Theater

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Page 203
McGovern as Watt: Grotesque but essential.

"Watt' at Annenberg: Barry McGovern performs Beckett

Play on words, Beckett-style, or: Is language possible?

Virtually everything Samuel Beckett wrote, in whatever form, is dramatic, but reducing the richness of a novel like Watt to the demands of an hour-long monologue necessarily involves tradeoffs. Nevertheless, Barry McGovern is an exceptional actor for whom Beckett comes as naturally as his own brogue, and the result is like standing under a rare and wonderful waterfall for an hour.
Robert Zaller

Robert Zaller

Articles 6 minute read
Dardaris: Questions of survival.

Sarah Treem's "The How and the Why' by InterAct

Hot and bothered over menopause

In The How and the Why, Sarah Treem rapidly unpacks a world of interpersonal aspersions, thwarted love, feminist struggle and scientific theory. Although her play is dense with themes and ideas, it's a crackling two hours, thanks to Seth Rozin's fast-paced direction and two character-driven actresses.
Alaina Johns

Alaina Johns

Articles 3 minute read
'Our Class': Catholics and Jews, equally uncomfortable. (Photo: Alexander Iziliaev.)

Poles, Jews and 'Our Class' (3rd comment)

The sorrow and the pity— In Poland, and Philadelphia too

Our Class, which concerns a World War II atrocity committed by Polish Catholics against their Jewish neighbors, is currently raising questions all over Poland, as well it should. But the Polish church has ignored it— and so, apparently, have my fellow Polish-American Philadelphians.
Merilyn Jackson

Merilyn Jackson

Articles 8 minute read
Ijames, Nickell, Hobbs: One thunderstorm too many.

"The Whipping Man' at the Arden

Free, black, 21— and kosher too

The Whipping Man concerns the tribulations of a former Confederate soldier trying to run a proper Jewish household with two of his ex-slaves. Playwright Matthew Lopez apparently hopes you'll be too busy gasping at his ironies to notice the holes in his plot.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 4 minute read
At 23, 'Still working this out.'

Lantern Theater's "New Jerusalem' (3rd review)

Spinoza confronts a 21st-Century jury

In David Ives's play, Baruch Spinoza's very abstract notions test a 17th-Century congregation's tolerance for new ideas, not to mention age-old ideals. But the Lantern Theater production makes it clear that this 21st-Century audience is being tested as well.

Marshall A. Ledger

Articles 5 minute read

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How decent people commit unspeakable acts. (Photo: Alexander Iziliaev.)

'Our Class' at the Wilma (2nd review)

Once upon a time in Poland: Truth, lies and history

Tadeusz Slobodzaniek's Our Class recounts the 1941 massacre of the Jews of Jedwabne by their Polish neighbors, and the subsequent cover-up that blamed it on the Nazis. That the Nazis had willing collaborators in their extermination of the Jews isn't news; more interesting than the moral disintegration that led to the massacre is the subsequent history of rationalization and denial, which continues to the present day.
Robert Zaller

Robert Zaller

Articles 8 minute read
Philly Fan

Graham's "Philly Fan' at People's Light

They booed Santa Claus. Or did they?

Bruce Graham's ranting Philly Fan, updated to reflect his city's latest sports tragedies, is sort of like a sports event where the home team always wins.

Bill Murphy

Articles 2 minute read
Rubenfeld as Abram: It wasn’t just the Nazis. (Photo: Alexander Iziliaev.)

'Our Class' at the Wilma (1st review)

Where were you in the war, classmate?

In the devastating Our Class, the Polish Catholic playwright Tadeusz Slobodzianek plumbs a monstrous (and true) subject: The lives of ten members of a school class in a Polish town whose Jews were incinerated en masse by their Catholic neighbors.
Steve Cohen

Steve Cohen

Articles 5 minute read

John Logan's "Red' at Suzanne Roberts (2nd review)

The agony and the agony

John Logan's Red dramatizes the ageless tension between art and commerce. Yet not every artist was as angry and even paranoiac as Mark Rothko.
Steve Cohen

Steve Cohen

Articles 3 minute read
Howard: At 13, a natural interest in the body.

EgoPo’ “Diary of Anne Frank”

Young girl? No, young woman

This adaptation of The Diary of Anne Frank is different from— and better than— the 1955 version you grew up with. Among other things, it's less squeamish about Anne's adolescent awkwardness and her family's Jewishness.
Steve Cohen

Steve Cohen

Articles 5 minute read