Theater

2688 results
Page 174
MIDSUMMER art website

Julie Taymor’s ‘Midsummer Night’s Dream’

A dream for all ages

Julie Taymor draws upon multiple theatrical traditions to create minimalist, multidimensional magic.

Carol Rocamora

Articles 5 minute read
Halenda as Tucker: When the original needs something more.

‘Jersey Boys,’ 'Sophie Tucker’ and ‘I Love Lucy Live’

Déjà vu all over again

What do today’s nostalgia shows mean to younger audiences who never saw these performers and don’t remember them — especially when they can Google the real original on YouTube?
Naomi Orwin

Naomi Orwin

Articles 4 minute read

‘Godot’ and ‘No Man’s Land’ in New York

A pair of icons shaking up a pair of iconic plays

Pairing Waiting For Godot with No Man’s Land gives us a Beckett/Pinter double bill of complementary worldviews. Whether you see life as a glass half empty or half full, you’re treated to both.

Carol Rocamora

Articles 5 minute read
Fun home

Alison Bechdel's 'Fun Home' becomes a musical

When I learned that Alison Bechdel's Fun Home had been turned into a musical, though I usually shy away from anything described as “heart-rending” or “poignant,” I knew I had to go.
Roz Warren

Roz Warren

Articles 5 minute read
DiCaprio: The good life? In what sense?

‘The Wolf of Wall Street’ and ‘The Winslow Boy’

The full Scorsese treatment (for someone who doesn’t deserve it)

Martin Scorsese’s voyeuristic Wolf of Wall Street glamorizes a Wall Street scam artist who enriched himself by breaking every law in the book. Meanwhile, the simple honest heroism of Terrence Rattigan’s The Winslow Boy went barely noticed this fall.

Carol Rocamora

Articles 5 minute read
Lazar: Gargantuan fairy godmother.

‘Cinderella Panto’ at People’s Light

Cinderella meets the Philadelphia Eagles

People’s Light has cornered a niche market with its annual nonsensical Panto production. I mean, where else can you embellish Cinderella with references to the Paoli Local, Ted Cruz’s government shutdown, The Elephant Man and Obamacare?

Carol Rocamora

Articles 3 minute read
Widdall (left), Olmstead: Between politics and show biz. (Photo: Ginger Dayle.)

New City Stage’s ‘Frost/Nixon’

Nixon meets his match

As this masterful production makes abundantly clear, makes clear, Frost/Nixon is really about television: how it simplifies complex ideas and entire careers into a single snapshot.
Mark Wolverton

Mark Wolverton

Articles 4 minute read
Perrier (above) is appropriately childlike, but why not the real thing?

Lantern’s ‘A Child’s Christmas in Wales’ (2nd review)

Even in Wales, was Christmas ever this somber?

Would it be too much to ask that a few kids be cast in a play that’s so purely wrapped up in the wonders of youth?
Jake Blumgart

Jake Blumgart

Articles 3 minute read
Is this how Odysseus and Beowulf got started?

Lee Breuer’s ‘La Divina Caricatura’

A dog’s search for meaning

Lee Breuer’s two-and-a-half-hour multi-media music-driven puppet extravaganza is an American epic, featuring a dog with an addiction to a bad master and a longing for fame who spirals into the depths of popular cultural despair and unexpected spiritual teachings.
AJ Sabatini

AJ Sabatini

Articles 5 minute read
Kreitz (left), Lyons-Cox: Ridiculous, but so is The Bard. (Photo: Claire Horvath.)

Curio Theatre’s ‘Gender Comedy’

Do you really think Shakespeare’s comedies are funny?

In the sophomoric and absurd Gender Comedy, Curio Theater does to Twelfth Night what should be done to Twelfth Night.
Jake Blumgart

Jake Blumgart

Articles 3 minute read