Theater

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Page 186
Belver (left), Zinkel: Communicating without words.

Foote's 'Trip to Bountiful' at People's Light

Homeward bound, as the past slips away

Horton Foote's plays may not soar to the literary heights of Tennessee Williams, but they do hold up a clear mirror to everyday Southern life. This charming production of The Trip to Bountiful captures Foote's larger theme: the need to embrace change.

Bill Murphy

Articles 3 minute read
Giampetro as Ahab: More determined than Welles.

Orson Welles's "Moby Dick Rehearsed'

Herman Melville meets Orson Welles

Can a whale and an ocean be captured on stage? Iron Age Theatre made wondrously creative use of a small theater space and expanded its horizons to represent an endless sea. But this production cries out for filming or televising.
Steve Cohen

Steve Cohen

Articles 4 minute read
Fredrick: Laughing with him or at him?

Quintessence Theatre's "Diary of a Madman'

Send in the clowns (and the shrinks, too)

Who among us has not allowed our fantasies and obsessions to get the best of us from time to time? But this updating of Gogol's short story treats the protagonist not as everyman or even as a clown, but as a diagnosis.

Kelly George

Articles 5 minute read
Zinman at work: 'My skin was certainly too thin.'

The education of Toby Zinman

A pariah who bounced back: The education of Toby Zinman

American Theater Magazine recently named the Inquirer's Toby Zinman one of the nation's 12 most influential theater critics. How did she reach that lofty plateau? And how did a gentle academic develop a skin thick enough to survive a public assault on her character?
Nathan Skethway

Nathan Skethway

Articles 8 minute read
Ijames (left), Greer: Like a blind man at the end of the world.

Beckett's "Endgame' at the Arden (3rd review)

Beckett for a new century

Beckett's Endgame— an often baffling intellectual relic of the ‘50s— can be off-putting to a young theatergoer like me. The Arden production bridged the generation gap with brilliant performances and a mesmerizing set that created a genuine sense of sensory deprivation.

Becca Kaplan

Articles 3 minute read
Boykin (left), Kern: Suffering and endurance.

Beckett's "Endgame' at the Arden (2nd review)

The man with his heart in his head

Edward Sobel's production strives to make Beckett's Endgame more user-friendly without sacrificing its values. A strong performance by Scott Greer goes a long way toward validating his approach.
Robert Zaller

Robert Zaller

Articles 7 minute read
A good place to live, but....

"Laramie Project Cycle' in Brooklyn

The dark side of ‘Our Town'

The courageous Tectonic Theatre Project has dedicated more than a decade of its artistic life to a single tragedy: the brutal murder of a gay college student in Wyoming in 1998. It's a demonstration of theater at its best, but it's also a reminder of theater's limitations.

Carol Rocamora

Articles 6 minute read
DiStefano: Force of nature.

Theatre Exile's 'The North Plan'

When paranoids are realists

Who are our “enemies”? Who gets to decide? You could listen to diatribes on MSNBC or Fox News about these issues, or you could see this seriously funny, serious show.

Pamela Riley

Articles 4 minute read
Kevin Seelaus (left), Tomasovic: Only the good-looking survive.  (Photo: Evan Robinson.)

Mask & Wig Club's "Beautopia'

124 years old, and still silly

Mask and Wig Club's Beautopia is set in a 25th-Century dictatorship, where citizens are ranked by physical appearance. Does this plot line sound familiar?
Jim Rutter

Jim Rutter

Articles 3 minute read
Ford, Raphaely: Ultimate planners.

MacMillan's "Lungs' at Luna Theater

The parenthood trap, or: Just do it

Duncan MacMillan's Lungs portrays a young couple who spend maybe a little too much time analyzing whether or not to have children.
Alaina Johns

Alaina Johns

Articles 4 minute read