Theater

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Page 171
Cooley (right) and Hoeffler: No easy answers.

Nina Raine’s ‘Tribes’ by PTC (2nd review)

Empathy for the deaf

With one exception, everyone involved with Nina Raine’s Tribes knows about deafness, but they don’t know deafness. That’s the big stumbling block for any work on this subject aimed at a hearing audience.
Naomi Orwin

Naomi Orwin

Articles 4 minute read
Audience members at Punchdrunk's “Sleep No More” (photo by Jason Goodman for “Vanity Fair”)

An immersive experience or audience abuse?

Is there such a thing as audience abuse? More and more these days, you run that risk when you go to the theater. The question is: Is it worth it? And why do we tolerate it?

Carol Rocamora

Articles 6 minute read
Taking a master class from a true master.

'The Tightrope' by Simon Brook

A glimpse into Peter Brook's creative process

The legendary Peter Brook is once again working his theatrical wonders — this time in a filmed master class called The Tightrope, directed with precision and reverence by his son, Simon.

Carol Rocamora

Articles 5 minute read

'Stop Hitting Yourself' at Lincoln Center Theater

Stop Hitting Yourself is an energetic, often entertaining attempt with a meaningful message. But these noble ends don’t justify some of their rough artistic means.

Carol Rocamora

Articles 5 minute read

Lantern Theater’s 'Julius Caesar' (1st review)

A Japanese shogun

The Lantern Theater's production of Julius Caesar set the action in feudal Japan, which, if not a great idea, at least wasn't a bad idea.
Gary L. Day

Gary L. Day

Articles 4 minute read
The orange groves of Duarte were gone by the time the events of "True West" take place.

‘True West’ at Theatre Exile (second review)

Lost in the boonies

Some call this a masterpiece by America’s greatest living playwright. Others find it irritating and have walked out. Both are appropriate reactions to a play that’s about split personalities.
Steve Cohen

Steve Cohen

Articles 3 minute read
Wood, Wilder, Apple: Sympathy for the left.

‘Other Desert Cities’ at the Walnut

Cold-blooded conservatives vs. warmhearted liberals

Somewhere west of Generation Gap, a family modeled after Ronald Reagan’s wages bitter ideological warfare. Too bad the characters here are mostly caricatures.
Steve Cohen

Steve Cohen

Articles 2 minute read
Sibling rivalry: Brian Osborne (left) and Jeb Kreager

'True West' at Theatre Exile

The yin and yang of the artistic process

Theatre Exile, with its nuanced actors, is probably the best equipped of all Philadelphia troupes to handle Shepard’s one-dimensional drama.
Jackie Schifalacqua

Jackie Schifalacqua

Articles 3 minute read

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Langella as Lear: Blinding intensity and clarity.

Chichester’s ‘King Lear’ in Brooklyn

Is there an estate planner in the house?

Frank Langella’s portrayal of King Lear will remain memorable to me for his powerful presence, humanity, and range. He plays all the notes, from proud and vain to volatile and irrational to humble and heartbroken.

Carol Rocamora

Articles 5 minute read
"A Clockwork Orange" seems demure by comparison. (Photo credit: Shinsuke Suginou)

Kuro Taniro's 'The Room Nobody Knows'

An avant-garde dream from Japan

With a work like The Room Nobody Knows, you need to have both an open mind and an adventurous attitude, or you just might lose yourself in the confusion.
Gary L. Day

Gary L. Day

Articles 3 minute read