Theater

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Page 151
Twombly and Rauschenberg / Patroclus and Achilles (Photo by Dave Sarrafian)

Fringe 2015: '50 Days at Iliam' by Hannah Van Sciver

Coming full circle

Hannah Van Sciver’s take on the creation of Cy Twombly's Fifty Days at Iliam was a sensual, rhythmic, playful, and thoughtful take on the inner workings of the artist.

Lauren Findlay

Articles 4 minute read
Frank Perri can control your reality. (Photo via frankperrientertainment.com)

Fringe 2015: 'Reimagine Your Reality' by Frank Perri

Slippery issues of self-will

The participants in Frank Perri's hypnotism show clearly experience no embarrassment, but does their lack of embarrassment — of, literally, self-consciousness — give us permission to laugh?
Judy Weightman

Judy Weightman

Articles 3 minute read
An unrelentingly cheerful Nora (Suli Holum).

Fringe 2015: Jo Strømgren's 'Doll's House'

Shrinking a classic down to size

What is there new to discover in Henrik Ibsen’s Doll's House? Jo Strømgren Kompani proposes a Nora who is much more enlightened than usual, a villainous Krogstad, and a set that is so confined the characters stumble over each other to get from place to place.
Naomi Orwin

Naomi Orwin

Articles 5 minute read
Who is the captive in 'The Captive'? (Photos by Ashley LaBonde and Wide Eyed Studios)

Fringe 2015: 'The Captive' by Philadelphia Artists' Collective

The love that dares not speak its name

The Captive was written in 1926 when homosexuality was still “the love that dares not speak its name.” The original production’s Broadway run was halted by censors, and the cast members were arrested. This revival proves that the play was a mature treatment of the subject, far ahead of its time.
Steve Cohen

Steve Cohen

Articles 3 minute read
Tackling tacky tropes.

Fringe 2015: ‘Slaughter/ette’ by Butter & Serve

A parody of ‘The Bachelor’ kills its ladies, and almost slaughters me

Here’s a show that holds up cutting questions and relatable laughs and horrors for the audience — but what about those who can’t access it?
Alaina Johns

Alaina Johns

Articles 5 minute read
You're going to die: Susan Giddings as the Doctor and Robb Hutter as King Berenger. (Photo by Johanna Austin, courtesy IRC)

Fringe 2015: Idiopathic Ridiculopathy's 'Exit the King'

An excruciating exit

Even though playwright Eugène Ionesco is considered the father of absurd comedy, his Exit the King is terrifying.
Steve Cohen

Steve Cohen

Articles 2 minute read

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A dominant silence.  (Photos by Jan Versweyveld, courtesy Toneelgroep Amsterdam)

Fringe 2015: 'After the Rehearsal/Persona'

The fantasy of film translated to the reality of the stage

Bergman’s oeuvre translated to the stage reconnects us to our early infatuation with the filmmaker and makes us question what he’s saying in a new way.
Naomi Orwin

Naomi Orwin

Articles 5 minute read
All this, my boy, could be yours: Fredrick and Hobbs (Photo by Mark Garvin)

Fringe 2015: 1812 Production's 'Shoplifters'

Tackling a meaty subject gingerly

Do we have to pay for what we get in life? Or can we just go out and grab what we want without consequences? Shoplifters tackles these questions but doesn’t really come up with answers.
Naomi Orwin

Naomi Orwin

Articles 4 minute read
Luzi: Intelligence and reprisals.

Vulcan Lyric’s ‘Heathers’

High school revenge, and a slight problem

This fascinating musical received a surprisingly effective performance from a fledgling company. And most of us would relish revenge against bullies who tormented us in high school. But should we applaud murders and the dynamiting of the school?
Steve Cohen

Steve Cohen

Articles 3 minute read
Diller as Dolly: A fictitious husband, too.

‘Tribute to Phyllis Diller’ in Ambler

Behind the big mouth

The late comedienne Phyllis Diller was a stylish lady, very unlike the brash character she created. This endearing portrait captures both the stage comic and the equally appealing (but very different) real woman.
Steve Cohen

Steve Cohen

Articles 2 minute read