Theater

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Diversity in line: the "100% Philadelphia" audience. (photo by Alaina Mabaso)

Fringe Festival: 100% Philadelphia

Do any of these 105 Philadelphians represent you?

The premise of 100% Philadelphia is that we can reflect our city and ourselves by revealing the roots, experiences, and opinions of our fellow citizens, but in reality, its participants raise questions as quickly as they answer them.
Alaina Johns

Alaina Johns

Articles 5 minute read
Not what I meant by “ice-cold blonde”: Matt Leisy and Karen Peakes in “The 39 Steps” (photo by Mark Garvin)

'The 39 Steps' at Bristol Riverside Theatre

Mixing suspense and comedy

The question turns out to be not whether a parody/comedy of The 39 Steps would work, but why did it take until 2005 to produce one?
Joseph Glantz

Joseph Glantz

Articles 3 minute read
Greer as Valere: Hero or villain?

Hirson’s ‘La Bête’ at the Arden

Molière meets Robin Williams

An intriguing play in the manner of Molière tries to pit tradition against innovation but bogs down in personal conflicts. Still, Scott Greer’s tour de force performance is worth the ticket price alone.
Steve Cohen

Steve Cohen

Articles 3 minute read
The mysteries of time revealed: Harris, Garai, and Bhavesh Patel. (Photo by Joan Marcus)

Roundabout Theatre's 'Indian Ink'

As always, Sir Tom Stoppard offers a theatrical feast. Indian Ink is not only an absorbing mystery, it’s also a “passage to India,” an immersion in an exotic culture with which the British have had a long and complicated love affair.

Carol Rocamora

Articles 3 minute read
Her heart gave a sharp twinge: Andalyn Young in “Nellie/Nellie” (photo by Michael T. Williams)

Fringe Festival: ‘Nellie/Nellie’ and ‘The Yellow Wallpaper’

Has women’s mental health care changed since the 1800s?

Two real women of the late 19th century experienced the horror of being labeled insane; their stories still resonate today in powerful Fringe presentations.
Alaina Johns

Alaina Johns

Articles 5 minute read
Traveling through time and space to see "Scenes from a Marriage." (Photo: Jan Versweyveld)

'Scenes from a Marriage' and 'Love Letters'

Plumbing the depths of love and marriage

Scenes from a Marriage and Love Letters provide two sharply contrasting looks at love, both inside and outside of marriage.

Carol Rocamora

Articles 5 minute read
Joseph Marcell as King Lear (both photos by Ellie Kurttz)

Globe Theatre's 'King Lear'

Can high tragedy be a form of entertainment?

The Globe Theatre’s production of King Lear doesn’t give Lear the centrality this tragedy needs.
Victor L. Schermer

Victor L. Schermer

Articles 5 minute read
Parker and Pritchett: emotional excesses and paranoid insecurities. (Photo by T. Charles Erickson)

Emily Mann directs 'Antony and Cleopatra' at the McCarter

A mature staging of an immature romance

McCarter's Emily Mann attempts to make sense of one of Shakespeare's messiest plays, and the result is worthwhile.
Mark Cofta

Mark Cofta

Articles 3 minute read
Brian Anthony Wilson, Melanye Finister, and Michael Genet in "Fences." (Photo: Mark Garvin)

August Wilson's 'Fences' at People's Light

Reviving a modern American classic

People's Light & Theatre Company opens its season with a superb revival of August Wilson's Fences, which explores African-American life in the 1950s.

Bill Murphy

Articles 2 minute read
Does this speaker have one horn or two?

Fringe Festival: Idiopathic Ridiculopathy's ‘Rhinoceros’ (3rd review)

When language goes....

Absurd theater, born in postwar France, remains relevant to our contemporary world — perhaps more so than ever, as the revival of Eugène Ionesco’s Rhinoceros by the Idiopathic Ridiculopathy Consortium suggests.
Robert Zaller

Robert Zaller

Articles 5 minute read