Music

1916 results
Page 83
Neither Catholic nor Jew

Nézet-Séguin conducts Mahler (2nd review)

Mahler’s tortured world

Mahler’s Resurrection Symphony had nothing to do with Christ and everything to do with the tormented composer’s own yearning for a better life after this one.
Steve Cohen

Steve Cohen

Articles 3 minute read
Not easily distracted, and yet...

Yefim Bronfman at the Perelman

Adventures of the sonata

The three sonatas programmed by Yefim Bronfman in his Perelman Theater recital told a tale of an artist moving from classical assurance to anxious assertion to violent despair.
Robert Zaller

Robert Zaller

Articles 5 minute read
Marching to his own drummer. (photo by nickelbabe, via Creative Commons/pixabay)

Calvin Hampton: An appreciation

An American genius

Calvin Hampton dared to take musical chances. While the results are uneven, his better compositions deserve a place in the repertoire.

Michael Lawrence

Articles 3 minute read
Protesters at the Met: What makes this production different? (Photo: Marla Diamond/WCBS 880)

The 'Klinghoffer' kerfuffle

How to respond to Klinghoffer

Censoring art has been an irresistible temptation since Plato’s time. It was a bad idea in ancient Greece, and it’s a bad idea today, as the kerfuffle over John Adams’s Death of Klinghoffer illustrates.
Robert Zaller

Robert Zaller

Articles 5 minute read
Vocalist Annie Haslam of symphonic progressive rock band Renaissance. (Photo by Esa ahola, via Creative Commons/Wikimedia)

Renaissance and Al Stewart at the Keswick

The renaissance of Renaissance

Both Renaissance and Al Stewart are certainly still best known for their work of four decades past, yet in their performance at the Keswick, they amply demonstrated that while time can leave its inevitable mark on an artist, well-crafted and expertly-performed work always remains unscathed.
Mark Wolverton

Mark Wolverton

Articles 4 minute read
Mahler was once an almost forgotten composer, but now...

Nézet-Séguin Conducts Mahler (1st review)

From Walter to Bernstein to Yannick

Mahler’s Resurrection Symphony, once a rarity, now faces the danger of becoming too familiar. Yannick Nézet-Séguin toned it down a notch, to good effect.
Robert Zaller

Robert Zaller

Articles 6 minute read
Bach: The hardest working man in Baroque.

Tempesta di Mare plays Praetorious and Bach

The songs of the cosmic bourgeois

Tempesta di Mare presents a Baroque concert that makes a good companion to the Charles Ives concert the Philadelphia Chamber Music Society presented earlier in the same week.
Tom Purdom

Tom Purdom

Articles 4 minute read
Heavier, yes — but richer, too.(Photo: Marty Sohl/ Metropolitan Opera.)

Netrebko in Verdi’s ‘Macbeth’

Seeing is believing

Anna Netrebko triumphs as Lady Macbeth, but you’d never know it by listening only.
Steve Cohen

Steve Cohen

Articles 3 minute read

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Aaron Copland in his studio.

Copland's 'Shall We Gather at the River'

Moved to tears

There’s music I like more than Aaron Copland’s “Shall We Gather at the River?” that does not make me cry, so what is the power of this piece?
Kile Smith

Kile Smith

Articles 5 minute read
Charm and discipline: Dawn Upshaw (photo by Brooke English)

Dawn Upshaw and Gilbert Kalish perform Charles Ives

Ives thrives with Dawn Upshaw and Gilbert Kalish

Charles Ives broke open the warp and woof of American music in a way that no other composer has before or since. Dawn Upshaw and Gilbert Kalish provide the celebration he deserves.
Victor L. Schermer

Victor L. Schermer

Articles 6 minute read