Opinion
96 results
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BSR Behind the Scenes: An inside look at our editorial process
Going backstage at BSR: How do we publish so many writers?
Did you know that BSR is Philly's top destination for professional arts journalism ... and that we're a small, independent nonprofit made up entirely of remote-working part-timers? Here's how we do it.
Editorials
4 minute read
Menstruation is a part of life, but pain doesn’t have to be
Why don’t we take women’s pain seriously?
Despite studies that show women experience pain more acutely, we wait longer for diagnosis and pain relief than men do—if we get relief at all. Isabel Soisson considers.
Essays
5 minute read
The freedom on the bike, and the freedom in the weeds
Making magic in the ragweed
As a boy, Kile Smith knew there was no freedom like riding your own bike on your own time. But now, as he watches the world go by from his garden, a whole new kingdom opens up.
Essays
5 minute read
BSR Behind the Scenes: Why do we need arts criticism?
Going backstage at BSR: The truth about reviewing
In our experience, some people opine that the critics are just dragging the cultural scene down—especially when a review is mixed or negative. But is that true? Not at all. Alaina Johns explains in this BSR Behind the Scenes editorial.
Editorials
6 minute read
Remembering Stan and Jan Berenstain, the Philly artists who created the Berenstain Bears
The makers of America’s favorite bear family
Stanley Melvin Berenstain met Janice Marian Grant when they were both studying art in Philadelphia—ostensibly to join the army, but their career took a very different turn. Emily Zarevich considers.
Essays
3 minute read
BSR Behind the Scenes: What does public relations have to do with arts journalism?
Going backstage at BSR: The PR connection
What does arts journalism have to do with PR? As arts writers and editors, we often work closely with PR people. How do we collaborate? And what are the boundaries between our roles? Alaina Johns explains in this BSR Behind the Scenes editorial.
Editorials
7 minute read
As a mom, daughter, and freelancer, I'm good at juggling (figuratively). But can I really catch and let go?
This is not a metaphor
Writer Anndee Hochman is used to toggling through life: her mom, her family, her home, her work. So when life got grim, she decided to try juggling for real. How do you learn to catch and let go?
Essays
5 minute read
A closer look at depictions of domestic violence in Gunnar Montana’s BLACK WOOD
What does it mean to empower survivors?
BLACK WOOD, the latest from Gunnar Montana Productions, is an immersive, creepy, atmospheric experience perfect for spooky season. But we shouldn’t view it without talking about the violence it depicts. Alaina Johns considers.
Editorials
6 minute read
Coming of age with Sinéad
We need Sinéad O’Connor’s spirit more than ever
When Gabrielle Kaplan-Mayer heard about Sinéad O’Connor’s death this summer, she became her 21-year-old self, sustained against harassment and injustice by a singular voice.
Essays
4 minute read
Prison, hospital, burger joint, cathedral: does art transcend the space it’s in?
Art on the horizon
When art isn’t created for any particular site, how does it relate to the space where it’s exhibited, whether it’s a gallery, a prison, or a house of worship? Treacy Ziegler considers secular art in sacred places.
Essays
5 minute read