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Orchestra members in tune with each other, despite their distance. (Photo by Jeff Fusco.)

The Philadelphia Orchestra presents Mozart and Valerie Coleman

Listen to the wind

The Philadelphia Orchestra’s latest program brings together chamber-sized wind compositions by Mozart and Valerie Coleman. Cameron Kelsall reviews.

Cameron Kelsall

Mar 22, 2021 Reviews 3 minute read

A deeply poignant read in its own right, as well as a reminder of what we’re missing because of COVID. (Image courtesy of Bazillion Points.)

‘I’m Not Holding Your Coat’ by Nancy Barile

A valentine to the pre-internet punk scene

Since the pandemic has left us longing for live music, Nancy Barile’s new punk-scene memoir, ‘I’m Not Holding Your Coat,’ is an especially welcome window on a bygone musical era. Chelsea Spear reviews.

Chelsea Spear

Mar 19, 2021 Reviews 5 minute read

Playwright Kash Goins’s script debates more than a “justifiable homicide.” (Photo by Wide Eyed Studio.)

Arden Theatre Company presents Kash Goins’s ‘74 Seconds...To Judgment: A Radio Play’

Still listening for justice

The Arden adapts its 2019 production of ‘74 Seconds… To Judgment’ into a provocative, meta radio play. Kyle V. Hiller reviews.

Kyle V. Hiller

Mar 16, 2021 Reviews 4 minute read

A conversation inside Ubuntu House. (Image courtesy of Grasshopper Film.)

Grasshopper Film presents Ephraim Asili’s ‘The Inheritance’

Cinematic magic in a West Philly collective

Ephraim Asili’s ‘The Inheritance,’ a thought-provoking new film about a Black socialist collective in West Philadelphia, combines fictional characters with real-life appearances by veterans of MOVE. Stephen Silver reviews.

Stephen Silver

Mar 16, 2021 Reviews 3 minute read

Exploring the self, in community and isolation: the ensemble of ‘Redefine US, from the INside OUT.’ (Image courtesy of HopeBoykinDance.)

The Annenberg presents Hope Boykin’s ‘Redefine US, from the Inside OUT’

Dancing renewed identity

Dancer and choreographer Hope Boykin premieres ‘Redefine US, from the INside OUT,’ a personal and emotional journey that explores identity through suffering and renewal. Camille Bacon-Smith reviews.

Camille Bacon-Smith

Mar 15, 2021 Reviews 3 minute read

Transported to the world of ‘Sanctuary’: Francesca Forcella in Stephanie Martinez’s ‘Her Blood a Wild River.’ (Photo by Andrea Yorita.)

BalletX Beyond presents Maddie Hanson, Gustavo Ramirez Sansano, and Stephanie Martinez

Continuing Beyond

BalletX concludes its spring season of world premieres as it began, dancing with the camera in three new short films by choreographers Maddie Hanson (‘Virtuality’), Gustavo Ramirez Sansano (‘Hernando's Hideaway’), and Stephanie Martinez (‘Her Blood a Wild River’). Camille Bacon-Smith reviews.

Camille Bacon-Smith

Mar 15, 2021 Reviews 4 minute read

Looking for another living soul: Melanie Julian in EgoPo’s ‘Rockaby.’ (Photo by Kylie Westerbeck.)

EgoPo Classic Theater presents Samuel Beckett’s Rockaby

Time she stopped

EgoPo’s production of ‘Rockaby,’ Beckett’s avant-garde classic, performed for an audience of one, is the perfect anniversary marker of the pandemic age. Jill Ivey reviews.

Jillian Ashley Blair Ivey

Mar 15, 2021 Reviews 4 minute read

Director Steve Tague (bottom row, middle) and members of the REP company perform an audio version of ‘Arsenic and Old Lace.’ (Image Courtesy of Resident Ensemble Players.)

Resident Ensemble Players presents Joseph Kesselring’s ‘Arsenic and Old Lace’

Sounding out a favorite farce

My stars, it’s ‘Arsenic and Old Lace,’ the latest audio production from Resident Ensemble Players. Gail Obenreder reviews.

Gail Obenreder

Mar 09, 2021 Reviews 3 minute read

Te-Ping Chen's debut story collection is both intimate and epic in its depiction of contemporary China. (Image courtesy of Houghton Mifflin Harcourt.)

‘Land of Big Numbers’ by Te-Ping Chen

Paths of purpose

Te-Ping Chen’s debut story collection, ‘Land of Big Numbers,’ casts a wide net to explore contemporary China and its diaspora. Kirsten Bowen reviews.

Kirsten Bowen