Theater

2712 results
Page 152
Bottom's up: Philadelphia Shakespeare Theatre's "Midsummer Night's Dream" (photo by Kendall Whitehouse)

Philadelphia Shakespeare Theatre's 2014-2015 season

The Bard, Philly-style

The Philadelphia Shakespeare Theatre is the only local company exclusively devoted to Shakespeare, and it consistently produces lively, well-executed treatments of its chosen repertoire.
Tom Purdom

Tom Purdom

Articles 3 minute read
Unraveling tangled emotions: Saunders, Teti, and Greer. (Photo: Mark Garvin)

Bruce Graham's 'Stella and Lou' at People's Light

Lonely hearts in South Philly

Stella and Lou is good, not-too-heavy summer fare, a play with humor that also offers food for thought and characters who stay with you after the lights have come up.

Bill Murphy

Articles 2 minute read
“All beauty turns ugly”: Walton, O’Hanlon-Rodriguez, Anthony.  (Photo by John Flak)

'Lulu’s Golden Shoes' by Quiara Alegría Hudes

If a whore screams does she make a sound?

What is it like for a young girl growing up in the barrio when her role models are whores and abused women? Can she change the plot that’s been written for her and become the superhero of her own story?
Naomi Orwin

Naomi Orwin

Articles 4 minute read
Navigating tricky territory: Palughi and Thorn in “World Builders.” (Photo by Seth Freeman)

2015 Contemporary American Theater Festival

Where new plays thrive

A professional company that only produces new plays celebrates its 25th year with an ambitious but uneven quintet of plays.
Mark Cofta

Mark Cofta

Articles 6 minute read
Staying in the moment: Schier (center top) and castmates in “The Tempest.” (photo by Andrew Hazeltine)

Kristen Schier on the Commonwealth Classic 'Tempest'

Shakespeare and improv: The perfect match?

Shakespeare, often viewed by the general public as the most sacred, highfalutin form of drama we have, is also possibly our richest and even most necessary ground for improvisation. Kristen Schier explains why.
Alaina Johns

Alaina Johns

Articles 5 minute read
If she can talk on the phone, why can't I? (LuPone in "Shows for Days")

Audiences behaving badly

A comedy of manners

Where is Emily Post when we need her? There’s a crisis in the theater — and it’s not on the stage.

Carol Rocamora

Articles 3 minute read

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Majestic in her determination and endurance: Brooke Adams in "Happy Days"

Beckett’s 'Happy Days' at the Flea Theater

Beckett at his best

When a cast and director are in synch, anything and everything is possible. Director Andrei Belgrader understands the precarious balance of tragedy and comedy in Beckett’s Happy Days.

Carol Rocamora

Articles 3 minute read
A memorial to Michael Brown during the Ferguson protests. (Photo by Jamelle Bouie via Creative Commons/Flickr)

'Hands Up' by Flashpoint Theatre Company

Fuck you! And fuck this shit!

The six testaments of Hands Up are connected by the theme of uncertainty, with each character revealing his particular stain.
Ardencie Hall-Karambe

Ardencie Hall-Karambe

Articles 2 minute read
Shedding light on the irrational nature of love: Michael and Filios. (Photo by Mark Garvin)

Sondheim's 'Passion' at the Arden (second review)

When feelings crack you open

In Passion, Sondheim is saying that love comes from sources that seem unlikely and at times when you least expect it — there’s no logic to it.
Steve Cohen

Steve Cohen

Articles 3 minute read
Two men and a piano. (Photo by Jim Cox)

'Murder for Two' at PTC

It takes two, baby

I wonder if the dazzling performer Kyle Branzel loved the old movies in which Jerry Lewis played multiple characters as much as I did.
Rhonda Davis

Rhonda Davis

Articles 1 minute read