Theater

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Page 137
Tre-Ear (Brian Lee Huynh) and Crane Man (Graham Smith) in A Single Shard. (Photo: People's Light & Theatre Company)

'A Single Shard' at People's Light & Theatre Company

A magical visit to a magical land

An imaginative, visually rich production of Linda Sue Park’s novel, adapted by Robert Schenkkan, is a wise fable for all ages, with a talented multi-ethnic cast.
Mark Cofta

Mark Cofta

Articles 3 minute read
What happened to Bradley Manning? (Illustration for BSR by Mike Jackson of alrightmike.com.)

Inis Nua's 'The Radicalisation of Bradley Manning'

How to bully someone into treason

The American Premiere of Tim Price's drama 'The Radicalization of Bradley Manning' tries to psychologically connect the dots from Bradley Manning's childhood and social life to Wikileaks, but doesn't fill in all the blanks.
Mark Cofta

Mark Cofta

Articles 3 minute read
Saoirse Ronan as Abigail: Beware the storm— and the wolf.

Arthur Miller’s ‘The Crucible’ on Broadway

Shaking up a classic

The special effects in Ivo Van Hove’s stunningly radical production of The Crucible threaten to overwhelm Arthur Miller’s eloquent plea for decency and integrity.

Carol Rocamora

Articles 4 minute read
Childs: Doing standup at 90? (Photo: Mark Garvin.)

Jennifer Childs’s ‘I Will Not Go Gently’ (2nd review)

Comedy as an antidote for aging

In I Will Not Go Gently, Jennifer Childs provides plenty of laughs about aging without ever addressing the critical question: How do you do it well?
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Childs: Obscurity is just around the corner? (Photo: Mark Garvin.)

Jennifer Childs’s ‘I Will Not Go Gently’ (1st review)

Am I still relevant?

Aging is tough, but it beats the alternative. So goes the old joke. Jennifer Childs’s latest play and Ellensue Gross’s paintings provide fresher responses.
Steve Cohen

Steve Cohen

Articles 3 minute read

Aeschylus’s ‘The Eumenides’ at the Penn Museum

A hot time in the old tomb

In The Eumenides, Aeschylus first captured that moment when pre-literate Greeks first turned away from revenge and looked instead to the goddess Athena for wisdom, justice and reason. It’s not a bad recipe for our present age of fear and anger.
Helen Buttel

Helen Buttel

Articles 5 minute read
Heflin, Matarrese, Tague, Ernst: Artificial barriers.

Ayckbourn’s ‘Things We Do For Love’ in Delaware

An absurdist with a grasp of real life

Think Alan Ayckbourn is the English Neil Simon? Think again. He's more like the English Anton Chekhov.
Mark Cofta

Mark Cofta

Articles 3 minute read
Would you believe last night they did 'Macbeth'? (Photo: Kendall Whitehouse.)

Shakespeare Theatre’s ‘Twelfth Night’

The Bard turned upside down

Seen together in repertory, Shakespeare’s romantic comedy Twelfth Night and the tragic Macbeth are greater than the sum of their parts.
Mark Cofta

Mark Cofta

Articles 3 minute read
Tuomanen (left), Anthony, Beschler: No spoiler alert needed. (Photo: Dave Sarrafian.)

Sophie Treadwell’s ‘Machinal’ by EgoPo (2nd review)

. . . But roses have thorns

In 1the 1920s the repressed protagonist of Machinal murdered her husband. Today’s women have found healthier outlets for their frustrations.
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Murder as an antidote for quiet desperation. (Illustration for BSR by Mike Jackson of alrightmike.com)

Sophie Treadwell’s ‘Machinal’ by EgoPo (1st review)

Ground down by the urban machine

After nearly 90 years, Sophie Treadwell’s Machinal still packs its Expressionist message about the dehumanization of people — especially women — in a mechanized society.
Robert Zaller Illustration by Mike Jackson

Robert Zallerand Illustration by Mike Jackson

Articles 5 minute read