Opinion

96 results
Page 3
Neil, Alaina & Kyle lean on the railing of a 4th-floor roof-deck on a sunny day, the Philly skyline behind them

BSR Behind the Scenes: An inside look at our editorial process

Going backstage at BSR: How do we publish so many writers?

Did you know that BSR is Philly's top destination for professional arts journalism ... and that we're a small, independent nonprofit made up entirely of remote-working part-timers? Here's how we do it.
Alaina Johns

Alaina Johns

Editorials 4 minute read
In profile, a young woman sits on the edge of a bed and leans over, clutching her head and stomach in pain.

Menstruation is a part of life, but pain doesn’t have to be

Why don’t we take women’s pain seriously?

Despite studies that show women experience pain more acutely, we wait longer for diagnosis and pain relief than men do—if we get relief at all. Isabel Soisson considers.
Isabel Soisson

Isabel Soisson

Essays 5 minute read
Crisp photo of a small gray songbird perched alertly on a twig, with pink and green foliage a blur behind it.

The freedom on the bike, and the freedom in the weeds

Making magic in the ragweed

As a boy, Kile Smith knew there was no freedom like riding your own bike on your own time. But now, as he watches the world go by from his garden, a whole new kingdom opens up.
Kile Smith

Kile Smith

Essays 5 minute read
A multi-racial group of smiling colleagues posing together in a lofty coworking space. Alaina holds a tiny dog on the left.

BSR Behind the Scenes: Why do we need arts criticism?

Going backstage at BSR: The truth about reviewing

In our experience, some people opine that the critics are just dragging the cultural scene down—especially when a review is mixed or negative. But is that true? Not at all. Alaina Johns explains in this BSR Behind the Scenes editorial.
Alaina Johns

Alaina Johns

Editorials 6 minute read
Berenstain Bears logo with the cartoon family of five light-brown bears in human clothes crowded happily together.

Remembering Stan and Jan Berenstain, the Philly artists who created the Berenstain Bears

The makers of America’s favorite bear family

Stanley Melvin Berenstain met Janice Marian Grant when they were both studying art in Philadelphia—ostensibly to join the army, but their career took a very different turn. Emily Zarevich considers.
Emily R. Zarevich

Emily R. Zarevich

Essays 3 minute read
A smiling, sunny outdoor selfie of Alaina, a white woman, and Kyle, a Black man. They're both wearing sunglasses.

BSR Behind the Scenes: What does public relations have to do with arts journalism?

Going backstage at BSR: The PR connection

What does arts journalism have to do with PR? As arts writers and editors, we often work closely with PR people. How do we collaborate? And what are the boundaries between our roles? Alaina Johns explains in this BSR Behind the Scenes editorial.
Alaina Johns

Alaina Johns

Editorials 7 minute read
Close-up on Anndee’s light-skinned hands, two homemade denim beanbags in the left, and one in the right, against a red wall.

As a mom, daughter, and freelancer, I'm good at juggling (figuratively). But can I really catch and let go?

This is not a metaphor

Writer Anndee Hochman is used to toggling through life: her mom, her family, her home, her work. So when life got grim, she decided to try juggling for real. How do you learn to catch and let go?
Anndee Hochman

Anndee Hochman

Essays 5 minute read
Montana on a yellow ladder, with no shirt and paint-splattered shorts, paints tree branches on the wall of the set.

A closer look at depictions of domestic violence in Gunnar Montana’s BLACK WOOD

What does it mean to empower survivors?

BLACK WOOD, the latest from Gunnar Montana Productions, is an immersive, creepy, atmospheric experience perfect for spooky season. But we shouldn’t view it without talking about the violence it depicts. Alaina Johns considers.
Alaina Johns

Alaina Johns

Editorials 6 minute read
With trademark cropped hair, O’Connor sings soulfully, playing her guitar, bathed in blue stage lights from above.

Coming of age with Sinéad

We need Sinéad O’Connor’s spirit more than ever

When Gabrielle Kaplan-Mayer heard about Sinéad O’Connor’s death this summer, she became her 21-year-old self, sustained against harassment and injustice by a singular voice.
Gabrielle Kaplan-Mayer

Gabrielle Kaplan-Mayer

Essays 4 minute read
Ground-level photo of cathedral that takes in its stone arches and vaulted ceiling above, spangled with lights.

Prison, hospital, burger joint, cathedral: does art transcend the space it’s in?

Art on the horizon

When art isn’t created for any particular site, how does it relate to the space where it’s exhibited, whether it’s a gallery, a prison, or a house of worship? Treacy Ziegler considers secular art in sacred places.
Treacy Ziegler

Treacy Ziegler

Essays 5 minute read