Theater

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Surprise! A life-defining moment. (photo by Joan Marcus, © Broadway.com)

'If/Then' on Broadway

Chances and choices

In If/Then, after two acts and 22 songs, Idina Menzel’s character (both of them) realizes that life just keeps happening: a cascade of choices and chances, paths pursued and paths ignored. You can’t ever know what will happen next.
Anndee Hochman

Anndee Hochman

Articles 6 minute read
Hello!

'Book of Mormon' at the Forrest (fourth review)

The power of theater compels you . . .

F-bombs and crude jokes and satire, oh my! The Book of Mormon made my mother laugh and want to see other shows she normally wouldn’t. Theater is powerful stuff.

Tara Lynn Johnson

Articles 3 minute read
Childs and Lawton explore the road not taken. (Both photos by John Flak)

Fringe Festival: 1812 Productions’ ‘Intimate Exchanges’

Exploring the consequences of choice

Intimate Exchanges is a comedy of ambitious conceptualization and modest execution that is reminiscent of these quiet but literate British sitcoms that frequently show up on PBS.
Gary L. Day

Gary L. Day

Articles 2 minute read
Not going to be a good-natured romp (Photo by Kate Raines, www.plate3photography.com)

Fringe Festival: New Paradise Laboratories’ ‘The Adults’

A masterwork of unease

New Paradise Laboratories’ Fringe show, The Adults, is a play for those who like their drunken pratfalls freighted with metaphysical anxiety.
Jake Blumgart

Jake Blumgart

Articles 3 minute read
“Theorem”: This performance takes balls. (Photo courtesy of fringearts.com)

Fringe Festival: ‘99 Breakups’ and ‘Theorem’

Ensemble energy sparks FringeArts

Two Fringe performances in nontraditional venues showcase the power of talented ensembles.

Carol Rocamora

Articles 5 minute read
Sarah Sanford in front of Ariadne (Photo courtesy Pig Iron Theatre Company)

Fringe Festival: Pig Iron’s ‘99 Breakups’ (second review)

Choreographing an emotional minefield

People behave in particular ways in a museum; everything is hushed — but not when Pig Iron sets its performance inside one.
Steve Cohen

Steve Cohen

Articles 3 minute read
How heavy is that baggage? (Photo by Plate3Photography)

Fringe Festival: Pig Iron’s ‘99 Breakups’

Painful Breakups

None of the moments in 99 Breakups was connected with any other, and all lacked subtext, subtlety, or any larger meaning.
Ilene Raymond Rush

Ilene Raymond Rush

Articles 3 minute read

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Bob Schmidt, Ethan Lipkin, and David Stanger in Eugène Ionesco's “Rhinoceros.” (Photo by Johanna Austin,  www.austinart.org)

Fringe Festival: 'White Rabbit Red Rabbit' and 'Rhinoceros'

The power of the playwright’s voice

Given the horrific reports coming out of the Middle East today, the voices of Soleimanpour and Ionesco ring out loud and clear, warning us of the perils of nonconformity in the face of tyranny.

Carol Rocamora

Articles 5 minute read
The triumph of bad taste

‘Book of Mormon’ at the Forrest (third review)

Is nothing sacred?

What Joshua taught me is to look at The Book of Mormon as a phenomenon of popular culture — an American one, specifically, in which nothing is considered sacred, and any aspect of the human condition is fair game for satire.

Carol Rocamora

Articles 5 minute read

Gokash production of 'Death of a Salesman'

Willy Loman, risen from the dead

The Gokash production of Death of a Salesman is the first African-American staging of the Arthur Miller classic in Philadelphia. We talk to Kash Goins, head of Gokash, who stars as Willy Loman.
Henrik Eger

Henrik Eger

Articles 4 minute read