Theater

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Parker and Pritchett: emotional excesses and paranoid insecurities. (Photo by T. Charles Erickson)

Emily Mann directs 'Antony and Cleopatra' at the McCarter

A mature staging of an immature romance

McCarter's Emily Mann attempts to make sense of one of Shakespeare's messiest plays, and the result is worthwhile.
Mark Cofta

Mark Cofta

Articles 3 minute read
Brian Anthony Wilson, Melanye Finister, and Michael Genet in "Fences." (Photo: Mark Garvin)

August Wilson's 'Fences' at People's Light

Reviving a modern American classic

People's Light & Theatre Company opens its season with a superb revival of August Wilson's Fences, which explores African-American life in the 1950s.

Bill Murphy

Articles 2 minute read
Does this speaker have one horn or two?

Fringe Festival: Idiopathic Ridiculopathy's ‘Rhinoceros’ (3rd review)

When language goes....

Absurd theater, born in postwar France, remains relevant to our contemporary world — perhaps more so than ever, as the revival of Eugène Ionesco’s Rhinoceros by the Idiopathic Ridiculopathy Consortium suggests.
Robert Zaller

Robert Zaller

Articles 5 minute read

Fringe Festival: New Paradise Laboratories’ ‘The Adults’ (third review)

Tampering with Chekhov

It was with a bit of trepidation — as well as determination — that I ventured down to the Painted Bride to see New Paradise Laboratories’ production of The Adults.

Carol Rocamora

Articles 5 minute read
Rose, Bodnar, Hoty: Shattering (and reinforcing) stereotypes.

Dolly Parton’s ‘9 to 5’ at the Walnut

I am woman, hear me roar

Dolly Parton’s feminist musical fantasy was judged too shallow and gaudy for Broadway. But the Walnut Street Theatre’s current production is surprisingly likable.
Steve Cohen

Steve Cohen

Articles 3 minute read
Dan Higbee in Renegade’s “Hunchback.” (photo by Meghann Hicksonn)

Fringe Festival: ‘The Hunchback of Notre Dame’

An interview with the director of the Renegade 'Hunchback'

An interview with director Michael Durkin on the Renegade Company's mute version of the classic Victor Hugo novel, The Hunchback of Notre Dame.
Henrik Eger

Henrik Eger

Articles 5 minute read
Aaron Cromie as Henri de Toulouse-Lautrec (Photo by  www.plate3photography.com)

Fringe Festival: 'The Body Lautrec'

The dark side of the Belle Époque

Brilliant scenic and puppetry design of Cromie marries a Paris bordello to the aesthetic of the Mütter-like cabinet museum in this musical that looks at the dark side of Henri de Toulouse-Lautrec.
Jonathan M. Stein

Jonathan M. Stein

Articles 3 minute read
Scott Sheppard and Justin Rose in “99 Breakups” (Photo by Kevin Monko)

Fringe Festival: Pig Iron’s ‘99 Breakups’ (third review)

Not just romantic breakups

The performances of 99 Breakups, some more inscrutable than others, have a few verbal and physical gems, but aren’t exactly revelations on human nature.
Alaina Johns

Alaina Johns

Articles 4 minute read
Have these rhinos no consideration? (photo by Johanna Austin, www.austinart.org)

Fringe Festival: Idiopathic Ridiculopathy’s ‘Rhinoceros’

Absurd is the new normal

Ionesco was prescient: In today’s weird and wild world, a lot of us are surrendering to the notion of life without inherent meaning or order.
Alaina Johns

Alaina Johns

Articles 4 minute read
Matteo Scammell in "The Adults" (photo by Kate Raines, www.plate3photography.com)

Fringe Festival: New Paradise Laboratories’ ‘The Adults’ (second review)

A deflated balloon

The adroit cast of The Adults takes ideas from a great play by Chekhov and contorts them into a mannered exhibition of body movements.
Steve Cohen

Steve Cohen

Articles 1 minute read