Theater

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Gavin Creel (left) Will Svenson: More colorful than '67, but....

"Hair' revival at Academy of Music

Radical for the '60s, passé for 2012?

Hair, that '60s celebration of all things hippie, is closing its revival tour just when the Occupy movement threatens to make it relevant all over again.
Steve Cohen

Steve Cohen

Articles 2 minute read
Childs: Tried and true.

1812's "This Is the Week That Is"

Never mind the week. What year is this?

Just when presidential politics are turning ridiculous, Philadelphia's resident satirical troupe turns soft and fuzzy.
Steve Cohen

Steve Cohen

Articles 1 minute read
Castellan, Quinn: Above all, the need to be liked.

Billington's assault on absurdism

Absurdism isn't relevant? Don't be absurd!

Abdurdism, a European artistic response to the senseless horrors of World War II, has lost its relevance, according to critic Michael Billington. Yet from Greece to the Tea Party to the Occupy movement, millions of people today wander in aimless stupor like the hoboes in Beckett's Waiting For Godot.
Jim Rutter

Jim Rutter

Articles 4 minute read
An intellectual who became a popular hero.

Vaclav Havel's legacy (2nd commentary)

David had his slingshot, Havel had his pen

As a human rights activist who helped overthrow Communism, Vaclav Havel's political legacy seems assured. But the question remains: What is this playwright's dramatic legacy?

Carol Rocamora

Articles 5 minute read
An absurd actor who wrote himself earnestly into political life.

Vaclav Havel's legacy (1st commentary)

Where do people go? Reflections on Václav Havel's Leaving

Who was the late Czech playwright/politician Vaclav Havel, and what was he trying to tell us? His message is both singular and universal: We have our leaving, our coming, our being and dying; we are in part witnesses, actors, and dramaturges.
Martin Beck Matustik

Martin Beck Matustik

Articles 5 minute read
Michael, Dooner, Clemons-Hopkins, Lakis, Forman: An O. Henry-style story put me in the mood.

Theatre Horizon's "Voices of Christmas'

Just like the ones I used to know

Unlike most story-driven musicals of this season, Voices of Christmas is a casual cabaret evening of songs and personal stories: low-key, introspective, nostalgic, reminiscent. Inevitably I found my thoughts turning to bygone people and things that once gave me great personal pleasure.
Steve Cohen

Steve Cohen

Articles 3 minute read
Foster, Reilly, Waltz, Winslet in 'Carnage': The thin skin of social propriety.

"Titus' in New York, "Carnage' on screen

All the world's an abattoir

Five centuries apart, Shakespeare's Titus Andronicus and Yazmina Reza's Carnage wallow in violence that's so outrageous it's actually entertaining. If you think you've never contemplated eating the entrails of yours sons, these and similar works will cure you of your illusions.

Carol Rocamora

Articles 6 minute read
Weinstock: Three days to become Frankie Valli.

"Jersey Boys' at the Forrest

One jukebox musical worth seeing

Jersey Boys, based on the career of the Four Seasons, has succeeded where other so-called jukebox musicals have failed. Let's consider why.
Steve Cohen

Steve Cohen

Articles 3 minute read

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Perrier, Dibble: When selfishness is appealing. (Photo: Mark Garvin.)

Coward's "Private Lives' at the Lantern (2nd review)

Who's afraid of Noël Coward?

Unlike Edward Albee, who heaped pity and abuse on two dysfunctional married couples, Noël Coward's Private Lives pokes fun at them— and at us for judging them.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 3 minute read
Dibble (left), Perrier: A flick of the hand, a twist of the mouth. (Photo: Mark Garvin.)

Coward's "Private Lives' at the Lantern (1st review)

How to revive Noël Coward

Noël Coward worried endlessly whether his works would endure. The Lantern Theater's current production of Private Lives suggests one answer: The only way to prove that an old play continues to breathe is to revive it as an unforgettable theater experience.

Marshall A. Ledger

Articles 4 minute read