Theater

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Pryor (left), McNulty: Must a plain girl settle?

‘The Rainmaker’ at People’s Light

Between pessimism and delusion in the Great American heartland

The Rainmaker, a compelling character study set on an Iowa farm during the Great Depression, lacks the psychological depth of Cather’s work, but it’s undeniably charming.

Bill Murphy

Articles 2 minute read
Maula: Ken and Barbie worked, at first.

‘A Doll’s House’: the Geffers adaptation (2nd review)

A modern Nora, or just a confused one?

EgoPo’s adaptation of A Doll’s House casts a 14-year-old girl as Nora yet upgrades the subject matter to adult issues like money, sex, and physical abuse. What statement was Brenna Geffers trying to make?
Naomi Orwin

Naomi Orwin

Articles 4 minute read
Morris, Mastro: How to respond to a cheating wife?

Bruce Graham’s ‘Any Given Monday’ in Wilmington

The urge to kill

Bruce Graham has cut about 12 minutes from his original 2010 production of Any Given Monday, his take on suburban infidelity and macho revenge. The tightened monologues and a new cast provide a warmer, less boorish, more reasoned glow.
Steve Cohen

Steve Cohen

Articles 2 minute read
Swidey in tub: A different reality— namely, our own.

Renegade’s ‘Bathtub Moby-Dick’ at FringeArts

Captain Ahab in South Philadelphia

Watching Ed Swidey as Captain Ahab in a South Philadelphia living room, I suddenly found myself fighting tears of recognition: Here was the father I never had, taking time to explain and illustrate for a child Melville's most famous masterpiece.
Henrik Eger

Henrik Eger

Articles 4 minute read
Fraser (left), Lee: Prophetic power.

Matthew Charman’s ‘The Machine’ in New York

Man vs. machine

The historic 1997 chess match between Russia’s Garry Kasparov and an IBM computer is the stuff that modern tragedy is made of: It involves a noble protagonist who, due to a tragic flaw (being human), suffers his downfall.

Carol Rocamora

Articles 6 minute read

‘In the Heights’ at the Walnut

Latins in Manhattan

In the Heights may bear a striking similarity to Fiddler on the Roof, but one of this musical’s strengths is its ability to echo universal themes and Broadway traditions at the same time that it celebrates Latin culture and music.
Steve Cohen

Steve Cohen

Articles 3 minute read

"A Doll's House': the Geffers adaptation

Young Nora

This Doll's House is not a rewrite or a reinterpretation of the classic play. Rather, it's a one-hour introduction to the character who will grow up into the prototypical mother of women's liberation.
Steve Cohen

Steve Cohen

Articles 2 minute read
Cast of 'Heart of the Revolution': Did Marx need Freud?

"Ajax' (2nd review) and "Heart of a Revolution'

Two dangerous men

Tucked away in pockets of this year's FringeArts Festival are gems of historical and literary discovery— in this case, about Karl Marx's adultery and the ancient Greek warrior Ajax's savagery.

Articles 6 minute read
Honor and courage, yes; physical prowess, no.

Attis Theater's 'Ajax, the madness' at the Wilma (1st review)

The frenzy of war, then and now

In Ajax, the madness, Theodoros Terzopoulos strips down the Ajax legend from Homer's Iliad and the Sophocles tragedy to its barest essentials, probing the roots of violence that underlie war. For Philadelphia, it was a rare opportunity to experience first-rate experimental theater.
Robert Zaller

Robert Zaller

Articles 8 minute read
Goosebumps: Is truth scarier than fantasy?

'Paperback Dreadful' at FringeArts Festival

Beyond Goosebumps: R.L. Stine gets his just desserts

What American kid of the ‘90s wasn't captivated by R.L. Stine's spine-tingling Goosebumps books, with their monstrous apparitions and sinister wishes granted? This send-up of Stine ventures a step further to focus on the real traumas of childhood.
Alaina Johns

Alaina Johns

Articles 3 minute read