Theater

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Page 196
Holum: A mother, but whose? (Photo: Trevor Martin.)

"Chimera': DNA anomalies at Swarthmore

Cooking in the DNA kitchen

Is a little knowledge about DNA a dangerous thing? Chimera is a dizzyingly smart, awfully witty yet ultimately tragic play about a new medical phenomenon.
Merilyn Jackson

Merilyn Jackson

Articles 3 minute read
Poe: How much does a patient recall?

Bruce Graham’s “Outgoing Tide” by PTC (3rd review)

What Bruce Graham doesn't know about Alzheimer's

To judge from The Outgoing Tide, Bruce Graham has mastered the basic elements of drama and comedy but not the subject of his play: Alzheimer's disease.
Steve Cohen

Steve Cohen

Articles 3 minute read
Richard Poe, Anthony Lawton in 'Tide': What's so bad about dependence? (Photo: Mark Garvin.)

Bruce Graham's "Outgoing Tide,' by PTC (2nd comment)

That ‘Better off dead' mindset, reconsidered

Bruce Graham's The Outgoing Tide buys into a widespread assumption: that people with Alzheimer's disease are better off dead. How and where can a dissenting theatergoer voice her objection?

Kelly George

Articles 3 minute read
Corden (left) with Oliver Chris: Walking sight gag.

"One Man, Two Guvnors' on Broadway

Marvelous mayhem by the seaside

Richard Bean, a standup comic, has reached into the oldest traditions of theater to deliver a hybrid farce of the highest order. Just don't sit too close to the stage.

Carol Rocamora

Articles 4 minute read
Kahn: Frozen in anger and woe. (Photo: John Bansemer.)

Shakespeare Theatre's "Titus Andronicus' (1st review)

The Bard as Revenger

Titus Andronicus is early Shakespeare, more gore than glory, but still well worth seeing in Aaron Cromie's canny and inventive staging.
Robert Zaller

Robert Zaller

Articles 5 minute read
Harvard (right): Listening to silence.

"Tribes' and "4000 Miles' in New York

The sounds of thinking, feeling and listening

A rare spring season of compelling new work brings two gems to the New York stage, both revealing something new about what it really means to hear and to listen.

Carol Rocamora

Articles 5 minute read
Jarboe: When Rudi Gernreich played it straight.

Mauckingbird's "The Temperamentals'

The way we were (before we came out)

Where were you at the dawn of the gay liberation movement? Jon Marans's lyrical look back at the '50s made me ask that question for the first time.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 3 minute read
Bennett as Garland: On the way down, down, down. (Photo: Carol Rosegg.)

"Evita' and "End of the Rainbow' on Broadway

The tragedy of stardom, real and synthetic

Without Patti LuPone's complexity, Evita sinks to the level of caricature. By contrast, the flesh and blood Judy Garland breaks your heart.

Carol Rocamora

Articles 4 minute read

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Naylor (left): Royal misfit. (Photo: David Swanson.)

Gombrowicz's "Ivona' at Swarthmore

A princess with a problem

Witold Gombrowicz wrote with a sneering savagery, most of it directed at aristocrats and their sense of entitlement but also at the middle and lower classes who envied them. Swarthmore's production of Ivona wholeheartedly abandoned itself to his frenetic sense of absurdity.
Merilyn Jackson

Merilyn Jackson

Articles 5 minute read
Cummngs (left), Hissom: Love lost to pride and shame.

"Cyrano' at the Arden (2nd review)

The essential human misunderstanding

Cyrano de Bergerac is the only French play between the 17th and 20th Centuries to hold its place on the international stage. Michael Hollinger's pungent adaptation gets about as much of Edmond Rostand's epic conception as a modern audience can probably digest.
Robert Zaller

Robert Zaller

Articles 8 minute read