Theater

2688 results
Page 189
Thompson as Armstrong: Bitter at Ike, grateful to the Mafia.

Teachout's "Satchmo at the Waldorf'

Happy on the outside, but….

The Louis Armstrong I met in 1953 was healthy, energetic and genial; the dying Satchmo we meet in Terry Teachout's one-man play is exhausted and bitter. The contrast is instructive.
Steve Cohen

Steve Cohen

Articles 3 minute read
LuPone (left) Winger: Not their fault.  (Photo: Sara Krulwich/ New York Times.)

Mamet's "The Anarchist' and its audience

Bring out the vegetables

David Mamet's turgid The Anarchist opened to deservedly negative reviews and will close soon. But why are Broadway audiences so meek about expressing their reactions when they're served a turkey?
David Woods

David Woods

Articles 3 minute read
Can you tell the actors from the audience?

Van Hove shakes up Shakespeare

Friends, Romans, countrymen, lend me your iPhones

If you want to explore new frontiers in the theater world just follow the Dutch director Ivo van Hove wherever he goes. In his hands, all of our cherished theatrical conventions are suddenly rendered anachronistic.

Carol Rocamora

Articles 6 minute read
Manstsai, Cronje: Trapped in a pressure cooker.

"Mies Julie' in Brooklyn

Move Strindberg to South Africa, and what do you get?

Yael Farber's inspired but shattering metaphor for the struggles of modern South Africa is the most violent, sexually explicit and contextually insightful play I've seen in a long time.

Carol Rocamora

Articles 5 minute read
Billy Magnussen, Sigourney Weaver: A softer (albeit still manic) Durang.

Durang's "Vanya and Sonia"¦.' in New York (2nd review)

A Chekhovian lament for our times

Christopher Durang's blender version of Chekhov's plays may go down in theater history, alongside the Bard mash-ups by the Reduced Shakespeare Company, as one of the funniest send-ups of the classics ever.

Carol Rocamora

Articles 4 minute read
Weaver and Durang (above) may be enjoying themselves, but what about me?

Durang's "Vanya and Sonia"¦.' in New York (1st review)

Talk about roads not taken!

The good news is: I scored a ticket to Christopher Durang's sold-out comedy at Lincoln Center. The bad news is: In the evening of my life, I squandered a beautiful fall day when I could have been outdoors walking my dog or riding my horse.

Jane Biberman

Articles 5 minute read
Andrew Veenstra as Albert, with 'Joey': Victims under the skin.

National Theatre's “War Horse” at Academy of Music

A boy, his horse and a war

This anti-war manifesto reminds us that it takes brilliant technicians to create puppet horses for the stage, and brilliant technology to destroy real animals and people as well. War Horse. Adapted by Nick Stafford from the novel by Michael Morpurgo; Marianne Elliott and Tom Morris directed. National Theatre of Great Britain production through December 2, 2012 at Academy of Music, Broad and Locust St. (215) 893-1999 or www.kimmelcenter.org.
Steve Cohen

Steve Cohen

Articles 3 minute read

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Wills (left), Coon: A sweeter Professor Hill. (Photo: Mark Garvin.)

"The Music Man' at the Walnut

The way we wish we were

In retrospect, Meredith Willson's corn-fed Music Man has aged better than Leonard Bernstein's pseudo-realistic West Side Story. There's something to be said for unabashed fairy tales.
Steve Cohen

Steve Cohen

Articles 3 minute read
Nicholas (left), Burns: Love or deceit, or both?

Theatre Exile's "The English Bride'

Truth, lies and self-delusion

Lucile Lichtblau's fascinating psychodrama deliberately keeps the audience in the dark about the motives and pressures of terrorists, spies and victims. The play's perceptive point is that all of us tell lies— most often to ourselves.
Steve Cohen

Steve Cohen

Articles 2 minute read
Guess who's about to be served their just desserts?

Royal National Theatre's "Timon of Athens'

Shakespeare discovers Goldman Sachs

Shakespeare's rarely performed Timon of Athens has been dusted off and given an updating that dazzles in its relevance to our troubled times.

Carol Rocamora

Articles 4 minute read