Theater

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McCormick (left), Jezior: Even his boozy breath was real.

Sara Kane's "Blasted' by Luna Theater

Seeing is believing

Sarah Kane's Blasted forces us to witness every conceivable type of psychological and physical violence. It requires tremendous fortitude to watch. But its sincere frankness hits home.
Jim Rutter

Jim Rutter

Articles 3 minute read
Black-Regan (and Dura on the floor): 'It's only a symbol.'

Boris Vian's "Empire Builders' at Walnut Studio 5 (1st review)

Downward mobility, or: For whom the noise tolls

In Boris Vian's creepy and intensive absurdist work from 1957, a Paris family is constantly moving upstairs to escape a mysterious noise downstairs. It's a dazzling metaphor for the fear currently pervading the world's economic frustrations.
Jim Rutter

Jim Rutter

Articles 3 minute read
Watts (left), Gonglewski: The perfect trinity for despair.

"Moon for the Misbegotten' at the Arden (3rd review)

The poetry of unheeded expectations

In O'Neill's dramas, like those of Tennessee Williams, each character's mental state teeters on the brink of psychosis; poverty isn't necessarily financial; and the playwright's poetic language abets their condition.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 4 minute read
Blouch, Mulroney: Are we having fun yet?

McDonagh's "Skull in Connemara,' by the Lantern (2nd review)

Between art and insult

A dedicated production and a hard-working cast unfortunately couldn't raise Martin McDonagh's 1997 play about a sinister Irish gravedigger from the dead. Pinter did it all better.
Robert Zaller

Robert Zaller

Articles 3 minute read
Rotté (right) with Charles Helmetag: Moments of truth. (Photo: Paola Nogueras.)

"The Cherry Orchard' at Villanova

Comedy of the deadliest sort

In Harriet Power's fresh staging, Chekhov's The Cherry Orchard reveals itself as a startlingly modernist text that is in many ways the matrix of 20th-Century theater.
Robert Zaller

Robert Zaller

Articles 7 minute read
Tuonamen: Belligerent pacifist.

Chris Braak's "Red Emma' by Iron Age

Her glass was always half-empty

The Philadelphia playwright Chris Braak packs loads of information about the fiery anarchist Emma Goldman into little more than an hour, and Mary Tuonamen in the title role is suitably youthful and passionate. Left unanswered is this question: What made Emma tick? Red Emma. By Chris Braak; John Doyle directed. Iron Age Theatre production February 3-6, 2011 at Centre Theater, 208 DeKalb St., Norristown, Pa. To be performed again in Spring 2011 at an unannounced theater. (610) 279-1013 or ironagetheatre.org.
Steve Cohen

Steve Cohen

Articles 3 minute read
Cody Nickell, Brad Coolidge in 'The Understudy': Will the real artist please stand up?

Starving for art? Give me a break.

The La Bohème syndrome: Who is kidding whom?

Suffering for your art is as romantic as it is nihilistic. But continuing on this path as you get older is downright masochistic.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 4 minute read
McClure (left) with Ian Clark: Clever concept, but... (Photo: Mark Garvin.)

"Amadeus' at the Walnut

Too many words about too many notes

Mozart's music has survived for more than two centuries. After just 32 years, Peter Shaffer's Amadeus may have worn out its welcome.
Steve Cohen

Steve Cohen

Articles 2 minute read
Seder in Richmond, with Andrre Braugher and Andre Holland: Why is this night different? (Photo: Joan Marcus.)

Jews and slavery: "The Whipping Man' in New York

When slaves in Egypt owned slaves in Virginia

How could Jews, of all people, have owned slaves in the antebellum South? Matthew Lopez's inspiring new play, The Whipping Man, uses one such family as a parable of faith, family, freedom and the brotherhood of man.

Carol Rocamora

Articles 5 minute read
Norton and cast: Everyman's self-doubts.

Finn's "A New Brain' at Plays and Players

Near-death experience: the musical

A musical comedy about undergoing brain surgery? Yes, and it works, too.
Steve Cohen

Steve Cohen

Articles 2 minute read