ferocity and danger.
Toby Zinman

Toby Zinman

Articles 3 minute read
Lumley, Rylance, Pierce: Raising the bar for boorishness. (Photo: Manuel Harlan.)

David Hirson's "La Bête' on Broadway

Tour de force doesn't begin to cover it

La Bête is a wild Molière parody/homage, nearly two hours of rhyming couplets delivered at breakneck speed. The effect is jawdroppingly amazing— and very, very funny.
Toby Zinman

Toby Zinman

Articles 3 minute read
McKey (left), Novelli: Where scientific progress and gender equality meet. (Photo: Mark Garvin.)

"Legacy of Light' at People's Light

Meeting of minds

Legacy of Light follows two brilliant woman scientists living 260 years apart. As a play of ideas, it's not quite up to Shaw or Stoppard, but it's a respectable addition to the genre.

Bill Murphy

Articles 3 minute read
Childs: More talented than she lets on.

Jen Childs in "Why I'm Scared of Dance'

Oh, for the life of a would-be dancer

In this original and often charming one-woman autobiographical tour, the multi-talented comedienne Jen Childs reflects on her life as an aspiring dancer who's a tad too short and clunky for the Kirov or A Chorus Line.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
Ludt: Charming.

Blaming the critics: "Jekyll and Hyde' in Media

Meltdown in Media

I didn't intend to write about the Media Theatre's Jekyll and Hyde, but Jesse Cline left me no choice. This director's greatest gift, it seems, is his talent for turning potential friends into enemies.
Jim Rutter

Jim Rutter

Articles 4 minute read

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Luigi Smiling as Malcolm, Albert Jones as MacDuff: Exiles in a novel setting.

"Macbeth' at the Wilma (3rd review)

A human monster, rendered natural

The remarkable strength of this Wilma production is its clarity of language and action, releasing the power of Macbeth through means that are devoid of histrionics. The clarity also allows us to revisit and better understand the other characters who co-habit the stage with Macbeth and Lady Macbeth.
Jonathan M. Stein

Jonathan M. Stein

Articles 6 minute read
Wilson: Unwitting majesty. (Photo: Jim Roese.)

"Macbeth at the Wilma (2nd review)

The play's the thing— or is it the set?

I'm all for aggressive staging of Shakespeare, and certainly Blanka Zizka's has its virtues. But staging should serve rather than distract from the text, which in Macbeth particularly is crucial to establishing atmosphere.
Robert Zaller

Robert Zaller

Articles 8 minute read