Theater

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Page 136
The stakes are higher than just a match: "The Royale."

'The Royale' and 'The Effect' in New York

Strong statements on small stages

This spring, while Broadway fills its tank with high-octane musicals and star-driven revivals, provocative new plays like The Royale and The Effect are replenishing the smaller stages.

Carol Rocamora

Articles 4 minute read
Inviting the audience to play along: Lo Bianco as La Guardia. (photo via tonylobianco.com)

Tony Lo Bianco in 'The Little Flower' at the Prince

A politician of the past with a message for the present

We are living through a season of political complaint. Fiorello La Guardia, in Tony Lo Bianco's one-man show, The Little Flower, is more than relevant; he is today's news.
Lynn Hoffman

Lynn Hoffman

Articles 2 minute read
Joan of Arc in a 1505 depiction.

Shaw's 'Saint Joan' by Quintessence Theatre

The saint we need, but don't want

Quintessence Theatre Group's revival of George Bernard Shaw's Saint Joan shows how contemporary a classic can, and should, be.
Mark Cofta

Mark Cofta

Articles 3 minute read
Before Wendy, there was Molly. Shuchman and O’Rourke. (Photo by Mark Garvin)

‘Peter and the Starcatcher’ at Walnut Street Theatre

A golden grotto of star stuff, and other gender issues

A rollicking good comedy about pirates and crocodiles and star stuff has me laughing while asking questions about gender parity, trans issues, and child abuse. Why can’t I just enjoy the show and forget about all that other stuff?
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Wilson (left), Belver: Intimate spaces.

‘Driving Miss Daisy’ in Ambler

The truth behind the fiction

Superb acting distinguishes this new production of Alfred Uhry’s Driving Miss Daisy, a classic but widely misunderstood allegory of the Civil Rights movement in America’s Deep South.
Steve Cohen

Steve Cohen

Articles 4 minute read
Rosalind and Orlando fall instantly, hilariously, beautifully in love: Filios and Blouch. (Photo by Mark Garvin)

'As You Like It' by Lantern Theater Company

A likeable As You Like It

Lantern aces the romance and comedy of As You Like It, and adds beautiful music as well.
Mark Cofta

Mark Cofta

Articles 3 minute read
A happy ending with an unexpected emotional wallop. (Photo by Gerry Goodstein)

Trevor Nunn directs Shakespeare's 'Pericles'

All overboard

Trevor Nunn’s Pericles gives a fresh hearing to one of Shakespeare’s most neglected texts.
Robert Zaller

Robert Zaller

Articles 5 minute read
At work in the Brill Building. (Original Broadway cast; photo by Joan Marcus, courtesy of the Kimmel Center)

'Beautiful: The Carole King Musical' at the Academy of Music

A legend set to music

Setting our lives to music makes the hard parts so much more palatable. Beautiful: The Carole King Musical makes us feel good about ourselves and the possibility of happiness with and without marriage, even if it’s just a modern day fairytale.
Naomi Orwin

Naomi Orwin

Articles 3 minute read
Another brilliant detective with a not-so-bright foil: Yates and Kovcic. (Photo courtesy Hedgerow Theatre)

‘The Mysterious Affair at Styles’ at Hedgerow Theatre

Murder most formulaic

Hedgerow premieres a stage version of Agatha Christie's first novel, which introduced Hercule Poirot to the world.
Mark Cofta

Mark Cofta

Articles 3 minute read
Irresistibly evil: Pryor as Richard III. (Photo by Paola Nogueras)

'Richard III' at People's Light

Disorder in the court

Any production of Richard III stands or falls on its leading actor, and Pete Pryor is splendid in the role. He's at turns frightening and repulsive, and he taps into the currents of extremely dark humor that underlie the character.

Bill Murphy

Articles 2 minute read