Theater

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Gonglewski (right) with Christopher Patrick Mullen: Battle (yawn) of the sexes. (Photo: Mark Garvin.)

Sondheim's "A Little Night Music' at the Arden (2nd review)

A Broadway musical, or a period piece?

An excellent Arden production brings out the best of Stephen Sondheim's A Little Night Music— specifically, his music and lyrics. But the play's theme of marital dalliance is growing tired.

Marshall A. Ledger

Articles 3 minute read
Montano (left), Zinkel: One last fling. (Photo: Mark Garvin.)

"Barcelona' at People's Light: Americans abroad, again

Lost in translation

Bess Wohl's Barcelona provides juicy roles for two talented actors but little new insight into the cultural divide between Europeans and Americans

Bill Murphy

Articles 2 minute read
Ed Swidey (left) as Tom, Langston Darby as Legree: Racial role reversals. (Photo: Jenna Kuersi.)

EgoPo's "Uncle Tom's Cabin' at Plays and Players (1st review)

Who was Eliza Harris?

Uncle Tom's Cabin was a revolutionary novel that effectively dramatized the inhuman horror of slavery. Its later stage adaptations reinforced the demeaning racial stereotypes that the novel hoped to erase. But there's a third way to look at Uncle Tom's Cabin: As an account of real historical events.
Dan Rottenberg

Dan Rottenberg

Articles 8 minute read
Peter DeLaurier (left), Dan Kern: Waiting for the undertaker? Really? (Photo: Mark Garvin.)

Stoppard's "Heroes' at the Lantern (3rd comment)

Is old age really so dreadful?

Plays like Heroes are based on the common assumption that nobody really wants to live in a retirement home. The less theatrical reality I've observed— at a real Christian home full of real veterans— is that old folks are very capable of living happily in the moment.
Alaina Johns

Alaina Johns

Articles 5 minute read
Gonglewski as Desiree: Easy to love.

Sondheim's "A Little Night Music' at the Arden (1st review)

Isn't it rich?

Stephen Sondheim's A Little Night Music rises or falls with its leading lady, Desiree Armfeldt. In the Arden's current production, the graceful and alluring Grace Gonglewski is more than up to the task.
Steve Cohen

Steve Cohen

Articles 5 minute read
Braithwaite, Doherty: Flunky in the spotlight. (Photo: Bill D'Agostino.)

"Lend Me a Tenor' in Ambler

The show must go on

Lend Me a Tenor is one of the best-constructed farces ever written by an American, but its intricacies present a challenge to actors and directors. The current production at Act II Playhouse does justice to Ken Ludwig's backstage comedy and even expands on its opportunities.
Steve Cohen

Steve Cohen

Articles 3 minute read
Cumming as Macbeth: The king as mental patient.

Alan Cumming does "Macbeth' on Broadway

The ultimate modern man: A paranoid delusional Macbeth

This insightful conception sets Macbeth in a mental hospital, with a single patient— the remarkable Alan Cumming— playing all the roles. His Macbeth comes across as a modern man driven mad by his inability to cope in a frightening, out-of-control world.

Carol Rocamora

Articles 6 minute read
Alhadeff (left), Putney: 12 seductions, and counting.

David Ives's "Venus In Fur' at Philadelphia Theatre Co, (2nd review)

I am woman, hear me roar

Do women's liberation and sadomasochism go hand in hand? The father of S & M thought so, but what do men know about women? In David Ives's Venus in Fur, a modern-day wonder woman bites back.

Marshall A. Ledger

Articles 6 minute read
Putney (left), Alhadeff: An actress, or a goddess?

David Ives's "Venus In Fur' at Philadelphia Theatre Co. (1st review)

Man smart, woman smarter, or: Aphrodite rides again

David Ives's Venus In Fur is an intense, perceptive, provocative, often very funny, sometimes brilliant one-act comedy-drama by an incisive playwright who perceives the dance of seduction between the sexes as the ultimate dramatic conflict. But its process is more important than its product.
Dan Rottenberg

Dan Rottenberg

Articles 5 minute read
Regensburg, Tarves, Michael: Is life a bitch, or a rock concert?

"Spring Awakening' in Norristown

The difficult years

Frank Wedekind's gripping 1891 drama of adolescents coping with a repressive society and unsupportive parents seemed an unlikely idea for a Broadway musical. Horizon's production has gone a long way toward salvaging it.
Steve Cohen

Steve Cohen

Articles 2 minute read