Theater

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Can the good survive in a world that isn't?(Photo: Richard Termine, New York Times.)

Brecht’s ‘Good Person of Szechwan’ at the Public Theater

A truly good life: My generation and yours

This irreverent, kitschy, politically incorrect version of Brecht’s cynical parable made me squirm. But my playwriting students loved it. Brecht probably would have loved it, too.

Carol Rocamora

Articles 4 minute read
Bookler, Quinn: To eat or not to eat, that is the question.

‘Hands Across Veronica’ at Walking Fish

Body image: The way we live now

Gin Hobbs’s Hands Across Veronica is a dark comedy that uses a tragic format to describe the way we live now: obsessed with image, and bereft of self.
Robert Zaller

Robert Zaller

Articles 5 minute read
Rylance (front) with Stephen Fry: An extraterrestrial lands on Broadway. (Photo: Tritram Kenton.Guardian.)

‘Twelfth Night’ and ‘Richard III’ in New York

Boys will be girls (again)

Everything about these two current productions— presented just as they were 400 years ago— is wonderful. You rarely hear Shakespeare’s poetry spoken so beautifully and clearly on the stage.

Carol Rocamora

Articles 5 minute read
Goldblum: Bewildered and beset by vengeful women.

Bruce Norris’s ‘Domesticated’ in New York

Pity the poor philandering husband

Using Bill Clinton, Eliot Spitzer and Anthony Wiener as his prototypes, Bruce Norris’s blistering black comedy tells the story of a politician caught in a humiliating public sex scandal and beset by angry women. If only the protagonist’s anguished cry sounded more like his own and less like Philip Roth’s or Woody Allen’s.

Carol Rocamora

Articles 5 minute read
Ingo Hülsmann, Stefan Stern, Eva Meckbach: Not quite what Ibsen had in mind. (Photo: Julieta Cervantes.)

‘Enemy of the People’: The Berliner version

When the theater becomes a courtroom

The Schaubühne Theatre from Berlin is back, with a daring, defiant version of Ibsen’s An Enemy of the People that sheds new light on a generation struggling to disengage itself from Germany’s catastrophic 20th-Century history.

Carol Rocamora

Articles 5 minute read
DelMarcelle: Mesmerizing, and without makeup. (Photo: Mott.)

‘I Am My Own Wife’ in Norristown

A legend in her own mind (or his)

I Am My Own Wife concerns a German transvestite who survived both the Nazis and the Communists. But were his/her heroics genuine?
Steve Cohen

Steve Cohen

Articles 2 minute read
Craig and Weisz: Would you rather see them in Mary Poppins? (Brigitte Lacombe, photographer, © Broadway.com)

Harold Pinter's 'Betrayal' on Broadway

Tragedy or travesty?

What’s the point in watching a play with glamorous superstars like Daniel Craig and Rachel Weisz, if you’re not going to derive any pleasure from it?

Carol Rocamora

Articles 5 minute read
Jones (left), Keenan-Bolger: Greater than the sum of its parts.

‘The Glass Menagerie’ in New York

A director who listens to his author

In John Tiffany’s tender production of The Glass Menagerie, the individual performances offer heartfelt interpretations of Tennessee Williams’s immortal characters. Cherry Jones may be the most formidable Amanda I’ve seen, while Zachary Quinto’s touching Tom is ironic to the point of tragicomedy.

Carol Rocamora

Articles 6 minute read
Ward (left) and de Waal: Manipulative, in more ways than one.

‘Once’ at the Academy of Music (2nd review)

Not quite a concert, not quite a play

Once is a miniature folk concert accompanied by a slender story about a man and a woman who briefly come together, then go their separate ways.
Steve Cohen

Steve Cohen

Articles 4 minute read
Ward and De Waal: The best lovers are doomed.

‘Once’ at the Academy of Music (1st review)

Can music keep us together?

What’s more irresistible than two people falling in love to music? Especially when you can go on stage and order a beer and listen to Irish music at the same time? Whether such a love can last— that’s another story.
Naomi Orwin

Naomi Orwin

Articles 5 minute read