Theater

2712 results
Page 141
A likeable loser (Ratcliffe) and three other non-clichéd characters. (Photo by Matthew J Photography)

Lonergan's 'Lobby Hero' at Theatre Horizon

Satisfying ethical conundrums

Kenneth Lonergan's taut drama avoids law enforcement stereotypes in favor of complex characters and challenging issues.
Mark Cofta

Mark Cofta

Articles 2 minute read
Who’s dominating who? Lyons-Cox and Scammell. (Photo by Robert Hakalski)

Kim Davies's ‘Smoke’ at Theatre Exile (second review)

When are warnings warranted?

We go to the theater to be challenged. Should we be warned when the subject matter may be difficult or remind us of unpleasant experiences?
Naomi Orwin

Naomi Orwin

Articles 5 minute read
The exuberance of metal music. (Illustration for BSR by Mike Jackson of alrightmike.com)

Goidel's 'Local Girls' at Azuka

High school in all its terrible glory

Azuka's Local Girls takes us back to the agony and ecstasy of high school through an unlikely friendship.
Mark Cofta Illustration by Mike Jackson

Mark Coftaand Illustration by Mike Jackson

Articles 2 minute read
Boys will be boys, and so will girls. (Photo by Paola Nogueras)

'A Wonderful Noise' by Hollinger and Lehmkuhl

Barbershop nostalgia

December 7, 1941, the “date that will live in infamy,” also was the day of the national competition of barbershop quartets. That’s the premise of the new musical comedy by Michael Hollinger and Vance Lehmkuhl in which women try to penetrate an all-male organization.
Steve Cohen

Steve Cohen

Articles 2 minute read
Trying to save an interesting mess. Leonard and Chalamet. (Photo by Joan Marcus)

'Prodigal Son' and 'The Humans' in New York

Growing up and growing older

Two new plays of uncommon power — Prodigal Son and The Humans — will, I hope, make it from Broadway to Broad Street

Carol Rocamora

Articles 4 minute read
Real-time intimacy: Lyons-Cox  and Scammell. (Photo by Robert Hakalski)

Kim Davies's ‘Smoke’ at Theatre Exile (first review)

You get to choose what happens to you

Kim Davies's Smoke challenges audiences to see disturbing sex — and, perhaps, to see beyond it.
Mark Cofta

Mark Cofta

Articles 3 minute read
Balletic intensity: Volin and Frederick. (Photo by Mark Garvin)

John Logan's 'Red' at the Walnut Street Theatre

A lesson in how to look at art

Is red a color, is it a feeling? John Logan’s Red challenges us to go deeper into what it means to really look at art for both the artist and the audience.
Naomi Orwin

Naomi Orwin

Articles 4 minute read
An aria of profanity and poetry: Emily R. Johnson in “Spine.” (Photo by Katie Ring)

Clara Brennan's 'Spine' by Inis Nua

Celebrating libraries and storytelling

Clara Brennan's Spine, one of those wonderful U.K. fictional monologues, captivates with an unlikely and inspirational tale.
Mark Cofta

Mark Cofta

Articles 3 minute read
Three women talking — but about what? Bissell, Inie-Richards, McKey. (Photo by Mark Garvin)

'Sense and Sensibility' at People's Light (second review)

Can Jane Austen pass the Bechdel test?

Sense and Sensibility fails the popular test about women characters in fiction, but succeeds in many other ways.
Mark Cofta

Mark Cofta

Articles 3 minute read
Comic anarchy with singing and dancing

'Plutus' by Aristophanes at Plays and Players

Wealth and poverty for laughs

The youthful cast of Once More Theater embody high spirits, belly laughs, clever off-center meditations, and all-around comic anarchy in Aristophanes’s Plutus.

Richard da Silva

Articles 2 minute read