Theater

2679 results
Page 149
Navigating tricky territory: Palughi and Thorn in “World Builders.” (Photo by Seth Freeman)

2015 Contemporary American Theater Festival

Where new plays thrive

A professional company that only produces new plays celebrates its 25th year with an ambitious but uneven quintet of plays.
Mark Cofta

Mark Cofta

Articles 6 minute read
Staying in the moment: Schier (center top) and castmates in “The Tempest.” (photo by Andrew Hazeltine)

Kristen Schier on the Commonwealth Classic 'Tempest'

Shakespeare and improv: The perfect match?

Shakespeare, often viewed by the general public as the most sacred, highfalutin form of drama we have, is also possibly our richest and even most necessary ground for improvisation. Kristen Schier explains why.
Alaina Johns

Alaina Johns

Articles 5 minute read
If she can talk on the phone, why can't I? (LuPone in "Shows for Days")

Audiences behaving badly

A comedy of manners

Where is Emily Post when we need her? There’s a crisis in the theater — and it’s not on the stage.

Carol Rocamora

Articles 3 minute read
Majestic in her determination and endurance: Brooke Adams in "Happy Days"

Beckett’s 'Happy Days' at the Flea Theater

Beckett at his best

When a cast and director are in synch, anything and everything is possible. Director Andrei Belgrader understands the precarious balance of tragedy and comedy in Beckett’s Happy Days.

Carol Rocamora

Articles 3 minute read
A memorial to Michael Brown during the Ferguson protests. (Photo by Jamelle Bouie via Creative Commons/Flickr)

'Hands Up' by Flashpoint Theatre Company

Fuck you! And fuck this shit!

The six testaments of Hands Up are connected by the theme of uncertainty, with each character revealing his particular stain.
Ardencie Hall-Karambe

Ardencie Hall-Karambe

Articles 2 minute read
Shedding light on the irrational nature of love: Michael and Filios. (Photo by Mark Garvin)

Sondheim's 'Passion' at the Arden (second review)

When feelings crack you open

In Passion, Sondheim is saying that love comes from sources that seem unlikely and at times when you least expect it — there’s no logic to it.
Steve Cohen

Steve Cohen

Articles 3 minute read

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Two men and a piano. (Photo by Jim Cox)

'Murder for Two' at PTC

It takes two, baby

I wonder if the dazzling performer Kyle Branzel loved the old movies in which Jerry Lewis played multiple characters as much as I did.
Rhonda Davis

Rhonda Davis

Articles 1 minute read
Ebert and Matias, at the piano, jointly play Rachmaninoff. (Photo by Kyle Froman)

Dave Malloy's 'Preludes'

Breaking the block

Who knew that Sergei Rachmaninoff, the great Russian composer, suffered from writer’s block? Dave Malloy’s arresting new Preludes dramatizes the story.

Carol Rocamora

Articles 4 minute read
Romping with her imaginary friends: Mary Tuomanen.

Mary Tuomanen's 'Hello! Sadness!'

A one-woman show doesn’t have to be about only one woman

What would it be like to be friends with an icon you admire? Mary Tuomanen draws us into the world of her imagination, where she gets to talk to Jean Seberg and Françoise Sagan. Who would you talk to? What would you talk about?
Naomi Orwin

Naomi Orwin

Articles 3 minute read
What, and leave showbiz? (Photo by Mark Garvin)

'Forbidden Broadway' at Act II Playhouse

Rejection, depression ... attention!

For Tony Braithwaite’s 21st birthday, his parents hosted a party at the family’s home in Bala Cynwyd and performed skits they called "Forbidden Braithwaite" (based, of course, on Forbidden Broadway). His Dad imitated Tevye and sang "What will take Tony from Bala to Broadway? Ambition! In the mean time what do I have to pay? Tuition!" Now here is Tony, 21 years later, doing similar material.
Steve Cohen

Steve Cohen

Articles 2 minute read