Theater

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Page 191
Letts (left), Morton: A wolf who finally sheds his sheep's clothing. (Photo: Michael Brosilow.)

Albee's "Virginia Woolf' revived on Broadway

George stands up to Martha, for once

Rarely does a revival shed new light on a play with the same intensity as the blazing new production of Who's Afraid of Virginia Woolf? that just opened on Broadway on its 50th anniversary.

Carol Rocamora

Articles 4 minute read
Band musicians who dance as they play.

"Drumline Live' at the Merriam

Strike up the (pumped up) band

The spectacular Drumline Live celebrates the type of pumped-up band music played at historically black, mostly Southern colleges. It's dazzling stuff, but to judge from the audience at the Merriam, it's mostly preaching to the choir.
Steve Cohen

Steve Cohen

Articles 2 minute read
Widdall: Quest for maturity.

New City's "RFK' at the Adrienne

Bobby Kennedy's unfinished (and uncertain) legacy

Jack Holmes's RFK is a play for our political season, but also a sympathetic and sometimes searching portrayal of Americans' last political icon. Russ Widdall's performance is a tour de force.
Robert Zaller

Robert Zaller

Articles 9 minute read
Braithwaite, Pacek: Shooting fish in a barrel. (Photo: Bill D'Agostino.)

"Gutenberg! The Musical' at Ambler

Let's put on a show! On second thought, let's not

Gutenberg! The Musical! is a parody of simpletons trying to create a Broadway show in total ignorance of its subject. What next— a parody of retarded children?
Steve Cohen

Steve Cohen

Articles 3 minute read
Mr. Marimow, your focus group is on the line.

The Inquirer's dwindling theater coverage

…And then there were none: The Inquirer's last theater critic

Howard Shapiro, the Inquirer's last full-time theater critic, was recently reassigned, leaving the theater beat to be handled by free-lancers. Is this how a major metropolitan newspaper covers one of Philadelphia's most exciting continuing stories?
SaraKay Smullens

SaraKay Smullens

Articles 4 minute read
Rachel Camp as Natalie, James Barry as Dan: Suffering boobs. (Photo: Mark Garvin.)

"Next to Normal' at the Arden (2nd review)

Up from normality

Diana, the obsessively grieving mother in Next to Normal, has more than her share of hangups. But she's far less dangerous than the “normal” relatives and mental health professionals who attend her.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 3 minute read
Teti as Twain: Barbs for Ben Franklin.

'Mark Twain' at People's Light

Tried and true

A one-man show about Mark Twain isn't exactly an original idea, but with material like this, who cares?

Bill Murphy

Articles 2 minute read
Childs and Jadico as Ann and Mitt Romney: Camaraderie counts.

"This Is the Week That Is,' by 1812 Productions (2nd review)

The case for live political satire

Jon Stewart and Steven Colbert may be the kings of political satire, but there's no substitute for a live revue that involves the audience— especially when the troupe in question hits its target more often than, say, “Saturday Night Live.”
Steve Cohen

Steve Cohen

Articles 3 minute read
Julian as Jesse: Wonders of a dime museum.

EgoPo's "Jesse James'

Robin Hood he wasn't

From dime novels, folk songs and contemporary newspaper stories about Jesse James and his gang, EgoPo has ingeniously cobbled together the sort of vaudeville show that would have pandered to the bank robber's devotees after his murder in 1882.
Steve Cohen

Steve Cohen

Articles 4 minute read
Fraelich: Medicated sadness. (Photo: Mark Garvin.)

"Next to Normal' at the Arden (1st review)

The things we notice when we turn down the volume

Unlike the Broadway musical, which looked and sounded like a rock concert, Terrence Nolen's Arden production brings out the quiet yet deep emotions of a family dealing with illness and loss.
Steve Cohen

Steve Cohen

Articles 3 minute read