Music

1918 results
Page 91
Khaner let his flute do most of the talking.

Chamber Orchestra: Mozart and controversy

Old audiences and the young Mozart

Where are the young audiences? Did Mozart hate the flute? Was the young Mozart a genius or merely a talented prodigy? Arguing about music after a concert may be fun, but the performers usually get the last word.
Tom Purdom

Tom Purdom

Articles 4 minute read
The Artemis Quartet: A problem in the programming.

Artemis Quartet at the Perelman

Missing body report

Whatever else you may say about Beethoven, even at his most ethereal and refined, his is a music that speaks through the body. You don’t play him like Debussy or Fauré.
Robert Zaller

Robert Zaller

Articles 4 minute read

When an autistic child enjoys performing

Making music with Malcolm

It wouldn't have occurred to me that my autistic son might want to appear in a musical, but he did.
Maria Thompson Corley

Maria Thompson Corley

Articles 6 minute read
Solzhenitsyn: In Richter's shadow.

Solzhenitsyn plays Prokofiev

Prokofiev in deadly earnest

Prokofiev’s war sonatas are rarely played in the West. Russia itself seems at stake in this music, and there’s probably no living pianist who can play them better than Ignat Solzhenitsyn.
Robert Zaller

Robert Zaller

Articles 3 minute read
Phillips: Helpful humming.

Another first for the Philadelphia Orchestra

An orchestra program without an orchestra? Actually, yes

The Philadelphia Orchestra expanded its repertoire with its first performance of Fauré’s Requiem and five pieces that prove you can present an orchestra concert without an orchestra.
Tom Purdom

Tom Purdom

Articles 3 minute read
Lofton: From one era to another.

A Sunday with AVA and Chestnut Street Singers

War and peace, music and politics

When you listen to music based on a religious or political text, to some extent you’re sharing the feelings of the people who believe in those words.
Tom Purdom

Tom Purdom

Articles 4 minute read

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Left to right: Rachel Sterrenberg, Shir Rozzen, Jazimina MacNeil: But where did they stand on Hitler? (Photo: Cory Weaver.)

Poulenc’s ‘Dialogues of the Carmelites’

What would Pope Francis say?

An uneven production revealed the limitations of Poulenc’s revered but sad French opera about the sufferings of nuns during the French Revolution.
Steve Cohen

Steve Cohen

Articles 2 minute read
Yisrael: Channeling an aristocrat in his private chambers.

Two salutes to Louis XIV, musician

Oh, to be the Sun King's lute teacher

What’s the essence of French Baroque style? For me, and apparently for Louis XIV as well, it’s a combination of elegance and pleasure.
Tom Purdom

Tom Purdom

Articles 3 minute read
He challenged the corporate symphonic establishment.

Robert Ashley and new music

A founding father of new music (with a sense of humor, too)

Robert Ashley, one of the most underappreciated and misunderstood musical artists of our time, left in his wake a handful of musical artists who helped to transform American music in the mid-20th century. I recall him as a colorful and unpretentious friend as well.
Joseph Franklin

Joseph Franklin

Articles 5 minute read
Denève: How to handle a cell phone.

Beethoven and Shostakovich at the Kimmel

Art and adversity

Talent, even genius, may not be enough for art. As both Beethoven and Shostakovich demonstrated, sometimes you need something even more: courage.
Robert Zaller

Robert Zaller

Articles 5 minute read