Theater

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Does he look like a pirate? Ross (left) with Loney, Michelle Tauber, and Heflin.

Shaw's 'Heartbreak House' by Delaware's Resident Ensemble Players

A joyous, yet harrowing, Heartbreak House

The University of Delaware's professional Resident Ensemble Players does a service by producing one of George Bernard Shaw's great plays.
Mark Cofta

Mark Cofta

Articles 3 minute read
A political crisis turns personal: Tim Pigott-Smith

'King Charles III' and 'First Daughter Suite'

Private (royal and presidential) lives

Two bold works, King Charles III and First Daughter Suite, imagine the personal lives of first families on both sides of the Atlantic.

Carol Rocamora

Articles 3 minute read
An impressive presentation: DeLaurier. (Photo by Mark Garvin)

'Underneath the Lintel' at the Lantern

What gives our lives meaning?

Do we need an audience to justify our existence? Is it enough to just say “I was here,” or must someone hear us say it?
Naomi Orwin

Naomi Orwin

Articles 4 minute read
While their purpose holds, this duo is a whirligig: Fennie, Trelease. (Photo by Paola Nogueras)

'Macbeth' at Villanova

Our suffering country under a hand accurs’d

James J. Christy, returning to Villanova after eight years, has directed a rousing and imaginatively staged Macbeth with student and postgraduate performers.
Robert Zaller

Robert Zaller

Articles 5 minute read
Bad Relationship 101

Underbite Theatre’s ‘Would You Still Love Me, IF?’

Answering some questions, asking others

Underbite Theatre’s Would You Still Love Me, IF? asks questions about gender identity, but raises doubts about its relationships.
Mark Cofta

Mark Cofta

Articles 2 minute read
Theatre Horizon’s “Into the Woods” did quite well at the 2015 Barrymores.

Where's the audience for the Barrymore Awards?

The scope of the Barrymore Awards is expanding each year with a wider swath of companies, but the live audience is narrowing.
Steve Cohen

Steve Cohen

Articles 3 minute read
“Us against the world”: Ng and Carter. (Photo by AustinArt.Org)

'Lights Rise on Grace' at Azuka Theatre

Lights Rise on Grace illuminates three dark souls

Though Lights Rise on Grace often feels constructed, its jumps in time and points of view keep it unpredictable. Love stories never get old, and this one, after some painful episodes, offers a bit of hope.
Mark Cofta

Mark Cofta

Articles 3 minute read
Presenting a plausible alternative: Hodge, Lawton, and Hissom. (Photo by Mark Garvin)

Bill Cain's 'Equivocation' at the Arden (second review)

Mixed feelings about 'Equivocation'

My reaction swayed back and forth during different parts of this extravagantly ambitious work. In the end, I was frustrated and annoyed by the play while admiring the acting and staging.
Steve Cohen

Steve Cohen

Articles 4 minute read
A work that will last at least 50 years. (Photo by Mark Garvin)

Bill Cain's 'Equivocation' at the Arden

Revising Shakespearean history

Witty, smart, fast-paced, and overly long, with some gratuitous full-frontal nudity, Equivocation shows off the writer’s genius and the actors’ abilities, and a lot of pallid male skin. Even though it’s brilliant, a play about guys, starring guys — semi-naked guys — has a bit too much testosterone for my taste.
Naomi Orwin

Naomi Orwin

Articles 3 minute read
More method than madness: Cumberbatch as Hamlet. (Both photos by Johan Persson)

Benedict Cumberbatch in 'Hamlet'

Sherlock Holmes does Hamlet

Benedict Cumberbatch plays the sanest Dane you’ll ever see in Shakespeare’s most celebrated tragedy.

Carol Rocamora

Articles 4 minute read