Theater

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Page 139
Would you believe last night they did 'Macbeth'? (Photo: Kendall Whitehouse.)

Shakespeare Theatre’s ‘Twelfth Night’

The Bard turned upside down

Seen together in repertory, Shakespeare’s romantic comedy Twelfth Night and the tragic Macbeth are greater than the sum of their parts.
Mark Cofta

Mark Cofta

Articles 3 minute read
Tuomanen (left), Anthony, Beschler: No spoiler alert needed. (Photo: Dave Sarrafian.)

Sophie Treadwell’s ‘Machinal’ by EgoPo (2nd review)

. . . But roses have thorns

In 1the 1920s the repressed protagonist of Machinal murdered her husband. Today’s women have found healthier outlets for their frustrations.
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Murder as an antidote for quiet desperation. (Illustration for BSR by Mike Jackson of alrightmike.com)

Sophie Treadwell’s ‘Machinal’ by EgoPo (1st review)

Ground down by the urban machine

After nearly 90 years, Sophie Treadwell’s Machinal still packs its Expressionist message about the dehumanization of people — especially women — in a mechanized society.
Robert Zaller Illustration by Mike Jackson

Robert Zallerand Illustration by Mike Jackson

Articles 5 minute read
Langella confronts dementia in 'The Father.'

‘The Father’ and ‘Blackbird’ on Broadway

Overdosing on reality

Some plays are too traumatic to sit through. I found myself in that bind last week, watching The Father and Blackbird— both well written and directed, both powerfully performed, both dealing with agonizing subjects.

Carol Rocamora

Articles 5 minute read
Kahn, Capper: Shaking with ambition. (Photo: Kendall Whitehouse.)

Philadelphia Shakespeare Theatre’s ‘Macbeth’

He cracks, she runs down

Carmen Kahn’s rousing yet intimate and nuanced production of Macbeth reminds us that there’s a human story beneath Shakespeare’s famous words.
Mark Cofta

Mark Cofta

Articles 3 minute read
Coffman (on top), Rhinehart: If the TV isn't working... (Photo: T. Charles Erickson.)

Laura Eason’s ‘Sex with Strangers’ by PTC (2nd review)

Sex with Strangers: Dangerous, or boring?

Two people meet cute, but the only thing duller than their sex is their talk in Laura Eason's Sex with Strangers.
Mark Cofta

Mark Cofta

Articles 3 minute read
Walton, Sheppard, Hara, Carter, Camp: The ugly duckling becomes... (Photo: Mark Garvin.)

‘Stinky Cheese Man’ at the Arden

Sublime silliness for kids of all ages

The Arden's energetic adaptation of an award-winning book skewers fairy tales and leaves audiences in stitches.
Mark Cofta

Mark Cofta

Articles 3 minute read
Rashad in 'Head of Passes': Up from Cosby.

‘Eclipsed’ and ‘Head of Passes’ in New York

Women of color in the spotlight

Women of color are claiming center stage in New York theaters this season, embracing challenging roles and delivering commanding performances of uncommon magnitude.

Carol Rocamora

Articles 4 minute read
Coffman (left), Rhinehart: In search of genuine emotion.  (Photo: T. Charles Erickson.)

Laura Eason’s ‘Sex with Strangers’ by PTC (1st review)

Emily Dickinson meets Donald Trump

In Sex with Strangers, Laura Eason explores an original theme: The Internet’s role in exacerbating the rise of arrested adolescence among grown men.
Dan Rottenberg

Dan Rottenberg

Articles 4 minute read
Whelan (left), Stern: Housewives can sing, too. (Photo: Mark Garvin.)

'Always . . . Patsy Cline' at Walnut's Studio 3

When a superstar needs a friend

In Always… Patsy Cline, a Texas housewife meets her idol, and the rest of us share vicariously in the joyous entertainment of the moment.
Naomi Orwin

Naomi Orwin

Articles 3 minute read