Theater

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Page 192
Pauls: In search of a climax.

Walking Fish Theatre's "Three Wishes'

Up the organization

Gerald van Wilgen's spirited spoof of corporate life provides a refreshing reminder of the Fringe Festival's original mission: to provide a local showcase of offbeat fun and (decidedly adult) games.
Robert Zaller

Robert Zaller

Articles 3 minute read
Spinoza (above) was luckier than Thomas More or Joan of Arc.

"New Jerusalem': Another side of Spinoza's story (2nd commentary)

Spinoza and his community: The other side of the story

No question, Baruch Spinoza was a heroic figure who stood up courageously for his principles. So were St. Thomas More, Joan of Arc, Galileo and other heroes of “test of faith” drama. But so was my marrano ancestor who was undoubtedly present at Spinoza's excommunication.

Carol Rocamora

Articles 6 minute read
Sheeny, Bortolussi: Haunted by a raven.

"Red-Eye to Havre de Grace' at Live Arts Festival

Once upon a midnight dreary

Edgar Allan Poe, that master of the macabre, couldn't tell the best story of all: his own mental disintegration and collapse. But Thaddeus Phillips and his team could, and did.

Marshall A. Ledger

Articles 6 minute read
Cartafalsa: Cruise ships are defnitely out.

"The Bucket Cure' at the Fringe Festival

The phobia that dare not speak its name

Where else but the Fringe Festival can you find a play about fear of vomit? But don't be put off: Christine Cartafalsa's script expertly zeros in on the ways that an outwardly insignificant issue can infect every part of a marriage when partners lack the ability to cope.
Alaina Johns

Alaina Johns

Articles 3 minute read
Sanford: 'Did you come here with your husband?'

Charlotte Ford's "Bang' at Live Arts Festival

Yes, we're naked. What's your problem?

The absurdities of Bang didn't lie in the characters' unapologetic nakedness, but in our own overwrought reactions to witnessing the human body.
Alaina Johns

Alaina Johns

Articles 3 minute read
Smith: Perverse pleasure.

Sam Shepard's "Heartless' in New York

Sam Shepard confronts his demons (yet again)

Nothing is as it seems in Sam Shepard's Heartless. But Shepard devotees may find his latest dysfunctional family a trifle too familiar— even if, for once, it's dominated by women rather than men.

Carol Rocamora

Articles 4 minute read
Dizzia, Shannon: Where does the stage end?

Soho Rep's "Uncle Vanya' in New York

Theater for hard times, or: Getting there is half the fun

It took me a week of standing in line to see Annie Baker's updated adaptation of Uncle Vanya. But where else can you see cutting-edge theater for 99 cents, not to mention climbing over Kevin Kline to reach your seat?
Jessica Foley

Jessica Foley

Articles 5 minute read
Amy Adams, Josh Lamon: Beware Act II.

Sondheim's "Into the Woods' in New York

Be careful what you wish for

There's no place more magical than outdoor summer theater, and no setting more fitting for Stephen Sondheim's Into the Woods than the woods of Central Park— even if Sondheim's woods are as dark and disturbing as anything imagined by Maurice Sendak or Roald Dahl.

Carol Rocamora

Articles 5 minute read
Louderman: Peer pressure.

"Bring It On: The Musical,' on Broadway

Who needs the Olympics?

This new musical about competition between high school cheerleading squads contains many similarities to the Olympics and turns out to be more entertaining.
Steve Cohen

Steve Cohen

Articles 3 minute read
She even looks like Emily Dickinson.

Joyce Carol Oates contemplates Emily Dickinson

Thelma and Louise? No, Emily and Joyce

Why is Joyce Carol Oates so fascinated by Emily Dickinson? It may be because the two have much in common. As women writers, both have suffered scorn and rejection.

Carol Rocamora

Articles 4 minute read