Theater

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Page 131
L to r: JaRon Battle and Ned Pryce. (Photo by John Doyle)

Philly Fringe 2016 review: Iron Age Theatre's 'A Runaway, a Soldier and a Snowball Fight'

Leah Lawler world premiere goes back to the future

Iron Age Theatre Company's 'A Runaway, a Soldier, and a Snowball Fight' suggests Revolutionary relevance, but doesn't deliver. Mark Cofta reviews.
Mark Cofta

Mark Cofta

Articles 2 minute read
(Image courtesy of FringeArts)

Philly Fringe 2016 review: Wild Plum Productions's 'Say No More'

Saying too much?

A tiny, overlooked Strindberg drama with just one speaking character gets a reworking from Wild Plum Productions. Toby Zinman reviews.
Toby Zinman

Toby Zinman

Articles 2 minute read
L to r: Anna Pysher, Tony McNicol, Pierlisa Chiodo Steo, Adrienne Cascarella, Brian Weiser, Jim Fryer. (Photo by Mariangela Saavedra)

REP Radio podcast with Mariangela Saavedra of Casabuena Cultural Productions

A family affair

On our podcast, Casabuena Cultural Productions founder Mariangela Saavedra speaks to Darnelle Radford about their first Philly Fringe entry, a world premiere based on the story of the Westboro Baptist Church.
Darnelle Radford

Darnelle Radford

Articles 1 minute read
Chris Davis, in the shit. (Photo by Maria Shaplin)

Philly Fringe 2016 review: Chris Davis's 'One-Man Apocalypse Now'

The lighter side of the heart of darkness

Chris Davis's 'One-Man Apocalypse Now' celebrates the iconic film but achieves much more. Mark Cofta reviews.
Mark Cofta

Mark Cofta

Articles 2 minute read
To sleep, perchance to dream. (Photo courtesy of EagerRisk Theater)

Philly Fringe 2016: Ensemble Atria and EagerRiskTheater's 'Drowning Ophelia'

Plumbing the depths

Ensemble Atria and EagerRisk Theater’s 'Drowning Ophelia' explores the power of memory through Hamlet’s heroine. Mark Cofta reviews.
Mark Cofta

Mark Cofta

Articles 2 minute read
Playwright Molly Lang's witchy young woman. (Photo by Pati Amoroso)

Philly Fringe 2016: Queen Mab's Men's '...they'll be callin' us witches'

Toil and trouble

A new play about the Salem witches goes dark, but not deep enough. Mark Cofta reviews.
Mark Cofta

Mark Cofta

Articles 3 minute read
Why live? Alvarez answers, "Well, why not?" (Photo courtesy of FringeArts)

Philly Fringe 2016: César Alvarez's 'The Elementary Spacetime Show'

University of the Arts/FringeArts co-production asks, "Why live?"

In César Alvarez's raucous new musical 'The Elementary Spacetime Show,' teen suicides happen all the time. Alaina Mabaso explains why that's so important.
Alaina Johns

Alaina Johns

Articles 4 minute read
L to r: Colleen Hughes, Kyle Yackoski, and Leah Holleran. (Photo by Lewis Harder)

Philly Fringe 2016 review: Tribe of Fools's 'Antihero'

Comics from page to stage

Tribe of Fools’ retooled 2013 hit, 'Antihero,' proves prescient in its exploration of violence, both real and imaginary.
Mark Cofta

Mark Cofta

Articles 3 minute read
L to r:  Michael A. Lienhard, Kayla Grasser, and Anthony Crosby. (Photo by R.A. Friedman)

Philly Fringe 2016 review: Philadelphia Opera Collective's 'Shadow House'

A shadowy journey through time and space

The Philadelphia Opera Collective's 'Shadow House' takes us through time and space in the historic Powel House.
Mark Cofta

Mark Cofta

Articles 3 minute read
IRC does Ionesco proud. (Photo via Creative Commons/Wikimedia)

Philly Fringe 2016 review: Idiopathic Ridiculopathy Consortium's 'The Chairs'

Stand up for Ionesco's 'The Chairs'

The Idiopathic Ridiculopathy Consortium makes their 2009 Fringe hit, Eugene Ionesco's 'The Chairs,' even better.
Mark Cofta

Mark Cofta

Articles 3 minute read