Theater

2712 results
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Arnoldy, Schaefer: 21st-century knockoff. (Photo: Mark Garvin)

‘High Society’ at the Walnut (2nd review)

Was the Main Line ever this gauche?

Class, sophistication, and wit are the missing ingredients in this revival of Cole Porter’s musical comedy about high-class high jinks on Philadelphia’s sophisticated Main Line.
Steve Cohen

Steve Cohen

Articles 3 minute read
Innocent sensuality: Hoffman and McDermott (Photo by Richard Termine)

Tennessee Williams's 'Baby Doll' at the McCarter

An old Tennessee Williams film becomes a new Tennessee Williams play

The McCarter Theatre Center premieres a sexy stage adaptation of the 1956 film Baby Doll.
Mark Cofta

Mark Cofta

Articles 3 minute read
Sheppard and Kidwell in “Underground Railroad Game,” which the author considers the best show in this year’s Fringe Festival. (Photo by Tamara Rodriguez Reichberg)

Fringe 2015: One woman's wrap-up

Five times this year’s Fringe Festival made me uncomfortable

Admit it — you didn’t get tickets to a Fringe show because you like knowing what to expect.
Alaina Johns

Alaina Johns

Articles 6 minute read
Arnoldy (with Dibble, left, and Schaefer) gives Tracy a modern twist. (Photo by Mark Garvin)

'High Society' at Walnut Street Theatre (1st review)

High jinks amongst the very wealthy

Romantic comedies set to music have a way of transcending time, so prepare to enjoy High Society even if you can’t really sympathize with the problems of the very rich. But can a modern musical adaption of a popular film ever overcome our memories of the original?
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Rosalind Franklin was marginalized by most of her male colleagues: Watermeier and Perrier. (Photo by Mark Garvin)

'Photograph 51' at the Lantern Theater

Science and personality

Smart people have become the latest species to be put under the microscope of dramatic interpretation. Are they really so different from the rest of us? Photograph 51 at the Lantern Theater shows us how personal insecurities can effect life-changing discoveries.
Naomi Orwin

Naomi Orwin

Articles 4 minute read

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Charming, defensive, and ruthless: Michael Genet as Joe Keller. (Photo by Mark Garvin)

Arthur Miller's 'All My Sons' at People's Light

Fissures in the family

People's Light stages a solid, traditional production of All My Sons in which race is largely beside the point and the characters just happen to be black.

Bill Murphy

Articles 2 minute read
A Kafkaesque pas de deux in “The Border.”

Fringe 2015: Jo Strømgren's 'Border' and 'There'

When nonsense makes complete sense

The talented Jo Strømgren Kompani returns to the Fringe Festival with two 60-minute gems of political theater.

Carol Rocamora

Articles 4 minute read
Phillips: Pilot Seal/Mackenzie navigates a complicated double life.

Fringe 2015: 'Alias Ellis Mackenzie' by Lucidity Suitcase Intercontinental

Telenovela or stage play?

Do gimmicks add to or detract from the success of a show? In Alias Ellis Mackenzie, the set and the out-of-sequence presentation challenge the audience to figure out what is going on.
Naomi Orwin

Naomi Orwin

Articles 3 minute read
German soldiers being mobilized in 1914.

Fringe 2015: Iron Age Theatre's 'A Great War'

What price heroism?

In A Great War, we have a courageous, compelling new play by James Christy Jr., a Philadelphia playwright, calling attention to a lesser known aspect of World War I: the participation of German Jewish soldiers.

Carol Rocamora

Articles 3 minute read
"A loathsome possibility" for Rachel Brodeur. (Photos by Ashley LaBonde and Wide Eyed Studios)

Fringe 2015: 'The Captive' by Philadelphia Artists' Collective (second review)

Is a 1920s shocker worth mounting today?

Who’s the captive here? A lady with a scandalous orientation? Or a whole society that is as obsessed with women’s sex lives now as it was in the 1920s?
Alaina Johns

Alaina Johns

Articles 5 minute read