Theater

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Page 139
An overlooked, somewhat mysterious, altogether unique woman: O'Neill as Behn.

Liz Duffy's 'Or,' at Hedgerow Theatre

Farcical fun and serious themes in Restoration England

Most of us don’t know anything about 17th-century playwright Aphra Behn, but we should, as Hedgerow Theatre’s strong production of Or, shows.
Mark Cofta

Mark Cofta

Articles 3 minute read
Time travel, or just a pawn’s point of view? (Photo by Josiah and Steph Photography)

Iron Age presents Caleb Lewis's 'Dogfall'

War spans the century

Iron Age stays in Center City for Dogfall, an unusual drama about war's human costs.
Mark Cofta

Mark Cofta

Articles 2 minute read
"Stop the bullshit": Madigan and Cullen (Photo by Mark Garvin)

Ike Holter's "Exit Strategy" by PTC (second review)

A play that educates on modern inner-city schools

Ike Holter’s play about a failing Chicago school, Exit Strategy, hits close to home in the Philadelphia Theatre Company’s superb production.
Mark Cofta

Mark Cofta

Articles 3 minute read
Blind, but not helpless: Burke. (Photo by N. Howatt)

'Wait Until Dark' at the University of Delaware

Enjoy being afraid in the dark

Stage thrillers work best when we let them be plays and not movies, as Wait Until Dark shows.
Mark Cofta

Mark Cofta

Articles 4 minute read
Sometimes a cigar is just a cigar: Piccioni and Carroll. (Photo by Johanna Austin)

Gogol's 'Inspector General' by Idiopathic Ridiculopathy Consortium (second review)

Satire without a clear target

The Inspector General is fun, but ignores deserving modern targets for its satire.
Mark Cofta

Mark Cofta

Articles 3 minute read
Inspecting the soup: Carroll and McElwee. (Photo by Johanna Austin)

Gogol's 'Inspector General' by Idiopathic Ridiculopathy Consortium (1st review)

Who's corrupt?

Invited to dance, the Inspector General extends his palm, and the more it is greased, the greedier he grows, until he gets on his horse and gallops away.
AJ Sabatini

AJ Sabatini

Articles 5 minute read

'The It Girl' by Simpatico Theatre Project (second review)

Giving voice to a silent star

Clara Bow was “the It Girl,” a flapper with an indefinable sexual something, but we know very little else about her. In reviving her, do we risk turning her into one more cliché of the starlet victimized by the system? Are we using her for our own purposes and once again robbing her of her own voice?
Naomi Orwin

Naomi Orwin

Articles 3 minute read
An insatiable appetite for victory: West and McTeer. (Photo by Johan Persson)

National Theatre Live broadcast of 'Les Liaisons Dangereuses'

A battlefield of the sexes

Christopher Hampton’s devastating play about sex and power is set in pre-revolutionary France, but is relevant today.

Carol Rocamora

Articles 3 minute read
Aimé Donna Kelly, Michael Cullen, Rey Lucas, Christina Nieves: A school whose students can't even spell its name? (Photo: Mark Garvin.)

Ike Holter’s ‘Exit Strategy’ by PTC (first review)

Blackboard jungle, redeemed

Everyone seems to agree that America’s urban public education system is broken. Ike Holter’s Exit Strategy suggests that today’s preferred cures may be worse than the disease.
Dan Rottenberg

Dan Rottenberg

Articles 4 minute read
A strange journey through Clara Bow’s life, and that of creator/performer Amanda Schoonover.

'The It Girl' by Simpatico Theatre Project

The plight of the It Girl, then and now

Girls just wanna have fun, says Simpatico Theatre Project’s world premiere of The It Girl, but it isn’t easy. Sometimes respect and equality seem damn near impossible.
Mark Cofta

Mark Cofta

Articles 3 minute read