Theater

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Brennan, O'Brien, Carson, Dibble: Nine people's favorite thing.

Mauckingbird's "[title of show]'

There's no business like show business (and maybe that's the problem)

Like reality-based TV programming, this musical show about putting on a musical show appeals to a very narrow niche indeed. But it does appeal.
Jim Rutter

Jim Rutter

Articles 3 minute read
Gonglewski, Watts (rear), Hissom: Carrying manners as an ironic barrier.

"Moon For the Misbegotten' at the Arden (1st review)

The core of O'Neill's compassion

A Moon for the Misbegotten was Eugene O'Neill's last play, and it touches the core of his compassion. Grace Gonglewski and Eric Hissom play finely against each other under Matt Pfeiffer's direction.
Robert Zaller

Robert Zaller

Articles 4 minute read
Suffocated by despotism, surviving on the oxygen of freedom. (Photo: Sara Krulwich, New York Times.)

Belarus Free Theatre's "Being Harold Pinter'

When theater is the ultimate political act

So you think standing on line for tickets is an act of perseverance? Meet the Belarus Free Theatre, a company whose members are literally prepared to die for their work and for free expression.

Carol Rocamora

Articles 7 minute read
Clayton: A racial opportunity missed.

"Les Misérables' on tour

Once more into the sewers, dear friends

The new 25th anniversary production of Les Misérables is actually better than the 1985 London original, which came to Broadway in 1987. In an era when return engagements usually are stripped-down reductions, this re-mounting by the original producer Cameron Mackintosh is bigger and more imaginative.
Steve Cohen

Steve Cohen

Articles 2 minute read
Harris, Nickell: An actor's dream assignment. (Photo: Jim Roese.)

"The Understudy' at the Wilma (1st review)

Three characters in search of an idea, or: Theresa Rebeck, meet Sandy Koufax

This production about the frustrations of three actors is first-rate in every respect except the one that matters most: originality. Why do playwrights persist in confining themselves to their own narrow theatrical world?
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Reed in 'A Dickens Christmas': In search of an epiphany.

Scrooge vs. Madoff: A distant mirror

Redemption for Madoff in 2011? Or: Reflections on the American Scrooge

The similarities between two notorious symbols of greed— Ebenezer Scrooge and Bernard Madoff— are obvious enough. But the Madoff story continues to unravel. Is it possible that Madoff may yet be redeemed with the help of a ghost, just like Scrooge?
Henrik Eger

Henrik Eger

Articles 3 minute read
Redgrave, Jones: Changing times.

"Driving Miss Daisy' in New York

Pride and prejudice in the emerging South

Why spend money on seats that cost many times the price of the DVD? To see three of the finest actors of our times share a stage and work their own particular magic on Alfred Uhry's classic.

Jane Biberman

Articles 3 minute read
Jemma Redgrave, Daniel Rabin: Interview with a dead man. (Photo: John Haynes.)

"The Great Game: Afghanistan' in New York

One evening in Afghanistan (that lasts 168 years)

In 12 short plays lasting more than seven hours, this unique “total immersion” production provides a vividly dramatic and crucial context for understanding Afghanistan.

Carol Rocamora

Articles 7 minute read
Wrenn, Jain, Johnson: Who stole Xmas? (Photo: Dan Plehal.)

Theatre Horizon's "Very Merry Xmas Carol'

Scrooge meets Frosty the Snowman

We often hear about plays intended for audiences of all ages, but this broad satire of A Christmas Carol is a rare one that really works across a wide spectrum.
Steve Cohen

Steve Cohen

Articles 2 minute read
'Red Shoes': Hans Christian Andersen meets 'Marat/Sade.'

Kneehigh's "Brief Encounter' and "Red Shoes' in N.Y. (2nd revie

The play's the thing? No, it's the story

From its studio barn in remote Cornwall, Kneehigh Theatre is finding unique new ways to remind us how the primitive power of storytelling can enchant and transport us.

Carol Rocamora

Articles 6 minute read