Reviews
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Passage Theatre Presents Richard Bradford and Anthony Martinez-Briggs’s Ghetto Gods in Divineland
A mixed-media world premiere in Trenton
Ghetto Gods in Divineland, now getting its world premiere in Trenton, has successful interdisciplinary elements of music, poetry, and dance, but the script doesn’t follow through on its ambitious concepts. An Nichols reviews.
Reviews
4 minute read
Lantern Theater Company presents Brian Friel’s Faith Healer
Acts of faith
The line between truth and memory blurs in Brian Friel’s Faith Healer, given a riveting revival by Lantern Theater Company. Cameron Kelsall reviews.
Reviews
4 minute read
Montgomery Theater presents R. Eric Thomas’s Mrs. Harrison
Echoes of the Bad Art Friend
Montgomery Theater presents R. Eric Thomas’s Mrs. Harrison, a play that contends with timely themes of storytelling and appropriation but falters for the messiness of its construction. Kiran Pandey reviews.
Reviews
4 minute read
Bristol Riverside Theatre presents Lorraine Hansberry’s A Raisin in the Sun
Doing justice to Black Shakespeare
A new production of Lorraine Hansberry’s A Raisin in the Sun at Bristol Riverside Theatre honors this monumental American text while highlighting relevant struggles today. An Nichols reviews.
Reviews
5 minute read
InterAct Theatre Company presents Jahna Ferron-Smith's Step Mom, Step Mom, Step Mom
A standout blend of kink, farce, and drama
The world premiere of Jahna Ferron-Smith’s Step Mom, Step Mom, Step Mom, now onstage at InterAct, follows a Black woman and a white man navigating the sexual and racial dynamics of their marriage. C.M. Crockford reviews.
Reviews
3 minute read
1812 Productions and Delaware Theatre Company present Bruce Graham’s Flatlanders
A mountain of corny comedy
The Flatlanders, a new play by Bruce Graham from 1812 Productions, is an unfunny throwback to the heyday of boulevard comedy. Cameron Kelsall reviews.
Reviews
3 minute read
The Wilma Theater and Woolly Mammoth Theatre Company present Sasha Denisova’s My Mama and the Full-Scale Invasion
Glory to the hero
Playwright Sasha Denisova channels the strength and resilience of her Ukrainian mother in My Mama and the Full-Scale Invasion on stage at the Wilma Theater in a co-production with DC’s Woolly Mammoth Theatre Company. Cameron Kelsall reviews.
Reviews
3 minute read
The Philadelphia Orchestra presents Brahms’s German Requiem
Humanity’s spiritual journey
A sumptuous and complex program from the Philadelphia Orchestra paired a world premiere by Mason Bates with Luis Ernesto Peña Laguna’s Oraison for chorus and orchestra, and Brahms’s massive A German Requiem. Linda Holt reviews.
Reviews
4 minute read
Philly jazz album double review: THE UNIVERSE IS WITHIN WHO by Spectral Forces, and The Lighthouse by Jamaaladeen Tacuma and Odean Pope
Heroic jazz legacies looking to the future
January boasted two adventurous new albums from Philly jazz groups: THE UNIVERSE IS WITHIN WHO by Spectral Forces and The Lighthouse by Jamaaladeen Tacuma and Odean Pope, offering contrasting views into jazz past and future. Thomas Hagen reviews.
Reviews
5 minute read
Arden Theatre Company presents Lorene Cary’s Ladysitting
Hospice, history, and honesty
This triumphant premiere based on Lorene Cary’s 2019 memoir about caring for her 99-year-old Nana explores the burden and privilege of caretaking, interwoven with family stories that illustrate America’s history. Emily B. Schilling reviews.
Reviews
3 minute read